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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E300 it is the complementary color #381CFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E300 shade: #CCE300, #DDF50E, #EEFF21, #FFFF34 and #FFFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E300 shade: #C7E300, #B6D100, #A5BF00, #94AD00 and #839B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E300 shade: #C9E600, #E6C400, #E68600, #E64800 and #E60A00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E300 shade: #C9E600, #8BE600, #4DE600, #10E600 and #00E62E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E300 shade matches the following richer shades: #C9E600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E300 shade: #C9E600, #BBD313, #ADC025, #9FAE38 and #919B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E300 shade: #E68600, #E6C300, #CBE600, #8EE600 and #50E600

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E300 shade: #819300, #A5BC00, #C9E600, #E1FF10 and #E7FF39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E300 shade: #C7E300, #00E649 and #A400E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E300 shade: #C7E300, #00CBE6 and #E600CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E300 shade: #C7E300, #00E649, #1B00E6 and #E6009D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E300 shade: #C7E300, #00E68E, #1B00E6 and #E60058

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 100 / 11

HEX #C7E300

RGB 199 227 0

HSL 67.4, 1%, 0.45%

LAB 85.54, -31.33, 84.07

 

Complementary color

CMYK 78 / 89 / 0 / 0

HEX #381CFF

RGB 56 28 255

HSL 247.4, 1%, 0.55%

LAB 35.77, 74.71, -102.02

 

CMYK 10 / 0 / 100 / 11

HEX #CCE300

RGB 204 227 0

HSL 66.08, 1%, 0.45%

LAB 85.89, -29.29, 84.49

 

CMYK 10 / 0 / 94 / 4

HEX #DDF50E

RGB 221 245 14

HSL 66.23, 0.92%, 0.51%

LAB 92, -30.61, 88.5

 

CMYK 7 / 0 / 87 / 0

HEX #EEFF21

RGB 238 255 33

HSL 64.59, 1%, 0.56%

LAB 95.92, -28.1, 89.63

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 12 / 0 / 100 / 11

HEX #C7E300

RGB 199 227 0

HSL 67.4, 1%, 0.45%

LAB 85.54, -31.33, 84.07

 

CMYK 13 / 0 / 100 / 18

HEX #B6D100

RGB 182 209 0

HSL 67.75, 1%, 0.41%

LAB 79.35, -29.9, 78.92

 

CMYK 14 / 0 / 100 / 25

HEX #A5BF00

RGB 165 191 0

HSL 68.17, 1%, 0.37%

LAB 73.06, -28.44, 73.68

 

CMYK 14 / 0 / 100 / 32

HEX #94AD00

RGB 148 173 0

HSL 68.67, 1%, 0.34%

LAB 66.66, -26.97, 68.35

 

CMYK 15 / 0 / 100 / 39

HEX #839B00

RGB 131 155 0

HSL 69.29, 1%, 0.3%

LAB 60.13, -25.49, 62.91

 

CMYK 13 / 0 / 100 / 10

HEX #C9E600

RGB 201 230 0

HSL 67.57, 1%, 0.45%

LAB 86.51, -31.91, 84.85

 

CMYK 0 / 15 / 100 / 10

HEX #E6C400

RGB 230 196 0

HSL 51.13, 1%, 0.45%

LAB 79.79, -2.96, 81.01

 

CMYK 0 / 42 / 100 / 10

HEX #E68600

RGB 230 134 0

HSL 34.96, 1%, 0.45%

LAB 64.86, 29.73, 70.95

 

CMYK 0 / 69 / 100 / 10

HEX #E64800

RGB 230 72 0

HSL 18.78, 1%, 0.45%

LAB 53.45, 58.87, 64.45

 

CMYK 0 / 96 / 100 / 10

HEX #E60A00

RGB 230 10 0

HSL 2.61, 1%, 0.45%

LAB 48.31, 73.3, 62.27

 

CMYK 13 / 0 / 100 / 10

HEX #C9E600

RGB 201 230 0

HSL 67.57, 1%, 0.45%

LAB 86.51, -31.91, 84.85

 

CMYK 40 / 0 / 100 / 10

HEX #8BE600

RGB 139 230 0

HSL 83.74, 1%, 0.45%

LAB 82.96, -55.17, 80.59

 

CMYK 67 / 0 / 100 / 10

HEX #4DE600

RGB 77 230 0

HSL 99.91, 1%, 0.45%

LAB 80.83, -71.9, 78.02

 

CMYK 93 / 0 / 100 / 10

HEX #10E600

RGB 16 230 0

HSL 115.83, 1%, 0.45%

LAB 80.01, -79.15, 77.01

 

CMYK 100 / 0 / 80 / 10

HEX #00E62E

RGB 0 230 46

HSL 132, 1%, 0.45%

LAB 80.06, -78.27, 69.66

 

CMYK 13 / 0 / 100 / 10

HEX #C9E600

RGB 201 230 0

HSL 67.57, 1%, 0.45%

LAB 86.51, -31.91, 84.85

 

CMYK 13 / 0 / 100 / 10

HEX #C9E600

RGB 201 230 0

HSL 67.57, 1%, 0.45%

LAB 86.51, -31.91, 84.85

 

CMYK 11 / 0 / 91 / 17

HEX #BBD313

RGB 187 211 19

HSL 67.5, 0.83%, 0.45%

LAB 80.29, -28.54, 77.81

 

