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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79477 it is the complementary color #386B88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79477. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79477 shade: #CC9472, #DDA685, #EEB898, #FFCAAB and #FFDCBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79477. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79477 shade: #C79477, #B68264, #A57051, #945E3E and #834C2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79477 shade: #C79375, #C77D75 and #C77575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79477 shade: #C79375, #C7A975, #C7BF75, #B9C775 and #A3C775

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79477 shade matches the following richer shades: #C79375, #D68F66, #E68A56 and #F68646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79477 shade: #C79375, #B79785, #A79C95, #98A0A4 and #88A4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79477 shade: #C77584, #C77C75, #C79275, #C7A875 and #C7BD75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79477 shade: #A66744, #BB7C58, #C79375, #D3AA93 and #DFC1B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79477 shade: #C79477, #9AC775 and #7579C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79477 shade: #C79477, #75C792 and #9275C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79477 shade: #C79477, #9AC775, #75AAC7 and #A275C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79477 shade: #C79477, #82C775, #75AAC7 and #BB75C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 40 / 22

HEX #C79477

RGB 199 148 119

HSL 21.75, 0.42%, 0.62%

LAB 65.48, 15.43, 22.82

 

Complementary color

CMYK 59 / 21 / 0 / 47

HEX #386B88

RGB 56 107 136

HSL 201.75, 0.42%, 0.38%

LAB 42.96, -8.06, -21.18

 

CMYK 0 / 27 / 44 / 20

HEX #CC9472

RGB 204 148 114

HSL 22.67, 0.47%, 0.62%

LAB 65.93, 16.9, 26.28

 

CMYK 0 / 25 / 40 / 13

HEX #DDA685

RGB 221 166 133

HSL 22.5, 0.56%, 0.69%

LAB 72.45, 16.04, 24.97

 

CMYK 0 / 23 / 36 / 7

HEX #EEB898

RGB 238 184 152

HSL 22.33, 0.72%, 0.76%

LAB 78.88, 15.29, 23.76

 

CMYK 0 / 21 / 33 / 0

HEX #FFCAAB

RGB 255 202 171

HSL 22.14, 1%, 0.84%

LAB 85.22, 14.61, 22.64

 

CMYK 0 / 14 / 25 / 0

HEX #FFDCBE

RGB 255 220 190

HSL 27.69, 1%, 0.87%

LAB 89.94, 7.72, 19.22

 

CMYK 0 / 26 / 40 / 22

HEX #C79477

RGB 199 148 119

HSL 21.75, 0.42%, 0.62%

LAB 65.48, 15.43, 22.82

 

CMYK 0 / 29 / 45 / 29

HEX #B68264

RGB 182 130 100

HSL 21.95, 0.36%, 0.55%

LAB 58.82, 16.33, 24.17

 

CMYK 0 / 32 / 51 / 35

HEX #A57051

RGB 165 112 81

HSL 22.14, 0.34%, 0.48%

LAB 52.04, 17.37, 25.66

 

CMYK 0 / 36 / 58 / 42

HEX #945E3E

RGB 148 94 62

HSL 22.33, 0.41%, 0.41%

LAB 45.15, 18.6, 27.33

 

CMYK 0 / 42 / 67 / 49

HEX #834C2B

RGB 131 76 43

HSL 22.5, 0.51%, 0.34%

LAB 38.14, 20.08, 29.18

 

CMYK 0 / 26 / 41 / 22

HEX #C79375

RGB 199 147 117

HSL 21.95, 0.42%, 0.62%

LAB 65.2, 15.75, 23.55

 

CMYK 0 / 37 / 41 / 22

HEX #C77D75

RGB 199 125 117

HSL 5.85, 0.42%, 0.62%

LAB 59.97, 27.8, 16.44

 

CMYK 0 / 41 / 41 / 22

HEX #C77575

RGB 199 117 117

HSL 0, 0.42%, 0.62%

LAB 58.18, 32.13, 13.96

 

CMYK 0 / 26 / 41 / 22

HEX #C79375

RGB 199 147 117

HSL 21.95, 0.42%, 0.62%

LAB 65.2, 15.75, 23.55

 

CMYK 0 / 15 / 41 / 22

HEX #C7A975

RGB 199 169 117

HSL 38.05, 0.42%, 0.62%

LAB 70.73, 3.79, 30.88

 

CMYK 0 / 4 / 41 / 22

HEX #C7BF75

RGB 199 191 117

HSL 54.15, 0.42%, 0.62%

LAB 76.49, -7.83, 38.28

 

CMYK 7 / 0 / 41 / 22

HEX #B9C775

RGB 185 199 117

HSL 70.24, 0.42%, 0.62%

LAB 77.55, -17.48, 39.39

 

CMYK 18 / 0 / 41 / 22

HEX #A3C775

RGB 163 199 117

HSL 86.34, 0.42%, 0.62%

LAB 76.02, -25.92, 37.13

 

CMYK 0 / 26 / 41 / 22

HEX #C79375

RGB 199 147 117

HSL 21.95, 0.42%, 0.62%

LAB 65.2, 15.75, 23.55

 

CMYK 0 / 33 / 52 / 16

HEX #D68F66

RGB 214 143 102

HSL 21.96, 0.58%, 0.62%

LAB 65.67, 22.52, 32.69

 

CMYK 0 / 40 / 63 / 10

HEX #E68A56

RGB 230 138 86

HSL 21.67, 0.74%, 0.62%

LAB 66.27, 30.42, 42.36

 

CMYK 0 / 46 / 72 / 4

HEX #F68646

RGB 246 134 70

HSL 21.82, 0.91%, 0.62%

LAB 67.34, 37.94, 52.15

 

