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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73B50 it is the complementary color #38C4AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73B50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C73B50: #CC3B4B, #DD4D5E, #EE5F71, #FF7184 and #FF8397

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73B50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C73B50: #C73B50, #B6293D, #A5172A, #940517 and #830004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 60 / 22

HEX #C73B50

RGB 199 59 80

HSL 351, 0.56%, 0.51%

LAB 46.78, 56.32, 20.32

 

Complementary color

CMYK 71 / 0 / 11 / 23

HEX #38C4AF

RGB 56 196 175

HSL 171, 0.56%, 0.49%

LAB 71.84, -41.58, -0.14

 

CMYK 0 / 71 / 63 / 20

HEX #CC3B4B

RGB 204 59 75

HSL 353.38, 0.59%, 0.52%

LAB 47.59, 57.55, 24.58

 

CMYK 0 / 65 / 57 / 13

HEX #DD4D5E

RGB 221 77 94

HSL 352.92, 0.68%, 0.58%

LAB 53.48, 57.16, 21.51

 

CMYK 0 / 60 / 53 / 7

HEX #EE5F71

RGB 238 95 113

HSL 352.45, 0.81%, 0.65%

LAB 59.48, 56.48, 18.95

 

CMYK 0 / 56 / 48 / 0

HEX #FF7184

RGB 255 113 132

HSL 351.97, 1%, 0.72%

LAB 65.54, 55.64, 16.78

 

CMYK 0 / 49 / 41 / 0

HEX #FF8397

RGB 255 131 151

HSL 350.32, 1%, 0.76%

LAB 69.27, 48.95, 11.27

 

CMYK 0 / 70 / 60 / 22

HEX #C73B50

RGB 199 59 80

HSL 351, 0.56%, 0.51%

LAB 46.78, 56.32, 20.32

 

CMYK 0 / 77 / 66 / 29

HEX #B6293D

RGB 182 41 61

HSL 351.49, 0.63%, 0.44%

LAB 41.01, 56.21, 23.9

 

CMYK 0 / 86 / 75 / 35

HEX #A5172A

RGB 165 23 42

HSL 351.97, 0.76%, 0.37%

LAB 35.56, 55.24, 28.29

 

CMYK 0 / 97 / 84 / 42

HEX #940517

RGB 148 5 23

HSL 352.45, 0.93%, 0.3%

LAB 30.56, 53.05, 33.38

 

CMYK 0 / 100 / 97 / 49

HEX #830004

RGB 131 0 4

HSL 358.17, 1%, 0.26%

LAB 26.26, 48.94, 37.35

 

CMYK 0 / 70 / 60 / 22

HEX #C73B50

RGB 199 59 80

HSL 351, 0.56%, 0.51%

LAB 46.78, 56.32, 20.32

 

CMYK 0 / 69 / 70 / 22

HEX #C83E3C

RGB 200 62 60

HSL 0.86, 0.56%, 0.51%

LAB 47.04, 54.33, 32.65

 

CMYK 0 / 58 / 70 / 22

HEX #C8553C

RGB 200 85 60

HSL 10.71, 0.56%, 0.51%

LAB 50.81, 44.27, 37.05

 

CMYK 0 / 46 / 70 / 22

HEX #C86D3C

RGB 200 109 60

HSL 21, 0.56%, 0.51%

LAB 55.63, 32.09, 42.5

 

CMYK 0 / 34 / 70 / 22

HEX #C8843C

RGB 200 132 60

HSL 30.86, 0.56%, 0.51%

LAB 60.88, 19.65, 48.22

 

CMYK 0 / 70 / 60 / 22

HEX #C73B50

RGB 199 59 80

HSL 351, 0.56%, 0.51%

LAB 46.78, 56.32, 20.32

 

CMYK 0 / 70 / 60 / 2

HEX #FA4A65

RGB 250 74 101

HSL 350.8, 0.95%, 0.64%

LAB 58.19, 67.66, 24.55

 

CMYK 0 / 70 / 61 / 82

HEX #2E0E12

RGB 46 14 18

HSL 352.5, 0.53%, 0.12%

LAB 8.47, 16.89, 4.88

 

CMYK 0 / 70 / 60 / 62

HEX #611D27

RGB 97 29 39

HSL 351.18, 0.54%, 0.25%

LAB 22.18, 31.53, 10.5

 

CMYK 0 / 70 / 60 / 42

HEX #942C3B

RGB 148 44 59

HSL 351.35, 0.54%, 0.38%

LAB 34.83, 44.36, 15.88

 

CMYK 0 / 70 / 60 / 22

HEX #C73B50

RGB 199 59 80

HSL 351, 0.56%, 0.51%

LAB 46.78, 56.32, 20.32

 

CMYK 4 / 0 / 70 / 22

HEX #C1C83C

RGB 193 200 60

HSL 63, 0.56%, 0.51%

LAB 77.86, -19.36, 65.38

 

CMYK 70 / 32 / 0 / 22

HEX #3C89C8

RGB 60 137 200

HSL 207, 0.56%, 0.51%

LAB 55.1, -3.05, -39.52

 

CMYK 0 / 70 / 60 / 22

HEX #C73B50

RGB 199 59 80

HSL 351, 0.56%, 0.51%

LAB 46.78, 56.32, 20.32

 

CMYK 60 / 0 / 70 / 22

HEX #51C83C

RGB 81 200 60

HSL 111, 0.56%, 0.51%

LAB 71.81, -58.74, 57.31

 

CMYK 70 / 60 / 0 / 22

HEX #3C51C8

RGB 60 81 200

HSL 231, 0.56%, 0.51%

LAB 39.61, 31.9, -64.34

 

CMYK 0 / 70 / 60 / 22

HEX #C73B50

RGB 199 59 80

HSL 351, 0.56%, 0.51%

LAB 46.78, 56.32, 20.32

 

CMYK 4 / 0 / 70 / 22

HEX #C1C83C

RGB 193 200 60

HSL 63, 0.56%, 0.51%

LAB 77.86, -19.36, 65.38

 

CMYK 70 / 0 / 11 / 22

HEX #3CC8B3

RGB 60 200 179

HSL 171, 0.56%, 0.51%

LAB 73.24, -41.75, -0.26

 

CMYK 67 / 70 / 0 / 22

HEX #433CC8

RGB 67 60 200

HSL 243, 0.56%, 0.51%

LAB 35.19, 45.62, -71.54

 

CMYK 0 / 70 / 60 / 22

HEX #C73B50

RGB 199 59 80

HSL 351, 0.56%, 0.51%

LAB 46.78, 56.32, 20.32

 

CMYK 25 / 0 / 70 / 22

HEX #97C83C

RGB 151 200 60

HSL 81, 0.56%, 0.51%

LAB 74.96, -36.33, 61.54

 

CMYK 70 / 0 / 11 / 22

HEX #3CC8B3

RGB 60 200 179

HSL 171, 0.56%, 0.51%

LAB 73.24, -41.75, -0.26

 

CMYK 46 / 70 / 0 / 22

HEX #6D3CC8

RGB 109 60 200

HSL 261, 0.56%, 0.51%

LAB 38.99, 51.94, -65.18

 

Description

Color code: HEX #C73B50 | qconv.com Color code: HEX #C73B50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 59 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 59 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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