CMYK 10 / 0 / 81 / 25

HEX #ADC025

RGB 173 192 37

HSL 67.35, 0.68%, 0.45%

LAB 74.01, -24.81, 68.56

 

CMYK 9 / 0 / 68 / 32

HEX #9FAE38

RGB 159 174 56

HSL 67.63, 0.51%, 0.45%

LAB 67.97, -20.94, 56.15

 

CMYK 6 / 0 / 52 / 39

HEX #919B4A

RGB 145 155 74

HSL 67.41, 0.35%, 0.45%

LAB 61.62, -15.77, 40.78

 

CMYK 0 / 42 / 100 / 10

HEX #E68600

RGB 230 134 0

HSL 34.96, 1%, 0.45%

LAB 64.86, 29.73, 70.95

 

CMYK 0 / 15 / 100 / 10

HEX #E6C300

RGB 230 195 0

HSL 50.87, 1%, 0.45%

LAB 79.53, -2.44, 80.83

 

CMYK 12 / 0 / 100 / 10

HEX #CBE600

RGB 203 230 0

HSL 67.04, 1%, 0.45%

LAB 86.65, -31.1, 85.02

 

CMYK 38 / 0 / 100 / 10

HEX #8EE600

RGB 142 230 0

HSL 82.96, 1%, 0.45%

LAB 83.1, -54.16, 80.76

 

CMYK 65 / 0 / 100 / 10

HEX #50E600

RGB 80 230 0

HSL 99.13, 1%, 0.45%

LAB 80.9, -71.29, 78.1

 

CMYK 12 / 0 / 100 / 42

HEX #819300

RGB 129 147 0

HSL 67.35, 1%, 0.29%

LAB 57.59, -22.38, 60.95

 

CMYK 12 / 0 / 100 / 26

HEX #A5BC00

RGB 165 188 0

HSL 67.34, 1%, 0.37%

LAB 72.21, -27.01, 73.04

 

CMYK 13 / 0 / 100 / 10

HEX #C9E600

RGB 201 230 0

HSL 67.57, 1%, 0.45%

LAB 86.51, -31.91, 84.85

 

CMYK 12 / 0 / 94 / 0

HEX #E1FF10

RGB 225 255 16

HSL 67.53, 1%, 0.53%

LAB 94.98, -33.57, 90.72

 

CMYK 9 / 0 / 78 / 0

HEX #E7FF39

RGB 231 255 57

HSL 67.27, 1%, 0.61%

LAB 95.5, -30.24, 83.81

 

CMYK 12 / 0 / 100 / 11

HEX #C7E300

RGB 199 227 0

HSL 67.4, 1%, 0.45%

LAB 85.54, -31.33, 84.07

 

CMYK 100 / 0 / 68 / 10

HEX #00E649

RGB 0 230 73

HSL 139.04, 1%, 0.45%

LAB 80.22, -76.22, 60.88

 

CMYK 29 / 100 / 0 / 10

HEX #A400E6

RGB 164 0 230

HSL 282.78, 1%, 0.45%

LAB 43.66, 81.72, -74.49

 

CMYK 12 / 0 / 100 / 11

HEX #C7E300

RGB 199 227 0

HSL 67.4, 1%, 0.45%

LAB 85.54, -31.33, 84.07

 

CMYK 100 / 12 / 0 / 10

HEX #00CBE6

RGB 0 203 230

HSL 187.04, 1%, 0.45%

LAB 75.09, -32.09, -25.15

 

CMYK 0 / 100 / 12 / 10

HEX #E600CB

RGB 230 0 203

HSL 307.04, 1%, 0.45%

LAB 53.1, 87.23, -43.26

 

CMYK 12 / 0 / 100 / 11

HEX #C7E300

RGB 199 227 0

HSL 67.4, 1%, 0.45%

LAB 85.54, -31.33, 84.07

 

CMYK 100 / 0 / 68 / 10

HEX #00E649

RGB 0 230 73

HSL 139.04, 1%, 0.45%

LAB 80.22, -76.22, 60.88

 

CMYK 88 / 100 / 0 / 10

HEX #1B00E6

RGB 27 0 230

HSL 247.04, 1%, 0.45%

LAB 29.28, 73.44, -98.75

 

CMYK 0 / 100 / 32 / 10

HEX #E6009D

RGB 230 0 157

HSL 319.04, 1%, 0.45%

LAB 50.99, 81.91, -19.62

 

CMYK 12 / 0 / 100 / 11

HEX #C7E300

RGB 199 227 0

HSL 67.4, 1%, 0.45%

LAB 85.54, -31.33, 84.07

 

CMYK 100 / 0 / 38 / 10

HEX #00E68E

RGB 0 230 142

HSL 157.04, 1%, 0.45%

LAB 81.04, -66.23, 30.12

 

CMYK 88 / 100 / 0 / 10

HEX #1B00E6

RGB 27 0 230

HSL 247.04, 1%, 0.45%

LAB 29.28, 73.44, -98.75

 

CMYK 0 / 100 / 62 / 10

HEX #E60058

RGB 230 0 88

HSL 337.04, 1%, 0.45%

LAB 48.92, 76.48, 19.34

 

Description

Color code: HEX #C7E300 | qconv.com Color code: HEX #C7E300 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 227 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 227 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 100 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 100% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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