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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73388 it is the complementary color #38CC77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73388. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73388 shade: #CC3383, #DD4596, #EE57A9, #FF69BC and #FF7BCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73388. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73388 shade: #C73388, #B62175, #A50F62, #94004F and #83003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73388 shade: #C73388, #C73360, #C73338 and #C73333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73388 shade: #C73388, #C733B0, #B633C7, #8E33C7 and #6633C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73388 shade matches the following richer shades: #C73388, #DB1F8B and #EF0B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73388 shade: #C73388, #B24785, #9E5C82, #8A707F and #76847C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73388 shade: #B533C7, #C733B1, #C73389, #C73362 and #C7333B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73388 shade: #85225B, #A62B71, #C73388, #D2519B and #DB72AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73388 shade: #C73388, #C78E33 and #33C4C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73388 shade: #C73388, #89C733 and #3389C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73388 shade: #C73388, #C78E33, #33C771 and #336CC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73388 shade: #C73388, #C7BA33, #33C771 and #3340C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

Complementary color

CMYK 73 / 0 / 42 / 20

HEX #38CC77

RGB 56 204 119

HSL 145.54, 0.59%, 0.51%

LAB 73.13, -57.31, 31.51

 

CMYK 0 / 75 / 36 / 20

HEX #CC3383

RGB 204 51 131

HSL 328.63, 0.6%, 0.5%

LAB 48.06, 64.99, -8.89

 

CMYK 0 / 69 / 32 / 13

HEX #DD4596

RGB 221 69 150

HSL 328.03, 0.69%, 0.57%

LAB 53.85, 65.5, -11.28

 

CMYK 0 / 63 / 29 / 7

HEX #EE57A9

RGB 238 87 169

HSL 327.42, 0.82%, 0.64%

LAB 59.76, 65.52, -13.21

 

CMYK 0 / 59 / 26 / 0

HEX #FF69BC

RGB 255 105 188

HSL 326.8, 1%, 0.71%

LAB 65.74, 65.24, -14.8

 

CMYK 0 / 52 / 19 / 0

HEX #FF7BCF

RGB 255 123 207

HSL 321.82, 1%, 0.74%

LAB 69.42, 59.74, -19.91

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 82 / 36 / 29

HEX #B62175

RGB 182 33 117

HSL 326.17, 0.69%, 0.42%

LAB 41.72, 63.01, -10.24

 

CMYK 0 / 91 / 41 / 35

HEX #A50F62

RGB 165 15 98

HSL 326.8, 0.83%, 0.35%

LAB 36.41, 60.65, -6.56

 

CMYK 0 / 100 / 47 / 42

HEX #94004F

RGB 148 0 79

HSL 327.97, 1%, 0.29%

LAB 31.49, 56.99, -1.9

 

CMYK 0 / 100 / 54 / 49

HEX #83003C

RGB 131 0 60

HSL 332.52, 1%, 0.26%

LAB 27.16, 51.37, 4.1

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 74 / 52 / 22

HEX #C73360

RGB 199 51 96

HSL 341.76, 0.59%, 0.49%

LAB 46.12, 60.33, 9.6

 

CMYK 0 / 74 / 72 / 22

HEX #C73338

RGB 199 51 56

HSL 357.97, 0.59%, 0.49%

LAB 45.35, 57.82, 32.96

 

CMYK 0 / 74 / 74 / 22

HEX #C73333

RGB 199 51 51

HSL 0, 0.59%, 0.49%

LAB 45.29, 57.61, 35.79

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 74 / 12 / 22

HEX #C733B0

RGB 199 51 176

HSL 309.32, 0.59%, 0.49%

LAB 49.06, 69.46, -34.29

 

CMYK 9 / 74 / 0 / 22

HEX #B633C7

RGB 182 51 199

HSL 293.11, 0.59%, 0.49%

LAB 47.54, 69.49, -50.29

 

CMYK 29 / 74 / 0 / 22

HEX #8E33C7

RGB 142 51 199

HSL 276.89, 0.59%, 0.49%

LAB 41.6, 61.71, -60.17

 

CMYK 49 / 74 / 0 / 22

HEX #6633C7

RGB 102 51 199

HSL 260.68, 0.59%, 0.49%

LAB 36.59, 54.9, -68.55

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 86 / 37 / 14

HEX #DB1F8B

RGB 219 31 139

HSL 325.53, 0.75%, 0.49%

LAB 49.38, 74.39, -11.47

 

