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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7AF2F it is the complementary color #3850D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7AF2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7AF2F shade: #CCAF2A, #DDC13D, #EED350, #FFE563 and #FFF776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7AF2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7AF2F shade: #C7AF2F, #B69D1C, #A58B09, #947900 and #836700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7AF2F shade: #C6AE2F, #C6852F, #C65C2F, #C6342F and #C62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7AF2F shade: #C6AE2F, #B5C62F, #8CC62F, #63C62F and #3BC62F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7AF2F shade matches the following richer shades: #C6AE2F, #DABC1B and #EEC907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7AF2F shade: #C6AE2F, #B2A142, #9F9356, #8B866A and #77787E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7AF2F shade: #C65C2F, #C6852F, #C6AD2F, #B7C62F and #8FC62F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7AF2F shade: #83741F, #A59127, #C6AE2F, #D4BF4A and #DCCA6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7AF2F shade: #C7AF2F, #2FC634 and #702FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7AF2F shade: #C7AF2F, #2FC6AD and #AD2FC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7AF2F shade: #C7AF2F, #2FC634, #2F48C6 and #C62FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7AF2F shade: #C7AF2F, #2FC661, #2F48C6 and #C62F94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 76 / 22

HEX #C7AF2F

RGB 199 175 47

HSL 50.53, 0.62%, 0.48%

LAB 71.56, -4.61, 64.12

 

Complementary color

CMYK 73 / 62 / 0 / 18

HEX #3850D0

RGB 56 80 208

HSL 230.53, 0.62%, 0.52%

LAB 39.8, 34.89, -68.65

 

CMYK 0 / 14 / 79 / 20

HEX #CCAF2A

RGB 204 175 42

HSL 49.26, 0.66%, 0.48%

LAB 72, -2.61, 66.33

 

CMYK 0 / 13 / 72 / 13

HEX #DDC13D

RGB 221 193 61

HSL 49.5, 0.7%, 0.55%

LAB 78.37, -3.88, 66.33

 

CMYK 0 / 11 / 66 / 7

HEX #EED350

RGB 238 211 80

HSL 49.75, 0.82%, 0.62%

LAB 84.66, -4.96, 65.78

 

CMYK 0 / 10 / 61 / 0

HEX #FFE563

RGB 255 229 99

HSL 50, 1%, 0.69%

LAB 90.87, -5.89, 64.93

 

CMYK 0 / 3 / 54 / 0

HEX #FFF776

RGB 255 247 118

HSL 56.5, 1%, 0.73%

LAB 95.62, -13.45, 61.96

 

CMYK 0 / 12 / 76 / 22

HEX #C7AF2F

RGB 199 175 47

HSL 50.53, 0.62%, 0.48%

LAB 71.56, -4.61, 64.12

 

CMYK 0 / 14 / 85 / 29

HEX #B69D1C

RGB 182 157 28

HSL 50.26, 0.73%, 0.41%

LAB 65.08, -3.24, 63.57

 

CMYK 0 / 16 / 95 / 35

HEX #A58B09

RGB 165 139 9

HSL 50, 0.9%, 0.34%

LAB 58.49, -1.6, 61.6

 

CMYK 0 / 18 / 100 / 42

HEX #947900

RGB 148 121 0

HSL 49.05, 1%, 0.29%

LAB 51.8, 0.35, 57.52

 

CMYK 0 / 21 / 100 / 49

HEX #836700

RGB 131 103 0

HSL 47.18, 1%, 0.26%

LAB 44.98, 2.54, 51.89

 

CMYK 0 / 12 / 76 / 22

HEX #C6AE2F

RGB 198 174 47

HSL 50.46, 0.62%, 0.48%

LAB 71.2, -4.53, 63.76

 

CMYK 0 / 33 / 76 / 22

HEX #C6852F

RGB 198 133 47

HSL 34.17, 0.62%, 0.48%

LAB 60.77, 17.62, 53.85

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 0 / 74 / 76 / 22

HEX #C6342F

RGB 198 52 47

HSL 1.99, 0.62%, 0.48%

LAB 45.17, 56.8, 37.89

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 0 / 12 / 76 / 22

HEX #C6AE2F

RGB 198 174 47

HSL 50.46, 0.62%, 0.48%

LAB 71.2, -4.53, 63.76

 

CMYK 9 / 0 / 76 / 22

HEX #B5C62F

RGB 181 198 47

HSL 66.75, 0.62%, 0.48%

LAB 76.32, -24, 67.98

 

CMYK 29 / 0 / 76 / 22

HEX #8CC62F

RGB 140 198 47

HSL 83.05, 0.62%, 0.48%

LAB 73.65, -40.35, 64.52

 

CMYK 50 / 0 / 76 / 22

HEX #63C62F

RGB 99 198 47

HSL 99.34, 0.62%, 0.48%

LAB 71.72, -54.15, 62

 

CMYK 70 / 0 / 76 / 22

HEX #3BC62F

RGB 59 198 47

HSL 115.23, 0.62%, 0.48%

LAB 70.54, -63.67, 60.45

 

CMYK 0 / 12 / 76 / 22

HEX #C6AE2F

RGB 198 174 47

HSL 50.46, 0.62%, 0.48%

LAB 71.2, -4.53, 63.76

 

CMYK 0 / 14 / 88 / 15

HEX #DABC1B

RGB 218 188 27

HSL 50.58, 0.78%, 0.48%

LAB 76.65, -3.7, 74.64

 

CMYK 0 / 16 / 97 / 7

HEX #EEC907

RGB 238 201 7

HSL 50.39, 0.94%, 0.48%

LAB 81.82, -2.01, 82.14

 