CMYK 0 / 26 / 41 / 22

HEX #C79375

RGB 199 147 117

HSL 21.95, 0.42%, 0.62%

LAB 65.2, 15.75, 23.55

 

CMYK 0 / 17 / 27 / 28

HEX #B79785

RGB 183 151 133

HSL 21.6, 0.26%, 0.62%

LAB 64.88, 9.18, 13.96

 

CMYK 0 / 7 / 11 / 35

HEX #A79C95

RGB 167 156 149

HSL 23.33, 0.09%, 0.62%

LAB 65.09, 2.77, 5.1

 

CMYK 7 / 2 / 0 / 36

HEX #98A0A4

RGB 152 160 164

HSL 200, 0.06%, 0.62%

LAB 65.36, -2.04, -3.07

 

CMYK 24 / 9 / 0 / 29

HEX #88A4B4

RGB 136 164 180

HSL 201.82, 0.23%, 0.62%

LAB 65.81, -6.01, -11.46

 

CMYK 0 / 41 / 34 / 22

HEX #C77584

RGB 199 117 132

HSL 349.02, 0.42%, 0.62%

LAB 58.54, 33.93, 5.79

 

CMYK 0 / 38 / 41 / 22

HEX #C77C75

RGB 199 124 117

HSL 5.12, 0.42%, 0.62%

LAB 59.75, 28.35, 16.13

 

CMYK 0 / 27 / 41 / 22

HEX #C79275

RGB 199 146 117

HSL 21.22, 0.42%, 0.62%

LAB 64.95, 16.3, 23.22

 

CMYK 0 / 16 / 41 / 22

HEX #C7A875

RGB 199 168 117

HSL 37.32, 0.42%, 0.62%

LAB 70.48, 4.33, 30.55

 

CMYK 0 / 5 / 41 / 22

HEX #C7BD75

RGB 199 189 117

HSL 52.68, 0.42%, 0.62%

LAB 75.96, -6.79, 37.61

 

CMYK 0 / 38 / 59 / 35

HEX #A66744

RGB 166 103 68

HSL 21.43, 0.42%, 0.46%

LAB 49.77, 21.73, 30.16

 

CMYK 0 / 34 / 53 / 27

HEX #BB7C58

RGB 187 124 88

HSL 21.82, 0.42%, 0.54%

LAB 57.74, 20.56, 29.57

 

CMYK 0 / 26 / 41 / 22

HEX #C79375

RGB 199 147 117

HSL 21.95, 0.42%, 0.62%

LAB 65.2, 15.75, 23.55

 

CMYK 0 / 19 / 30 / 17

HEX #D3AA93

RGB 211 170 147

HSL 21.56, 0.42%, 0.7%

LAB 72.7, 11.68, 17.53

 

CMYK 0 / 13 / 21 / 13

HEX #DFC1B0

RGB 223 193 176

HSL 21.7, 0.42%, 0.78%

LAB 80.16, 8, 12.48

 

CMYK 0 / 26 / 40 / 22

HEX #C79477

RGB 199 148 119

HSL 21.75, 0.42%, 0.62%

LAB 65.48, 15.43, 22.82

 

CMYK 23 / 0 / 41 / 22

HEX #9AC775

RGB 154 199 117

HSL 92.93, 0.42%, 0.62%

LAB 75.45, -29.24, 36.3

 

CMYK 41 / 39 / 0 / 22

HEX #7579C7

RGB 117 121 199

HSL 237.07, 0.42%, 0.62%

LAB 53.58, 18.22, -41.14

 

CMYK 0 / 26 / 40 / 22

HEX #C79477

RGB 199 148 119

HSL 21.75, 0.42%, 0.62%

LAB 65.48, 15.43, 22.82

 

CMYK 41 / 0 / 27 / 22

HEX #75C792

RGB 117 199 146

HSL 141.22, 0.42%, 0.62%

LAB 74, -36.69, 18.86

 

CMYK 27 / 41 / 0 / 22

HEX #9275C7

RGB 146 117 199

HSL 261.22, 0.42%, 0.62%

LAB 55.03, 28.6, -38.69

 

CMYK 0 / 26 / 40 / 22

HEX #C79477

RGB 199 148 119

HSL 21.75, 0.42%, 0.62%

LAB 65.48, 15.43, 22.82

 

CMYK 23 / 0 / 41 / 22

HEX #9AC775

RGB 154 199 117

HSL 92.93, 0.42%, 0.62%

LAB 75.45, -29.24, 36.3

 

CMYK 41 / 15 / 0 / 22

HEX #75AAC7

RGB 117 170 199

HSL 201.22, 0.42%, 0.62%

LAB 67.02, -9.93, -20.31

 

CMYK 19 / 41 / 0 / 22

HEX #A275C7

RGB 162 117 199

HSL 272.93, 0.42%, 0.62%

LAB 56.61, 33.29, -36.09

 

CMYK 0 / 26 / 40 / 22

HEX #C79477

RGB 199 148 119

HSL 21.75, 0.42%, 0.62%

LAB 65.48, 15.43, 22.82

 

CMYK 35 / 0 / 41 / 22

HEX #82C775

RGB 130 199 117

HSL 110.49, 0.42%, 0.62%

LAB 74.11, -37.56, 34.3

 

CMYK 41 / 15 / 0 / 22

HEX #75AAC7

RGB 117 170 199

HSL 201.22, 0.42%, 0.62%

LAB 67.02, -9.93, -20.31

 

CMYK 6 / 41 / 0 / 22

HEX #BB75C7

RGB 187 117 199

HSL 291.22, 0.42%, 0.62%

LAB 59.35, 40.82, -31.61

 

Description

Color code: HEX #C79477 | qconv.com Color code: HEX #C79477 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 148 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 148 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 40 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 40% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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