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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB5E3 it is the complementary color #334A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB5E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB5E3 shade: #D1B5DE, #E2C7F1, #F3D9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB5E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB5E3 shade: #CCB5E3, #BBA3D0, #AA91BD, #997FAA and #886D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB5E3 shade: #CCB5E3, #D8B5E3, #E3B5E1, #E3B5D5 and #E3B5C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB5E3 shade: #CCB5E3, #C0B5E3 and #B5B5E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB5E3 shade matches the following richer shades: #CCB5E3, #CCADEB, #CCA5F3 and #CC9CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB5E3 shade: #CCB5E3, #CCBDDB, #CCC6D2, #CCCECA and #CCD6C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB5E3 shade: #B5B7E3, #C0B5E3, #CCB5E3, #D8B5E3 and #E3B5E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB5E3 shade: #A379CC, #B797D8, #CCB5E3, #E1D3EE and #F5F1FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB5E3 shade: #CCB5E3, #E3B5C3 and #B5E3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB5E3 shade: #CCB5E3, #E3CCB5 and #B5E3CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB5E3 shade: #CCB5E3, #E3B5C3, #CCE3B5 and #B5E3D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB5E3 shade: #CCB5E3, #E3B5B5, #CCE3B5 and #B5E3E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

Complementary color

CMYK 31 / 0 / 62 / 71

HEX #334A1C

RGB 51 74 28

HSL 90, 0.45%, 0.2%

LAB 28.6, -18, 24.28

 

CMYK 6 / 18 / 0 / 13

HEX #D1B5DE

RGB 209 181 222

HSL 280.98, 0.38%, 0.79%

LAB 77.21, 17.42, -16.84

 

CMYK 6 / 17 / 0 / 5

HEX #E2C7F1

RGB 226 199 241

HSL 278.57, 0.6%, 0.86%

LAB 83.63, 16.99, -17.21

 

CMYK 5 / 15 / 0 / 0

HEX #F3D9FF

RGB 243 217 255

HSL 281.05, 1%, 0.93%

LAB 89.81, 15.65, -15.19

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 10 / 22 / 0 / 18

HEX #BBA3D0

RGB 187 163 208

HSL 272, 0.32%, 0.73%

LAB 70.39, 17.24, -19.69

 

CMYK 10 / 23 / 0 / 26

HEX #AA91BD

RGB 170 145 189

HSL 274.09, 0.25%, 0.65%

LAB 63.73, 17.72, -19.38

 

CMYK 10 / 25 / 0 / 33

HEX #997FAA

RGB 153 127 170

HSL 276.28, 0.2%, 0.58%

LAB 56.93, 18.26, -19.09

 

CMYK 10 / 28 / 0 / 41

HEX #886D97

RGB 136 109 151

HSL 278.57, 0.17%, 0.51%

LAB 49.98, 18.85, -18.81

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 5 / 20 / 0 / 11

HEX #D8B5E3

RGB 216 181 227

HSL 285.65, 0.45%, 0.8%

LAB 77.99, 20.69, -18.31

 

CMYK 0 / 20 / 1 / 11

HEX #E3B5E1

RGB 227 181 225

HSL 302.61, 0.45%, 0.8%

LAB 78.93, 23.95, -15.7

 

CMYK 0 / 20 / 6 / 11

HEX #E3B5D5

RGB 227 181 213

HSL 318.26, 0.45%, 0.8%

LAB 78.57, 21.8, -9.76

 

CMYK 0 / 20 / 12 / 11

HEX #E3B5C8

RGB 227 181 200

HSL 335.22, 0.45%, 0.8%

LAB 78.2, 19.6, -3.26

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 15 / 20 / 0 / 11

HEX #C0B5E3

RGB 192 181 227

HSL 254.35, 0.45%, 0.8%

LAB 75.95, 12.95, -21.59

 

CMYK 20 / 20 / 0 / 11

HEX #B5B5E3

RGB 181 181 227

HSL 240, 0.45%, 0.8%

LAB 75.09, 9.51, -22.98

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 13 / 26 / 0 / 8

HEX #CCADEB

RGB 204 173 235

HSL 270, 0.61%, 0.8%

LAB 75.28, 22.81, -26.86

 

CMYK 16 / 32 / 0 / 5

HEX #CCA5F3

RGB 204 165 243

HSL 270, 0.76%, 0.8%

LAB 73.69, 28.9, -33.65

 

CMYK 19 / 38 / 0 / 1

HEX #CC9CFC

RGB 204 156 252

HSL 270, 0.94%, 0.8%

LAB 71.99, 35.77, -41.17

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 7 / 14 / 0 / 14

HEX #CCBDDB

RGB 204 189 219

HSL 270, 0.29%, 0.8%

LAB 78.66, 10.85, -13.07

 

