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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77BD5 it is the complementary color #38842A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77BD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C77BD5: #CC7BD0, #DD8DE3, #EE9FF6, #FFB1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77BD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C77BD5: #C77BD5, #B669C2, #A557AF, #94459C and #833389

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

Complementary color

CMYK 58 / 0 / 68 / 48

HEX #38842A

RGB 56 132 42

HSL 110.67, 0.52%, 0.34%

LAB 48.9, -41.35, 40.14

 

CMYK 2 / 41 / 0 / 18

HEX #CC7BD0

RGB 204 123 208

HSL 297.18, 0.47%, 0.65%

LAB 62.98, 44.52, -30.91

 

CMYK 3 / 38 / 0 / 11

HEX #DD8DE3

RGB 221 141 227

HSL 295.81, 0.61%, 0.72%

LAB 69.45, 43.78, -31.31

 

CMYK 3 / 35 / 0 / 4

HEX #EE9FF6

RGB 238 159 246

HSL 294.48, 0.83%, 0.79%

LAB 75.84, 43.05, -31.67

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

CMYK 6 / 46 / 0 / 24

HEX #B669C2

RGB 182 105 194

HSL 291.91, 0.42%, 0.59%

LAB 56.03, 44.74, -33.99

 

CMYK 6 / 50 / 0 / 31

HEX #A557AF

RGB 165 87 175

HSL 293.18, 0.35%, 0.51%

LAB 49.39, 45.47, -33.55

 

CMYK 5 / 56 / 0 / 39

HEX #94459C

RGB 148 69 156

HSL 294.48, 0.39%, 0.44%

LAB 42.69, 46.1, -32.99

 

CMYK 4 / 63 / 0 / 46

HEX #833389

RGB 131 51 137

HSL 295.81, 0.46%, 0.37%

LAB 35.98, 46.49, -32.2

 

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

CMYK 0 / 42 / 0 / 16

HEX #D57BD5

RGB 213 123 213

HSL 300, 0.52%, 0.66%

LAB 64.25, 48.15, -31.65

 

CMYK 0 / 42 / 7 / 16

HEX #D57BC6

RGB 213 123 198

HSL 310, 0.52%, 0.66%

LAB 63.66, 45.5, -24.14

 

CMYK 0 / 42 / 14 / 16

HEX #D57BB7

RGB 213 123 183

HSL 320, 0.52%, 0.66%

LAB 63.12, 43.01, -16.49

 

CMYK 0 / 42 / 21 / 16

HEX #D57BA8

RGB 213 123 168

HSL 330, 0.52%, 0.66%

LAB 62.62, 40.7, -8.7

 

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

CMYK 11 / 44 / 0 / 96

HEX #080509

RGB 8 5 9

HSL 285, 0.29%, 0.03%

LAB 1.62, 1.34, -1.24

 

CMYK 7 / 42 / 0 / 76

HEX #38233C

RGB 56 35 60

HSL 290.4, 0.26%, 0.19%

LAB 17.32, 15.24, -12.07

 

CMYK 6 / 42 / 0 / 56

HEX #68406F

RGB 104 64 111

HSL 291.06, 0.27%, 0.34%

LAB 33.47, 25.99, -20.21

 

CMYK 7 / 42 / 0 / 36

HEX #975EA2

RGB 151 94 162

HSL 290.29, 0.27%, 0.5%

LAB 48.5, 34.84, -27.43

 

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

CMYK 0 / 41 / 42 / 16

HEX #D57E7B

RGB 213 126 123

HSL 2, 0.52%, 0.66%

LAB 62.08, 33.32, 16.21

 

CMYK 42 / 0 / 24 / 16

HEX #7BD5A2

RGB 123 213 162

HSL 146, 0.52%, 0.66%

LAB 78.7, -38.29, 16.93

 

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

CMYK 0 / 7 / 42 / 16

HEX #D5C67B

RGB 213 198 123

HSL 50, 0.52%, 0.66%

LAB 79.59, -5.18, 39.41

 

CMYK 42 / 0 / 7 / 16

HEX #7BD5C6

RGB 123 213 198

HSL 170, 0.52%, 0.66%

LAB 79.54, -30.52, -1.03

 

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

CMYK 0 / 41 / 42 / 16

HEX #D57E7B

RGB 213 126 123

HSL 2, 0.52%, 0.66%

LAB 62.08, 33.32, 16.21

 

CMYK 35 / 0 / 42 / 16

HEX #8AD57B

RGB 138 213 123

HSL 110, 0.52%, 0.66%

LAB 78.71, -40.36, 37.25

 

CMYK 42 / 1 / 0 / 16

HEX #7BD2D5

RGB 123 210 213

HSL 182, 0.52%, 0.66%

LAB 79.1, -25.42, -9.71

 

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

CMYK 0 / 28 / 42 / 16

HEX #D5997B

RGB 213 153 123

HSL 20, 0.52%, 0.66%

LAB 68.28, 18.77, 24.66

 

CMYK 35 / 0 / 42 / 16

HEX #8AD57B

RGB 138 213 123

HSL 110, 0.52%, 0.66%

LAB 78.71, -40.36, 37.25

 

CMYK 42 / 14 / 0 / 16

HEX #7BB7D5

RGB 123 183 213

HSL 200, 0.52%, 0.66%

LAB 71.47, -11.6, -21.19

 

Description

Color code: HEX #C77BD5 | qconv.com Color code: HEX #C77BD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 123 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 123 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 42 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 42% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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