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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65C2F it is the complementary color #39A3D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C65C2F shade: #CB5C2A, #DC6E3D, #ED8050, #FE9263 and #FFA476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C65C2F shade: #C65C2F, #B54A1C, #A43809, #932600 and #821400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C65C2F shade: #C65C2F, #C6332F and #C62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C65C2F shade: #C65C2F, #C6852F, #C6AE2F, #B6C62F and #8DC62F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C65C2F shade matches the following richer shades: #C65C2F, #DA541B and #EE4C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C65C2F shade: #C65C2F, #B26442, #9F6C56, #8B746A and #777C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C65C2F shade: #C62F54, #C6312F, #C65A2F, #C6822F and #C6AA2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C65C2F shade: #833D1F, #A54C27, #C65C2F, #D4734A and #DC8D6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C65C2F shade: #C65C2F, #7DC62F and #2F40C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C65C2F shade: #C65C2F, #2FC65A and #5A2FC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C65C2F shade: #C65C2F, #7DC62F, #2F9BC6 and #782FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C65C2F shade: #C65C2F, #4FC62F, #2F9BC6 and #A52FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

Complementary color

CMYK 73 / 22 / 0 / 18

HEX #39A3D0

RGB 57 163 208

HSL 197.88, 0.62%, 0.52%

LAB 63.03, -15.35, -31.63

 

CMYK 0 / 55 / 79 / 20

HEX #CB5C2A

RGB 203 92 42

HSL 18.63, 0.66%, 0.48%

LAB 52.42, 41.21, 48.16

 

CMYK 0 / 50 / 72 / 14

HEX #DC6E3D

RGB 220 110 61

HSL 18.49, 0.69%, 0.55%

LAB 58.7, 39.56, 46.17

 

CMYK 0 / 46 / 66 / 7

HEX #ED8050

RGB 237 128 80

HSL 18.34, 0.81%, 0.62%

LAB 64.98, 38.01, 44.18

 

CMYK 0 / 43 / 61 / 0

HEX #FE9263

RGB 254 146 99

HSL 18.19, 0.99%, 0.69%

LAB 71.23, 36.58, 42.29

 

CMYK 0 / 36 / 54 / 0

HEX #FFA476

RGB 255 164 118

HSL 20.15, 1%, 0.73%

LAB 75.53, 29.07, 37.71

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 0 / 59 / 85 / 29

HEX #B54A1C

RGB 181 74 28

HSL 18.04, 0.73%, 0.41%

LAB 45.37, 41.15, 46.69

 

CMYK 0 / 66 / 95 / 36

HEX #A43809

RGB 164 56 9

HSL 18.19, 0.9%, 0.34%

LAB 39.14, 42.78, 47.69

 

CMYK 0 / 74 / 100 / 42

HEX #932600

RGB 147 38 0

HSL 15.51, 1%, 0.29%

LAB 33.11, 44.1, 45.73

 

CMYK 0 / 85 / 100 / 49

HEX #821400

RGB 130 20 0

HSL 9.23, 1%, 0.25%

LAB 27.42, 44.51, 39.93

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 0 / 74 / 76 / 22

HEX #C6332F

RGB 198 51 47

HSL 1.59, 0.62%, 0.48%

LAB 45.05, 57.14, 37.76

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 0 / 33 / 76 / 22

HEX #C6852F

RGB 198 133 47

HSL 34.17, 0.62%, 0.48%

LAB 60.77, 17.62, 53.85

 

CMYK 0 / 12 / 76 / 22

HEX #C6AE2F

RGB 198 174 47

HSL 50.46, 0.62%, 0.48%

LAB 71.2, -4.53, 63.76

 

CMYK 8 / 0 / 76 / 22

HEX #B6C62F

RGB 182 198 47

HSL 66.36, 0.62%, 0.48%

LAB 76.4, -23.58, 68.07

 

CMYK 29 / 0 / 76 / 22

HEX #8DC62F

RGB 141 198 47

HSL 82.65, 0.62%, 0.48%

LAB 73.71, -39.97, 64.6

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 0 / 61 / 88 / 15

HEX #DA541B

RGB 218 84 27

HSL 17.91, 0.78%, 0.48%

LAB 53.3, 50.13, 56.19

 

CMYK 0 / 68 / 97 / 7

HEX #EE4C07

RGB 238 76 7

HSL 17.92, 0.94%, 0.48%

LAB 55.44, 60.02, 64.76

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 0 / 44 / 63 / 30

HEX #B26442

RGB 178 100 66

HSL 18.21, 0.46%, 0.48%

LAB 50.66, 28.29, 32.73

 

