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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFCAAB it is the complementary color #003554. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFCAAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFCAAB shade: #FFCAA6, #FFDCB9, #FFEECC, #FFFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFCAAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFCAAB shade: #FFCAAB, #EEB898, #DDA685, #CC9472 and #BB825F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFCAAB shade: #FFCCAD, #FFB6AD and #FFADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFCAAB shade: #FFCCAD, #FFE2AD, #FFF8AD, #F0FFAD and #DAFFAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFCAAB shade matches the following richer shades: #FFCCAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFCAAB shade: #FFCCAD, #F8CDB4, #F2CFBB, #EBD1C1 and #E5D2C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFCAAB shade: #FFADBB, #FFB6AD, #FFCBAD, #FFE1AD and #FFF7AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFCAAB shade: #FF975B, #FFB184, #FFCCAD, #FFE6D7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFCAAB shade: #FFCAAB, #D1FFAD and #ADB0FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFCAAB shade: #FFCAAB, #ADFFCB and #CBADFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFCAAB shade: #FFCAAB, #D1FFAD, #ADE1FF and #DCADFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFCAAB shade: #FFCAAB, #B8FFAD, #ADE1FF and #F4ADFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 33 / 0

HEX #FFCAAB

RGB 255 202 171

HSL 22.14, 1%, 0.84%

LAB 85.22, 14.61, 22.64

 

Complementary color

CMYK 100 / 37 / 0 / 67

HEX #003554

RGB 0 53 84

HSL 202.14, 1%, 0.16%

LAB 20.78, -2.75, -23.23

 

CMYK 0 / 21 / 35 / 0

HEX #FFCAA6

RGB 255 202 166

HSL 24.27, 1%, 0.83%

LAB 85.13, 14.01, 25.14

 

CMYK 0 / 14 / 27 / 0

HEX #FFDCB9

RGB 255 220 185

HSL 30, 1%, 0.86%

LAB 89.84, 7.06, 21.69

HEX #FFDCB9

CMYK 0 / 7 / 20 / 0

HEX #FFEECC

RGB 255 238 204

HSL 40, 1%, 0.9%

LAB 94.64, 0.47, 18.54

HEX #FFEECC

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

HEX #FFFFDF

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

HEX #FFFFF2

CMYK 0 / 21 / 33 / 0

HEX #FFCAAB

RGB 255 202 171

HSL 22.14, 1%, 0.84%

LAB 85.22, 14.61, 22.64

 

CMYK 0 / 23 / 36 / 7

HEX #EEB898

RGB 238 184 152

HSL 22.33, 0.72%, 0.76%

LAB 78.88, 15.29, 23.76

 

CMYK 0 / 25 / 40 / 13

HEX #DDA685

RGB 221 166 133

HSL 22.5, 0.56%, 0.69%

LAB 72.45, 16.04, 24.97

 

CMYK 0 / 27 / 44 / 20

HEX #CC9472

RGB 204 148 114

HSL 22.67, 0.47%, 0.62%

LAB 65.93, 16.9, 26.28

 

CMYK 0 / 30 / 49 / 27

HEX #BB825F

RGB 187 130 95

HSL 22.83, 0.4%, 0.55%

LAB 59.3, 17.89, 27.71

 

CMYK 0 / 20 / 32 / 0

HEX #FFCCAD

RGB 255 204 173

HSL 22.68, 1%, 0.84%

LAB 85.74, 13.82, 22.3

 

CMYK 0 / 29 / 32 / 0

HEX #FFB6AD

RGB 255 182 173

HSL 6.59, 1%, 0.84%

LAB 80.59, 25.33, 15.14

 

CMYK 0 / 32 / 32 / 0

HEX #FFADAD

RGB 255 173 173

HSL 0, 1%, 0.84%

LAB 78.56, 30.04, 12.28

 

CMYK 0 / 20 / 32 / 0

HEX #FFCCAD

RGB 255 204 173

HSL 22.68, 1%, 0.84%

LAB 85.74, 13.82, 22.3

 

CMYK 0 / 11 / 32 / 0

HEX #FFE2AD

RGB 255 226 173

HSL 38.78, 1%, 0.84%

LAB 91.08, 2.47, 29.6

 

CMYK 0 / 3 / 32 / 0

HEX #FFF8AD

RGB 255 248 173

HSL 54.88, 1%, 0.84%

LAB 96.58, -8.59, 36.94

 

CMYK 6 / 0 / 32 / 0

HEX #F0FFAD

RGB 240 255 173

HSL 70.98, 1%, 0.84%

LAB 97.25, -17.58, 37.62

 

CMYK 15 / 0 / 32 / 0

HEX #DAFFAD

RGB 218 255 173

HSL 87.07, 1%, 0.84%

LAB 95.77, -25.5, 35.38

 

CMYK 0 / 20 / 32 / 0

HEX #FFCCAD

RGB 255 204 173

HSL 22.68, 1%, 0.84%

LAB 85.74, 13.82, 22.3

 

CMYK 0 / 20 / 32 / 0

HEX #FFCCAD

RGB 255 204 173

HSL 22.68, 1%, 0.84%

LAB 85.74, 13.82, 22.3

 

