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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7B5E8 it is the complementary color #384A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7B5E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7B5E8 shade: #CCB5E3, #DDC7F6, #EED9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7B5E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7B5E8 shade: #C7B5E8, #B6A3D5, #A591C2, #947FAF and #836D9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7B5E8 shade: #C7B5E8, #D5B5E8, #E3B5E8, #E8B5E0 and #E8B5D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7B5E8 shade: #C7B5E8, #B9B5E8 and #B5B5E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7B5E8 shade matches the following richer shades: #C7B5E8, #C5ADF0 and #C2A5F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7B5E8 shade: #C7B5E8, #C9BDE0, #CCC5D9, #CECCD1 and #D0D4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7B5E8 shade: #B5BEE8, #B9B5E8, #C7B5E8, #D5B5E8 and #E2B5E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7B5E8 shade: #9776D5, #AF95DF, #C7B5E8, #DFD4F2 and #F7F4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7B5E8 shade: #C7B5E8, #E8B5CC and #B7E8B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7B5E8 shade: #C7B5E8, #E8C7B5 and #B5E8C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7B5E8 shade: #C7B5E8, #E8B5CC, #D6E8B5 and #B5E8D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7B5E8 shade: #C7B5E8, #E8B5BD, #D6E8B5 and #B5E8E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

Complementary color

CMYK 24 / 0 / 69 / 71

HEX #384A17

RGB 56 74 23

HSL 81.18, 0.53%, 0.19%

LAB 28.9, -16.3, 27.36

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 10 / 19 / 0 / 4

HEX #DDC7F6

RGB 221 199 246

HSL 268.09, 0.72%, 0.87%

LAB 83.38, 16.37, -20.31

 

CMYK 7 / 15 / 0 / 0

HEX #EED9FF

RGB 238 217 255

HSL 273.16, 1%, 0.93%

LAB 89.4, 14.04, -15.85

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 15 / 23 / 0 / 16

HEX #B6A3D5

RGB 182 163 213

HSL 262.8, 0.37%, 0.74%

LAB 70.14, 16.68, -22.87

 

CMYK 15 / 25 / 0 / 24

HEX #A591C2

RGB 165 145 194

HSL 264.49, 0.29%, 0.66%

LAB 63.46, 17.16, -22.64

 

CMYK 15 / 27 / 0 / 31

HEX #947FAF

RGB 148 127 175

HSL 266.25, 0.23%, 0.59%

LAB 56.65, 17.7, -22.43

 

CMYK 16 / 30 / 0 / 39

HEX #836D9C

RGB 131 109 156

HSL 268.09, 0.19%, 0.52%

LAB 49.69, 18.29, -22.24

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 8 / 22 / 0 / 9

HEX #D5B5E8

RGB 213 181 232

HSL 277.65, 0.53%, 0.81%

LAB 77.89, 20.7, -21.19

 

CMYK 2 / 22 / 0 / 9

HEX #E3B5E8

RGB 227 181 232

HSL 294.12, 0.53%, 0.81%

LAB 79.16, 25.25, -19.14

 

CMYK 0 / 22 / 3 / 9

HEX #E8B5E0

RGB 232 181 224

HSL 309.41, 0.53%, 0.81%

LAB 79.38, 25.43, -14.45

 

CMYK 0 / 22 / 9 / 9

HEX #E8B5D2

RGB 232 181 210

HSL 325.88, 0.53%, 0.81%

LAB 78.96, 23.01, -7.5

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 20 / 22 / 0 / 9

HEX #B9B5E8

RGB 185 181 232

HSL 244.71, 0.53%, 0.81%

LAB 75.57, 11.87, -24.93

 

CMYK 22 / 22 / 0 / 9

HEX #B5B5E8

RGB 181 181 232

HSL 240, 0.53%, 0.81%

LAB 75.26, 10.64, -25.42

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 18 / 28 / 0 / 6

HEX #C5ADF0

RGB 197 173 240

HSL 261.49, 0.69%, 0.81%

LAB 74.86, 21.72, -30.27

 

CMYK 22 / 33 / 0 / 3

HEX #C2A5F8

RGB 194 165 248

HSL 260.96, 0.86%, 0.81%

LAB 73, 27.03, -37.5

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 10 / 16 / 0 / 12

HEX #C9BDE0

RGB 201 189 224

HSL 260.57, 0.36%, 0.81%

LAB 78.58, 10.86, -15.93

 