CMYK 3 / 6 / 0 / 18

HEX #CCC6D2

RGB 204 198 210

HSL 270, 0.12%, 0.8%

LAB 80.67, 4.29, -5.24

 

CMYK 1 / 0 / 2 / 19

HEX #CCCECA

RGB 204 206 202

HSL 90, 0.04%, 0.8%

LAB 82.51, -1.41, 1.74

 

CMYK 5 / 0 / 9 / 16

HEX #CCD6C2

RGB 204 214 194

HSL 90, 0.2%, 0.8%

LAB 84.39, -6.97, 8.71

 

CMYK 20 / 19 / 0 / 11

HEX #B5B7E3

RGB 181 183 227

HSL 237.39, 0.45%, 0.8%

LAB 75.6, 8.42, -22.2

 

CMYK 15 / 20 / 0 / 11

HEX #C0B5E3

RGB 192 181 227

HSL 254.35, 0.45%, 0.8%

LAB 75.95, 12.95, -21.59

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 5 / 20 / 0 / 11

HEX #D8B5E3

RGB 216 181 227

HSL 285.65, 0.45%, 0.8%

LAB 77.99, 20.69, -18.31

 

CMYK 0 / 20 / 1 / 11

HEX #E3B5E1

RGB 227 181 225

HSL 302.61, 0.45%, 0.8%

LAB 78.93, 23.95, -15.7

 

CMYK 20 / 41 / 0 / 20

HEX #A379CC

RGB 163 121 204

HSL 270.36, 0.45%, 0.64%

LAB 57.87, 32.46, -36.96

 

CMYK 15 / 30 / 0 / 15

HEX #B797D8

RGB 183 151 216

HSL 269.54, 0.45%, 0.72%

LAB 67.4, 24.34, -28.72

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 5 / 11 / 0 / 7

HEX #E1D3EE

RGB 225 211 238

HSL 271.11, 0.44%, 0.88%

LAB 86.39, 9.72, -11.5

 

CMYK 2 / 4 / 0 / 2

HEX #F5F1FA

RGB 245 241 250

HSL 266.67, 0.47%, 0.96%

LAB 95.67, 2.94, -3.86

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 0 / 20 / 14 / 11

HEX #E3B5C3

RGB 227 181 195

HSL 341.74, 0.45%, 0.8%

LAB 78.06, 18.78, -0.75

 

CMYK 20 / 0 / 18 / 11

HEX #B5E3BA

RGB 181 227 186

HSL 126.52, 0.45%, 0.8%

LAB 86.16, -22.71, 15.21

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 0 / 10 / 20 / 11

HEX #E3CCB5

RGB 227 204 181

HSL 30, 0.45%, 0.8%

LAB 83.36, 4.43, 14.39

 

CMYK 20 / 0 / 10 / 11

HEX #B5E3CC

RGB 181 227 204

HSL 150, 0.45%, 0.8%

LAB 86.56, -19.4, 6.35

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 0 / 20 / 14 / 11

HEX #E3B5C3

RGB 227 181 195

HSL 341.74, 0.45%, 0.8%

LAB 78.06, 18.78, -0.75

 

CMYK 10 / 0 / 20 / 11

HEX #CCE3B5

RGB 204 227 181

HSL 90, 0.45%, 0.8%

LAB 87.54, -15.68, 19.97

 

CMYK 20 / 0 / 6 / 11

HEX #B5E3D5

RGB 181 227 213

HSL 161.74, 0.45%, 0.8%

LAB 86.78, -17.63, 1.93

 

CMYK 10 / 20 / 0 / 11

HEX #CCB5E3

RGB 204 181 227

HSL 270, 0.45%, 0.8%

LAB 76.94, 16.79, -19.99

 

CMYK 0 / 20 / 20 / 11

HEX #E3B5B5

RGB 227 181 181

HSL 0, 0.45%, 0.8%

LAB 77.71, 16.61, 6.33

 

CMYK 10 / 0 / 20 / 11

HEX #CCE3B5

RGB 204 227 181

HSL 90, 0.45%, 0.8%

LAB 87.54, -15.68, 19.97

 

CMYK 20 / 0 / 0 / 11

HEX #B5E3E3

RGB 181 227 227

HSL 180, 0.45%, 0.8%

LAB 87.15, -14.76, -4.9

 

Description

Color code: HEX #CCB5E3 | qconv.com Color code: HEX #CCB5E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 181 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 181 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 20 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 20% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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