CMYK 0 / 12 / 76 / 22

HEX #C6AE2F

RGB 198 174 47

HSL 50.46, 0.62%, 0.48%

LAB 71.2, -4.53, 63.76

 

CMYK 0 / 10 / 63 / 30

HEX #B2A142

RGB 178 161 66

HSL 50.89, 0.46%, 0.48%

LAB 66.02, -5.37, 50.32

 

CMYK 0 / 8 / 46 / 38

HEX #9F9356

RGB 159 147 86

HSL 50.14, 0.3%, 0.48%

LAB 60.7, -4.34, 33.78

 

CMYK 0 / 4 / 24 / 45

HEX #8B866A

RGB 139 134 106

HSL 50.91, 0.13%, 0.48%

LAB 55.66, -2.96, 15.78

 

CMYK 6 / 5 / 0 / 51

HEX #77787E

RGB 119 120 126

HSL 231.43, 0.03%, 0.48%

LAB 50.52, 0.87, -3.41

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 0 / 33 / 76 / 22

HEX #C6852F

RGB 198 133 47

HSL 34.17, 0.62%, 0.48%

LAB 60.77, 17.62, 53.85

 

CMYK 0 / 13 / 76 / 22

HEX #C6AD2F

RGB 198 173 47

HSL 50.07, 0.62%, 0.48%

LAB 70.94, -4, 63.51

 

CMYK 8 / 0 / 76 / 22

HEX #B7C62F

RGB 183 198 47

HSL 65.96, 0.62%, 0.48%

LAB 76.47, -23.16, 68.17

 

CMYK 28 / 0 / 76 / 22

HEX #8FC62F

RGB 143 198 47

HSL 81.85, 0.62%, 0.48%

LAB 73.83, -39.22, 64.75

 

CMYK 0 / 11 / 76 / 49

HEX #83741F

RGB 131 116 31

HSL 51, 0.62%, 0.32%

LAB 48.78, -3.99, 46.2

 

CMYK 0 / 12 / 76 / 35

HEX #A59127

RGB 165 145 39

HSL 50.48, 0.62%, 0.4%

LAB 60.25, -4.03, 55.22

 

CMYK 0 / 12 / 76 / 22

HEX #C6AE2F

RGB 198 174 47

HSL 50.46, 0.62%, 0.48%

LAB 71.2, -4.53, 63.76

 

CMYK 0 / 10 / 65 / 17

HEX #D4BF4A

RGB 212 191 74

HSL 50.87, 0.62%, 0.56%

LAB 77.13, -6, 59.65

 

CMYK 0 / 8 / 51 / 14

HEX #DCCA6B

RGB 220 202 107

HSL 50.44, 0.62%, 0.64%

LAB 81.03, -5.92, 49.23

 

CMYK 0 / 12 / 76 / 22

HEX #C7AF2F

RGB 199 175 47

HSL 50.53, 0.62%, 0.48%

LAB 71.56, -4.61, 64.12

 

CMYK 76 / 0 / 74 / 22

HEX #2FC634

RGB 47 198 52

HSL 121.99, 0.62%, 0.48%

LAB 70.34, -65.24, 58.48

 

CMYK 43 / 76 / 0 / 22

HEX #702FC6

RGB 112 47 198

HSL 265.83, 0.62%, 0.48%

LAB 37.03, 57.97, -67.2

 

CMYK 0 / 12 / 76 / 22

HEX #C7AF2F

RGB 199 175 47

HSL 50.53, 0.62%, 0.48%

LAB 71.56, -4.61, 64.12

 

CMYK 76 / 0 / 13 / 22

HEX #2FC6AD

RGB 47 198 173

HSL 170.07, 0.62%, 0.48%

LAB 72.23, -44.07, 1.51

 

CMYK 13 / 76 / 0 / 22

HEX #AD2FC6

RGB 173 47 198

HSL 290.07, 0.62%, 0.48%

LAB 45.63, 68.81, -52.86

 

CMYK 0 / 12 / 76 / 22

HEX #C7AF2F

RGB 199 175 47

HSL 50.53, 0.62%, 0.48%

LAB 71.56, -4.61, 64.12

 

CMYK 76 / 0 / 74 / 22

HEX #2FC634

RGB 47 198 52

HSL 121.99, 0.62%, 0.48%

LAB 70.34, -65.24, 58.48

 

CMYK 76 / 64 / 0 / 22

HEX #2F48C6

RGB 47 72 198

HSL 230.07, 0.62%, 0.48%

LAB 36.59, 35.38, -68.13

 

CMYK 0 / 76 / 3 / 22

HEX #C62FC1

RGB 198 47 193

HSL 301.99, 0.62%, 0.48%

LAB 49.36, 72.97, -43.76

 

CMYK 0 / 12 / 76 / 22

HEX #C7AF2F

RGB 199 175 47

HSL 50.53, 0.62%, 0.48%

LAB 71.56, -4.61, 64.12

 

CMYK 76 / 0 / 51 / 22

HEX #2FC661

RGB 47 198 97

HSL 139.87, 0.62%, 0.48%

LAB 70.77, -60.09, 39.54

 

CMYK 76 / 64 / 0 / 22

HEX #2F48C6

RGB 47 72 198

HSL 230.07, 0.62%, 0.48%

LAB 36.59, 35.38, -68.13

 

CMYK 0 / 76 / 25 / 22

HEX #C62F94

RGB 198 47 148

HSL 319.87, 0.62%, 0.48%

LAB 47.21, 66.67, -20.55

 

Description

Color code: HEX #C7AF2F | qconv.com Color code: HEX #C7AF2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 175 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 175 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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