CMYK 6 / 9 / 0 / 15

HEX #CCC5D9

RGB 204 197 217

HSL 261, 0.21%, 0.81%

LAB 80.62, 6.16, -9.08

 

CMYK 1 / 2 / 0 / 18

HEX #CECCD1

RGB 206 204 209

HSL 264, 0.05%, 0.81%

LAB 82.33, 1.61, -2.25

 

CMYK 2 / 0 / 5 / 17

HEX #D0D4C9

RGB 208 212 201

HSL 81.82, 0.11%, 0.81%

LAB 84.34, -3.33, 4.95

 

CMYK 22 / 18 / 0 / 9

HEX #B5BEE8

RGB 181 190 232

HSL 229.41, 0.53%, 0.81%

LAB 77.57, 5.73, -21.91

 

CMYK 20 / 22 / 0 / 9

HEX #B9B5E8

RGB 185 181 232

HSL 244.71, 0.53%, 0.81%

LAB 75.57, 11.87, -24.93

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 8 / 22 / 0 / 9

HEX #D5B5E8

RGB 213 181 232

HSL 277.65, 0.53%, 0.81%

LAB 77.89, 20.7, -21.19

 

CMYK 3 / 22 / 0 / 9

HEX #E2B5E8

RGB 226 181 232

HSL 292.94, 0.53%, 0.81%

LAB 79.07, 24.92, -19.29

 

CMYK 29 / 45 / 0 / 16

HEX #9776D5

RGB 151 118 213

HSL 260.84, 0.53%, 0.65%

LAB 56.43, 32.92, -44.39

 

CMYK 22 / 33 / 0 / 13

HEX #AF95DF

RGB 175 149 223

HSL 261.08, 0.54%, 0.73%

LAB 66.47, 24.59, -34.08

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 8 / 12 / 0 / 5

HEX #DFD4F2

RGB 223 212 242

HSL 262, 0.54%, 0.89%

LAB 86.6, 9.31, -13.32

 

CMYK 2 / 3 / 0 / 1

HEX #F7F4FC

RGB 247 244 252

HSL 262.5, 0.57%, 0.97%

LAB 96.62, 2.42, -3.49

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 0 / 22 / 12 / 9

HEX #E8B5CC

RGB 232 181 204

HSL 332.94, 0.53%, 0.81%

LAB 78.79, 22.01, -4.5

 

CMYK 21 / 0 / 22 / 9

HEX #B7E8B5

RGB 183 232 181

HSL 117.65, 0.53%, 0.81%

LAB 87.54, -25.33, 19.77

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 0 / 14 / 22 / 9

HEX #E8C7B5

RGB 232 199 181

HSL 21.18, 0.53%, 0.81%

LAB 82.56, 8.9, 13.32

 

CMYK 22 / 0 / 14 / 9

HEX #B5E8C7

RGB 181 232 199

HSL 141.18, 0.53%, 0.81%

LAB 87.8, -22.8, 10.75

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 0 / 22 / 12 / 9

HEX #E8B5CC

RGB 232 181 204

HSL 332.94, 0.53%, 0.81%

LAB 78.79, 22.01, -4.5

 

CMYK 8 / 0 / 22 / 9

HEX #D6E8B5

RGB 214 232 181

HSL 81.18, 0.53%, 0.81%

LAB 89.55, -14.62, 22.87

 

CMYK 22 / 0 / 10 / 9

HEX #B5E8D1

RGB 181 232 209

HSL 152.94, 0.53%, 0.81%

LAB 88.04, -20.9, 5.85

 

CMYK 14 / 22 / 0 / 9

HEX #C7B5E8

RGB 199 181 232

HSL 261.18, 0.53%, 0.81%

LAB 76.69, 16.23, -23.12

 

CMYK 0 / 22 / 19 / 9

HEX #E8B5BD

RGB 232 181 189

HSL 350.59, 0.53%, 0.81%

LAB 78.39, 19.64, 3.04

 

CMYK 8 / 0 / 22 / 9

HEX #D6E8B5

RGB 214 232 181

HSL 81.18, 0.53%, 0.81%

LAB 89.55, -14.62, 22.87

 

CMYK 22 / 0 / 3 / 9

HEX #B5E8E1

RGB 181 232 225

HSL 171.76, 0.53%, 0.81%

LAB 88.43, -17.68, -1.96

 

Description

Color code: HEX #C7B5E8 | qconv.com Color code: HEX #C7B5E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 181 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 181 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 22 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 22% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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