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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C826AA it is the complementary color #37D955. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C826AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C826AA: #CD26A5, #DE38B8, #EF4ACB, #FF5CDE and #FF6EF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C826AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C826AA: #C826AA, #B71497, #A60284, #950071 and #84005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

Complementary color

CMYK 75 / 0 / 61 / 15

HEX #37D955

RGB 55 217 85

HSL 131.11, 0.68%, 0.53%

LAB 76.74, -66.92, 52.24

 

CMYK 0 / 81 / 20 / 20

HEX #CD26A5

RGB 205 38 165

HSL 314.37, 0.69%, 0.48%

LAB 48.36, 72.79, -28.81

 

CMYK 0 / 75 / 17 / 13

HEX #DE38B8

RGB 222 56 184

HSL 313.73, 0.72%, 0.55%

LAB 53.83, 74.28, -31.22

 

CMYK 0 / 69 / 15 / 6

HEX #EF4ACB

RGB 239 74 203

HSL 313.09, 0.84%, 0.61%

LAB 59.49, 75.06, -33.13

 

CMYK 0 / 64 / 13 / 0

HEX #FF5CDE

RGB 255 92 222

HSL 312.15, 1%, 0.68%

LAB 65.11, 75.09, -34.91

 

CMYK 0 / 57 / 5 / 0

HEX #FF6EF1

RGB 255 110 241

HSL 305.79, 1%, 0.72%

LAB 68.58, 70.68, -40.04

 

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

CMYK 0 / 89 / 17 / 28

HEX #B71497

RGB 183 20 151

HSL 311.78, 0.8%, 0.4%

LAB 42.46, 69.91, -29.94

 

CMYK 0 / 99 / 20 / 35

HEX #A60284

RGB 166 2 132

HSL 312.44, 0.98%, 0.33%

LAB 37.51, 66.31, -26.29

 

CMYK 0 / 100 / 24 / 42

HEX #950071

RGB 149 0 113

HSL 314.5, 1%, 0.29%

LAB 33.1, 60.81, -21.49

 

CMYK 0 / 100 / 29 / 48

HEX #84005E

RGB 132 0 94

HSL 317.27, 1%, 0.26%

LAB 28.68, 54.98, -16.35

 

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

CMYK 0 / 81 / 28 / 21

HEX #C92690

RGB 201 38 144

HSL 320.98, 0.68%, 0.47%

LAB 46.73, 69.32, -18.82

 

CMYK 0 / 81 / 42 / 21

HEX #C92675

RGB 201 38 117

HSL 330.92, 0.68%, 0.47%

LAB 45.75, 66.47, -3.83

 

CMYK 0 / 81 / 56 / 21

HEX #C92659

RGB 201 38 89

HSL 341.23, 0.68%, 0.47%

LAB 44.98, 64.16, 12.4

 

CMYK 0 / 81 / 69 / 21

HEX #C9263E

RGB 201 38 62

HSL 351.17, 0.68%, 0.47%

LAB 44.45, 62.55, 28.38

 

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

CMYK 0 / 81 / 15 / 2

HEX #FB30D5

RGB 251 48 213

HSL 311.23, 0.96%, 0.59%

LAB 59.37, 86.3, -38.85

 

CMYK 0 / 81 / 15 / 82

HEX #2F0928

RGB 47 9 40

HSL 311.05, 0.68%, 0.11%

LAB 8.59, 23.54, -11.27

 

CMYK 0 / 81 / 15 / 62

HEX #621353

RGB 98 19 83

HSL 311.39, 0.68%, 0.23%

LAB 22.61, 41.47, -19.03

 

CMYK 0 / 81 / 15 / 42

HEX #951C7F

RGB 149 28 127

HSL 310.91, 0.68%, 0.35%

LAB 35.5, 57.72, -26.55

 

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

CMYK 0 / 50 / 81 / 21

HEX #C96426

RGB 201 100 38

HSL 22.82, 0.68%, 0.47%

LAB 53.68, 36.25, 51.04

 

CMYK 81 / 0 / 17 / 21

HEX #26C9A6

RGB 38 201 166

HSL 167.12, 0.68%, 0.47%

LAB 72.85, -48.05, 6.18

 

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

CMYK 15 / 0 / 81 / 21

HEX #ABC926

RGB 171 201 38

HSL 71.04, 0.68%, 0.47%

LAB 76.42, -29.91, 70.36

 

CMYK 81 / 15 / 0 / 21

HEX #26ABC9

RGB 38 171 201

HSL 191.04, 0.68%, 0.47%

LAB 64.77, -23.96, -25.09

 

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

CMYK 0 / 50 / 81 / 21

HEX #C96426

RGB 201 100 38

HSL 22.82, 0.68%, 0.47%

LAB 53.68, 36.25, 51.04

 

CMYK 81 / 0 / 66 / 21

HEX #26C944

RGB 38 201 68

HSL 131.04, 0.68%, 0.47%

LAB 71.28, -65.88, 53.3

 

CMYK 81 / 31 / 0 / 21

HEX #268AC9

RGB 38 138 201

HSL 203.19, 0.68%, 0.47%

LAB 54.87, -5.97, -40.47

 

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

CMYK 0 / 26 / 81 / 21

HEX #C99526

RGB 201 149 38

HSL 40.86, 0.68%, 0.47%

LAB 65, 9.86, 61.29

 

CMYK 81 / 0 / 66 / 21

HEX #26C944

RGB 38 201 68

HSL 131.04, 0.68%, 0.47%

LAB 71.28, -65.88, 53.3

 

CMYK 81 / 56 / 0 / 21

HEX #2659C9

RGB 38 89 201

HSL 221.23, 0.68%, 0.47%

LAB 40.85, 24.62, -62.92

 

Description

Color code: HEX #C826AA | qconv.com Color code: HEX #C826AA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 38 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 38 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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