CMYK 0 / 32 / 46 / 38

HEX #9F6C56

RGB 159 108 86

HSL 18.08, 0.3%, 0.48%

LAB 50.41, 17.63, 20.52

 

CMYK 0 / 17 / 24 / 45

HEX #8B746A

RGB 139 116 106

HSL 18.18, 0.13%, 0.48%

LAB 50.71, 7.32, 8.87

 

CMYK 6 / 2 / 0 / 51

HEX #777C7E

RGB 119 124 126

HSL 197.14, 0.03%, 0.48%

LAB 51.66, -1.45, -1.74

 

CMYK 0 / 76 / 58 / 22

HEX #C62F54

RGB 198 47 84

HSL 345.3, 0.62%, 0.48%

LAB 45.19, 60.43, 15.7

 

CMYK 0 / 75 / 76 / 22

HEX #C6312F

RGB 198 49 47

HSL 0.79, 0.62%, 0.48%

LAB 44.81, 57.81, 37.5

 

CMYK 0 / 55 / 76 / 22

HEX #C65A2F

RGB 198 90 47

HSL 17.09, 0.62%, 0.48%

LAB 51.29, 40.47, 44.35

 

CMYK 0 / 34 / 76 / 22

HEX #C6822F

RGB 198 130 47

HSL 32.98, 0.62%, 0.48%

LAB 60.05, 19.26, 53.14

 

CMYK 0 / 14 / 76 / 22

HEX #C6AA2F

RGB 198 170 47

HSL 48.87, 0.62%, 0.48%

LAB 70.15, -2.42, 62.78

 

CMYK 0 / 53 / 76 / 49

HEX #833D1F

RGB 131 61 31

HSL 18, 0.62%, 0.32%

LAB 34.52, 27.92, 31.85

 

CMYK 0 / 54 / 76 / 35

HEX #A54C27

RGB 165 76 39

HSL 17.62, 0.62%, 0.4%

LAB 43.23, 34.28, 38.44

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 0 / 46 / 65 / 17

HEX #D4734A

RGB 212 115 74

HSL 17.83, 0.62%, 0.56%

LAB 58.74, 34.55, 39.17

 

CMYK 0 / 36 / 51 / 14

HEX #DC8D6B

RGB 220 141 107

HSL 18.05, 0.62%, 0.64%

LAB 66, 26.45, 30.55

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 37 / 0 / 76 / 22

HEX #7DC62F

RGB 125 198 47

HSL 89.01, 0.62%, 0.48%

LAB 72.86, -45.78, 63.49

 

CMYK 76 / 68 / 0 / 22

HEX #2F40C6

RGB 47 64 198

HSL 233.25, 0.62%, 0.48%

LAB 34.7, 40.4, -71.23

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 76 / 0 / 55 / 22

HEX #2FC65A

RGB 47 198 90

HSL 137.09, 0.62%, 0.48%

LAB 70.68, -61.11, 42.82

 

CMYK 55 / 76 / 0 / 22

HEX #5A2FC6

RGB 90 47 198

HSL 257.09, 0.62%, 0.48%

LAB 34.57, 54.77, -71.33

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 37 / 0 / 76 / 22

HEX #7DC62F

RGB 125 198 47

HSL 89.01, 0.62%, 0.48%

LAB 72.86, -45.78, 63.49

 

CMYK 76 / 22 / 0 / 22

HEX #2F9BC6

RGB 47 155 198

HSL 197.09, 0.62%, 0.48%

LAB 60, -15.62, -30.75

 

CMYK 39 / 76 / 0 / 22

HEX #782FC6

RGB 120 47 198

HSL 269.01, 0.62%, 0.48%

LAB 38.03, 59.25, -65.53

 

CMYK 0 / 54 / 76 / 22

HEX #C65C2F

RGB 198 92 47

HSL 17.88, 0.62%, 0.48%

LAB 51.68, 39.47, 44.76

 

CMYK 60 / 0 / 76 / 22

HEX #4FC62F

RGB 79 198 47

HSL 107.28, 0.62%, 0.48%

LAB 71.05, -59.47, 61.11

 

CMYK 76 / 22 / 0 / 22

HEX #2F9BC6

RGB 47 155 198

HSL 197.09, 0.62%, 0.48%

LAB 60, -15.62, -30.75

 

CMYK 17 / 76 / 0 / 22

HEX #A52FC6

RGB 165 47 198

HSL 286.89, 0.62%, 0.48%

LAB 44.39, 67.27, -54.91

 

Description

Color code: HEX #C65C2F | qconv.com Color code: HEX #C65C2F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 92 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 92 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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