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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A39700 it is the complementary color #385C6800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A39700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A39700 shade: #CCA39200, #DDB5A500, #EEC7B800, #FFD9CB00 and #FFEBDE00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A39700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A39700 shade: #C7A39700, #B6918400, #A57F7100, #946D5E00 and #835B4B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A39700 shade: #C8A498 and #C89898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A39700 shade: #C8A498, #C8B198, #C8BE98, #C5C898 and #B8C898

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A39700 shade matches the following richer shades: #C8A498, #D49E8B, #E1977F, #EE9172 and #FB8B65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A39700 shade: #C8A498, #BBAAA5, #AEB1B2, #A1B7BF and #95BECB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A39700 shade: #C898A6, #C89899, #C8A498, #C8B198 and #C8BD98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A39700 shade: #AB7563, #B98C7D, #C8A498, #D6BCB3 and #E5D4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A39700 shade: #C7A397, #B2C898 and #989FC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A39700 shade: #C7A397, #98C8A4 and #A498C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A39700 shade: #C7A397, #B2C898, #98BCC8 and #AE98C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A39700 shade: #C7A397, #A4C898, #98BCC8 and #BC98C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #C7A39700

RGBA 199 163 151 0

HSLA 15, 0.3%, 0.69%, 0

LABA 69.87, 11.4, 11.21, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #385C6800

RGBA 56 92 104 0

HSLA 195, 0.3%, 0.31%, 0

LABA 36.92, -9.37, -10.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CCA39200

RGBA 204 163 146 0

HSLA 17.59, 0.36%, 0.69%, 0

LABA 70.25, 12.62, 14.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DDB5A500

RGBA 221 181 165 0

HSLA 17.14, 0.45%, 0.76%, 0

LABA 76.76, 12.06, 13.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EEC7B800

RGBA 238 199 184 0

HSLA 16.67, 0.61%, 0.83%, 0

LABA 83.17, 11.55, 12.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD9CB00

RGBA 255 217 203 0

HSLA 16.15, 1%, 0.9%, 0

LABA 89.49, 11.09, 11.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEBDE00

RGBA 255 235 222 0

HSLA 23.64, 1%, 0.94%, 0

LABA 94.29, 4.69, 8.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C7A39700

RGBA 199 163 151 0

HSLA 15, 0.3%, 0.69%, 0

LABA 69.87, 11.4, 11.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B6918400

RGBA 182 145 132 0

HSLA 15.6, 0.26%, 0.62%, 0

LABA 63.23, 11.97, 12.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A57F7100

RGBA 165 127 113 0

HSLA 16.15, 0.22%, 0.55%, 0

LABA 56.46, 12.62, 13.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #946D5E00

RGBA 148 109 94 0

HSLA 16.67, 0.22%, 0.47%, 0

LABA 49.55, 13.38, 14.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #835B4B00

RGBA 131 91 75 0

HSLA 17.14, 0.27%, 0.4%, 0

LABA 42.48, 14.29, 15.79, 0

 

CMYK 0 / 18 / 24 / 22

HEX #C8A498

RGB 200 164 152

HSL 15, 0.3%, 0.69%

LAB 70.24, 11.39, 11.19

 

CMYK 0 / 24 / 24 / 22

HEX #C89898

RGB 200 152 152

HSL 0, 0.3%, 0.69%

LAB 67.28, 17.95, 6.97

 

CMYK 0 / 18 / 24 / 22

HEX #C8A498

RGB 200 164 152

HSL 15, 0.3%, 0.69%

LAB 70.24, 11.39, 11.19

 

CMYK 0 / 12 / 24 / 22

HEX #C8B198

RGB 200 177 152

HSL 31.25, 0.3%, 0.69%

LAB 73.54, 4.35, 15.83

 

CMYK 0 / 5 / 24 / 22

HEX #C8BE98

RGB 200 190 152

HSL 47.5, 0.3%, 0.69%

LAB 76.9, -2.55, 20.49

 

CMYK 1 / 0 / 24 / 22

HEX #C5C898

RGB 197 200 152

HSL 63.75, 0.3%, 0.69%

LAB 79.3, -8.9, 23.73

 

CMYK 8 / 0 / 24 / 22

HEX #B8C898

RGB 184 200 152

HSL 80, 0.3%, 0.69%

LAB 78.33, -13.76, 22.25

 

CMYK 0 / 18 / 24 / 22

HEX #C8A498

RGB 200 164 152

HSL 15, 0.3%, 0.69%

LAB 70.24, 11.39, 11.19

 

CMYK 0 / 25 / 34 / 17

HEX #D49E8B

RGB 212 158 139

HSL 15.62, 0.46%, 0.69%

LAB 69.69, 17.53, 17.77

 

CMYK 0 / 33 / 44 / 12

HEX #E1977F

RGB 225 151 127

HSL 14.69, 0.62%, 0.69%

LAB 69.24, 25.02, 23.98

 

CMYK 0 / 39 / 52 / 7

HEX #EE9172

RGB 238 145 114

HSL 15, 0.78%, 0.69%

LAB 69.21, 32.03, 31.33

 

CMYK 0 / 45 / 60 / 2

HEX #FB8B65

RGB 251 139 101

HSL 15.2, 0.95%, 0.69%

LAB 69.41, 39.13, 38.91

 

CMYK 0 / 18 / 24 / 22

HEX #C8A498

RGB 200 164 152

HSL 15, 0.3%, 0.69%

LAB 70.24, 11.39, 11.19

 

