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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 7 / 0 / 87 / 0 it is the complementary color CMYK 92 / 100 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 7 / 0 / 87 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 7 / 0 / 87 / 0: CMYK 5 / 0 / 89 / 0, CMYK 0 / 0 / 82 / 0, CMYK 0 / 0 / 74 / 0, CMYK 0 / 0 / 67 / 0 and CMYK 0 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 7 / 0 / 87 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 7 / 0 / 87 / 0: CMYK 7 / 0 / 87 / 0, CMYK 7 / 0 / 94 / 7, CMYK 7 / 0 / 100 / 14, CMYK 7 / 0 / 100 / 21 and CMYK 8 / 0 / 100 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

Complementary color

CMYK 92 / 100 / 0 / 13

HEX #1200DE

RGB 18 0 222

HSL 244.86, 1%, 0.44%

LAB 27.85, 71.43, -96.55

 

CMYK 5 / 0 / 89 / 0

HEX #F2FF1C

RGB 242 255 28

HSL 63.44, 1%, 0.55%

LAB 96.2, -26.57, 90.75

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2F

RGB 255 255 47

HSL 60, 1%, 0.59%

LAB 97.22, -20.88, 88.47

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL® 1016

CMYK 7 / 0 / 94 / 7

HEX #DCED0E

RGB 220 237 14

HSL 64.57, 0.89%, 0.49%

LAB 89.77, -27.29, 86.76

 

CMYK 7 / 0 / 100 / 14

HEX #CBDB00

RGB 203 219 0

HSL 64.38, 1%, 0.43%

LAB 83.63, -25.92, 82.77

 

CMYK 7 / 0 / 100 / 21

HEX #BAC900

RGB 186 201 0

HSL 64.48, 1%, 0.39%

LAB 77.41, -24.41, 77.6

 

CMYK 8 / 0 / 100 / 28

HEX #A9B700

RGB 169 183 0

HSL 64.59, 1%, 0.36%

LAB 71.08, -22.87, 72.33

 

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL® 1016

CMYK 21 / 0 / 88 / 0

HEX #CAFF1E

RGB 202 255 30

HSL 74.13, 1%, 0.56%

LAB 93.52, -42.33, 87.19

 

CMYK 35 / 0 / 88 / 0

HEX #A5FF1E

RGB 165 255 30

HSL 84, 1%, 0.56%

LAB 91.51, -55.76, 84.71

 

CMYK 50 / 0 / 88 / 0

HEX #7FFF1E

RGB 127 255 30

HSL 94.13, 1%, 0.56%

LAB 89.92, -67.58, 82.73

 

CMYK 65 / 0 / 88 / 0

HEX #5AFF1E

RGB 90 255 30

HSL 104, 1%, 0.56%

LAB 88.82, -76.47, 81.37

 

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL® 1016

CMYK 8 / 0 / 86 / 80

HEX #2F3307

RGB 47 51 7

HSL 65.45, 0.76%, 0.11%

LAB 19.99, -8.57, 25.15

 

CMYK 7 / 0 / 87 / 60

HEX #5F660D

RGB 95 102 13

HSL 64.72, 0.77%, 0.23%

LAB 41.16, -13.99, 44.18

 

CMYK 7 / 0 / 87 / 40

HEX #8E9914

RGB 142 153 20

HSL 64.96, 0.77%, 0.34%

LAB 60.41, -19.27, 60.2

 

CMYK 7 / 0 / 87 / 20

HEX #BECC1A

RGB 190 204 26

HSL 64.72, 0.77%, 0.45%

LAB 78.58, -23.8, 75.4

 

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL® 1016

CMYK 88 / 0 / 65 / 0

HEX #1EFF5A

RGB 30 255 90

HSL 136, 1%, 0.56%

LAB 88.23, -80.45, 62.94

 

CMYK 29 / 88 / 0 / 0

HEX #B41EFF

RGB 180 30 255

HSL 280, 1%, 0.56%

LAB 49.32, 84.65, -79.22

 

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL® 1016

CMYK 88 / 6 / 0 / 0

HEX #1EF0FF

RGB 30 240 255

HSL 184, 1%, 0.56%

LAB 86.91, -40.62, -20.46

 

CMYK 0 / 88 / 6 / 0

HEX #FF1EF0

RGB 255 30 240

HSL 304, 1%, 0.56%

LAB 60.32, 93.75, -52.5

 

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL® 1016

CMYK 88 / 0 / 65 / 0

HEX #1EFF5A

RGB 30 255 90

HSL 136, 1%, 0.56%

LAB 88.23, -80.45, 62.94

 

CMYK 82 / 88 / 0 / 0

HEX #2D1EFF

RGB 45 30 255

HSL 244, 1%, 0.56%

LAB 35.41, 73.77, -102.64

 

CMYK 0 / 88 / 24 / 0

HEX #FF1EC3

RGB 255 30 195

HSL 316, 1%, 0.56%

LAB 58.16, 88.12, -30.41

 

CMYK 7 / 0 / 87 / 0

HEX #EDFF21

RGB 237 255 33

HSL 64.86, 1%, 0.56%

LAB 95.84, -28.5, 89.54

RAL® 1016

CMYK 88 / 0 / 38 / 0

HEX #1EFF9D

RGB 30 255 157

HSL 153.87, 1%, 0.56%

LAB 89.03, -70.73, 33.23

 

CMYK 82 / 88 / 0 / 0

HEX #2D1EFF

RGB 45 30 255

HSL 244, 1%, 0.56%

LAB 35.41, 73.77, -102.64

 

CMYK 0 / 88 / 50 / 0

HEX #FF1E7F

RGB 255 30 127

HSL 334.13, 1%, 0.56%

LAB 55.81, 81.72, 5.99

 

Description

Color code: CMYK 7 / 0 / 87 / 0 | qconv.com Color code: CMYK 7 / 0 / 87 / 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 255 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 255 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 87 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 87% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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