CMYK 0 / 17 / 27 / 3

HEX #F8CDB4

RGB 248 205 180

HSL 22.06, 0.83%, 0.84%

LAB 85.46, 11.57, 18.13

 

CMYK 0 / 14 / 23 / 5

HEX #F2CFBB

RGB 242 207 187

HSL 21.82, 0.68%, 0.84%

LAB 85.55, 9.26, 14.48

 

CMYK 0 / 11 / 18 / 8

HEX #EBD1C1

RGB 235 209 193

HSL 22.86, 0.51%, 0.84%

LAB 85.56, 6.53, 11.24

 

CMYK 0 / 8 / 13 / 10

HEX #E5D2C8

RGB 229 210 200

HSL 20.69, 0.36%, 0.84%

LAB 85.46, 4.94, 7.32

 

CMYK 0 / 32 / 27 / 0

HEX #FFADBB

RGB 255 173 187

HSL 349.76, 1%, 0.84%

LAB 78.89, 31.86, 5.15

 

CMYK 0 / 29 / 32 / 0

HEX #FFB6AD

RGB 255 182 173

HSL 6.59, 1%, 0.84%

LAB 80.59, 25.33, 15.14

 

CMYK 0 / 20 / 32 / 0

HEX #FFCBAD

RGB 255 203 173

HSL 21.95, 1%, 0.84%

LAB 85.5, 14.34, 21.97

 

CMYK 0 / 12 / 32 / 0

HEX #FFE1AD

RGB 255 225 173

HSL 38.05, 1%, 0.84%

LAB 90.84, 2.98, 29.26

 

CMYK 0 / 3 / 32 / 0

HEX #FFF7AD

RGB 255 247 173

HSL 54.15, 1%, 0.84%

LAB 96.33, -8.1, 36.6

 

CMYK 0 / 41 / 64 / 0

HEX #FF975B

RGB 255 151 91

HSL 21.95, 1%, 0.68%

LAB 72.33, 33.89, 47.72

 

CMYK 0 / 31 / 48 / 0

HEX #FFB184

RGB 255 177 132

HSL 21.95, 1%, 0.76%

LAB 78.68, 23.5, 34.41

 

CMYK 0 / 20 / 32 / 0

HEX #FFCCAD

RGB 255 204 173

HSL 22.68, 1%, 0.84%

LAB 85.74, 13.82, 22.3

 

CMYK 0 / 10 / 16 / 0

HEX #FFE6D7

RGB 255 230 215

HSL 22.5, 1%, 0.92%

LAB 92.91, 6.17, 10.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 21 / 33 / 0

HEX #FFCAAB

RGB 255 202 171

HSL 22.14, 1%, 0.84%

LAB 85.22, 14.61, 22.64

 

CMYK 18 / 0 / 32 / 0

HEX #D1FFAD

RGB 209 255 173

HSL 93.66, 1%, 0.84%

LAB 95.2, -28.64, 34.53

 

CMYK 32 / 31 / 0 / 0

HEX #ADB0FF

RGB 173 176 255

HSL 237.8, 1%, 0.84%

LAB 74.29, 16.62, -39.4

 

CMYK 0 / 21 / 33 / 0

HEX #FFCAAB

RGB 255 202 171

HSL 22.14, 1%, 0.84%

LAB 85.22, 14.61, 22.64

 

CMYK 32 / 0 / 20 / 0

HEX #ADFFCB

RGB 173 255 203

HSL 141.95, 1%, 0.84%

LAB 93.76, -35.38, 17.05

 

CMYK 20 / 32 / 0 / 0

HEX #CBADFF

RGB 203 173 255

HSL 261.95, 1%, 0.84%

LAB 75.95, 26.85, -36.64

 

CMYK 0 / 21 / 33 / 0

HEX #FFCAAB

RGB 255 202 171

HSL 22.14, 1%, 0.84%

LAB 85.22, 14.61, 22.64

 

CMYK 18 / 0 / 32 / 0

HEX #D1FFAD

RGB 209 255 173

HSL 93.66, 1%, 0.84%

LAB 95.2, -28.64, 34.53

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 14 / 32 / 0 / 0

HEX #DCADFF

RGB 220 173 255

HSL 274.39, 1%, 0.84%

LAB 77.47, 31.91, -34.16

 

CMYK 0 / 21 / 33 / 0

HEX #FFCAAB

RGB 255 202 171

HSL 22.14, 1%, 0.84%

LAB 85.22, 14.61, 22.64

 

CMYK 28 / 0 / 32 / 0

HEX #B8FFAD

RGB 184 255 173

HSL 111.95, 1%, 0.84%

LAB 93.77, -37.02, 32.36

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 4 / 32 / 0 / 0

HEX #F4ADFF

RGB 244 173 255

HSL 291.95, 1%, 0.84%

LAB 79.81, 39.22, -30.37

 

Description

Color code: HEX #FFCAAB | qconv.com Color code: HEX #FFCAAB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 202 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 202 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 33 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 33% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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