CMYK 0 / 9 / 12 / 27

HEX #BBAAA5

RGB 187 170 165

HSL 13.64, 0.14%, 0.69%

LAB 70.89, 5.27, 4.79

 

CMYK 2 / 1 / 0 / 30

HEX #AEB1B2

RGB 174 177 178

HSL 195, 0.03%, 0.69%

LAB 72, -0.86, -0.89

 

CMYK 16 / 4 / 0 / 25

HEX #A1B7BF

RGB 161 183 191

HSL 196, 0.19%, 0.69%

LAB 73.03, -5.84, -6.61

 

CMYK 27 / 6 / 0 / 20

HEX #95BECB

RGB 149 190 203

HSL 194.44, 0.34%, 0.69%

LAB 74.53, -10.61, -11

 

CMYK 0 / 24 / 17 / 22

HEX #C898A6

RGB 200 152 166

HSL 342.5, 0.3%, 0.69%

LAB 67.64, 20.1, -0.33

 

CMYK 0 / 24 / 24 / 22

HEX #C89899

RGB 200 152 153

HSL 358.75, 0.3%, 0.69%

LAB 67.3, 18.1, 6.45

 

CMYK 0 / 18 / 24 / 22

HEX #C8A498

RGB 200 164 152

HSL 15, 0.3%, 0.69%

LAB 70.24, 11.39, 11.19

 

CMYK 0 / 12 / 24 / 22

HEX #C8B198

RGB 200 177 152

HSL 31.25, 0.3%, 0.69%

LAB 73.54, 4.35, 15.83

 

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

HEX #C8BD98

CMYK 0 / 32 / 42 / 33

HEX #AB7563

RGB 171 117 99

HSL 15, 0.3%, 0.53%

LAB 54.32, 18.97, 18.5

 

CMYK 0 / 24 / 32 / 27

HEX #B98C7D

RGB 185 140 125

HSL 15, 0.3%, 0.61%

LAB 62.13, 14.98, 14.64

 

CMYK 0 / 18 / 24 / 22

HEX #C8A498

RGB 200 164 152

HSL 15, 0.3%, 0.69%

LAB 70.24, 11.39, 11.19

 

CMYK 0 / 12 / 16 / 16

HEX #D6BCB3

RGB 214 188 179

HSL 15.43, 0.3%, 0.77%

LAB 78.18, 7.79, 7.93

 

CMYK 0 / 7 / 10 / 10

HEX #E5D4CE

RGB 229 212 206

HSL 15.65, 0.31%, 0.85%

LAB 86.11, 4.87, 5.07

 

CMYK 0 / 18 / 24 / 22

HEX #C7A397

RGB 199 163 151

HSL 15, 0.3%, 0.69%

LAB 69.87, 11.4, 11.21

 

CMYK 11 / 0 / 24 / 22

HEX #B2C898

RGB 178 200 152

HSL 87.5, 0.3%, 0.69%

LAB 77.9, -15.96, 21.59

 

CMYK 24 / 21 / 0 / 22

HEX #989FC8

RGB 152 159 200

HSL 231.25, 0.3%, 0.69%

LAB 66.25, 6.49, -21.84

 

CMYK 0 / 18 / 24 / 22

HEX #C7A397

RGB 199 163 151

HSL 15, 0.3%, 0.69%

LAB 69.87, 11.4, 11.21

 

CMYK 24 / 0 / 18 / 22

HEX #98C8A4

RGB 152 200 164

HSL 135, 0.3%, 0.69%

LAB 76.48, -22.96, 12.96

 

CMYK 18 / 24 / 0 / 22

HEX #A498C8

RGB 164 152 200

HSL 255, 0.3%, 0.69%

LAB 65.37, 14.22, -23.08

 

CMYK 0 / 18 / 24 / 22

HEX #C7A397

RGB 199 163 151

HSL 15, 0.3%, 0.69%

LAB 69.87, 11.4, 11.21

 

CMYK 11 / 0 / 24 / 22

HEX #B2C898

RGB 178 200 152

HSL 87.5, 0.3%, 0.69%

LAB 77.9, -15.96, 21.59

 

CMYK 24 / 6 / 0 / 22

HEX #98BCC8

RGB 152 188 200

HSL 195, 0.3%, 0.69%

LAB 74.07, -9.34, -10.03

 

CMYK 13 / 24 / 0 / 22

HEX #AE98C8

RGB 174 152 200

HSL 267.5, 0.3%, 0.69%

LAB 66.23, 17.44, -21.69

 

CMYK 0 / 18 / 24 / 22

HEX #C7A397

RGB 199 163 151

HSL 15, 0.3%, 0.69%

LAB 69.87, 11.4, 11.21

 

CMYK 18 / 0 / 24 / 22

HEX #A4C898

RGB 164 200 152

HSL 105, 0.3%, 0.69%

LAB 76.96, -20.98, 20.16

 

CMYK 24 / 6 / 0 / 22

HEX #98BCC8

RGB 152 188 200

HSL 195, 0.3%, 0.69%

LAB 74.07, -9.34, -10.03

 

CMYK 6 / 24 / 0 / 22

HEX #BC98C8

RGB 188 152 200

HSL 285, 0.3%, 0.69%

LAB 67.51, 22.04, -19.62

 

Description

Color code: HEX #C7A39700 | qconv.com Color code: HEX #C7A39700 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 163 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 163 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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