CMYK 0 / 95 / 41 / 6

HEX #EF0B8E

RGB 239 11 142

HSL 325.53, 0.91%, 0.49%

LAB 52.45, 81.53, -8.28

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 60 / 25 / 30

HEX #B24785

RGB 178 71 133

HSL 325.23, 0.43%, 0.49%

LAB 46.53, 50.17, -12.84

 

CMYK 0 / 42 / 18 / 38

HEX #9E5C82

RGB 158 92 130

HSL 325.45, 0.26%, 0.49%

LAB 47.67, 32.36, -9.6

 

CMYK 0 / 19 / 8 / 46

HEX #8A707F

RGB 138 112 127

HSL 325.38, 0.1%, 0.49%

LAB 50.13, 12.9, -4.4

 

CMYK 11 / 0 / 6 / 48

HEX #76847C

RGB 118 132 124

HSL 145.71, 0.06%, 0.49%

LAB 53.82, -6.77, 2.57

 

CMYK 9 / 74 / 0 / 22

HEX #B533C7

RGB 181 51 199

HSL 292.7, 0.59%, 0.49%

LAB 47.38, 69.28, -50.55

 

CMYK 0 / 74 / 11 / 22

HEX #C733B1

RGB 199 51 177

HSL 308.92, 0.59%, 0.49%

LAB 49.11, 69.61, -34.8

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 74 / 51 / 22

HEX #C73362

RGB 199 51 98

HSL 340.95, 0.59%, 0.49%

LAB 46.17, 60.49, 8.43

 

CMYK 0 / 74 / 70 / 22

HEX #C7333B

RGB 199 51 59

HSL 356.76, 0.59%, 0.49%

LAB 45.39, 57.96, 31.24

 

CMYK 0 / 74 / 32 / 48

HEX #85225B

RGB 133 34 91

HSL 325.45, 0.59%, 0.33%

LAB 31.55, 46.82, -9.99

 

CMYK 0 / 74 / 32 / 35

HEX #A62B71

RGB 166 43 113

HSL 325.85, 0.59%, 0.41%

LAB 39.63, 55.48, -11.19

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 61 / 26 / 18

HEX #D2519B

RGB 210 81 155

HSL 325.58, 0.59%, 0.57%

LAB 53.98, 58.24, -14.21

 

CMYK 0 / 48 / 21 / 14

HEX #DB72AE

RGB 219 114 174

HSL 325.71, 0.59%, 0.65%

LAB 61.78, 48.18, -13.31

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 29 / 74 / 22

HEX #C78E33

RGB 199 142 51

HSL 36.89, 0.59%, 0.49%

LAB 63.12, 13.3, 54.52

 

CMYK 74 / 2 / 0 / 22

HEX #33C4C7

RGB 51 196 199

HSL 181.22, 0.59%, 0.49%

LAB 72.43, -35.48, -12.34

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 31 / 0 / 74 / 22

HEX #89C733

RGB 137 199 51

HSL 85.14, 0.59%, 0.49%

LAB 73.81, -41.68, 63.31

 

CMYK 74 / 31 / 0 / 22

HEX #3389C7

RGB 51 137 199

HSL 205.14, 0.59%, 0.49%

LAB 54.78, -4.66, -39.46

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 29 / 74 / 22

HEX #C78E33

RGB 199 142 51

HSL 36.89, 0.59%, 0.49%

LAB 63.12, 13.3, 54.52

 

CMYK 74 / 0 / 43 / 22

HEX #33C771

RGB 51 199 113

HSL 145.14, 0.59%, 0.49%

LAB 71.38, -57.27, 32.3

 

CMYK 74 / 46 / 0 / 22

HEX #336CC7

RGB 51 108 199

HSL 216.89, 0.59%, 0.49%

LAB 46.38, 13.03, -52.82

 

CMYK 0 / 74 / 32 / 22

HEX #C73388

RGB 199 51 136

HSL 325.54, 0.59%, 0.49%

LAB 47.35, 64.25, -13.08

 

CMYK 0 / 7 / 74 / 22

HEX #C7BA33

RGB 199 186 51

HSL 54.73, 0.59%, 0.49%

LAB 74.51, -10.16, 65.51

 

CMYK 74 / 0 / 43 / 22

HEX #33C771

RGB 51 199 113

HSL 145.14, 0.59%, 0.49%

LAB 71.38, -57.27, 32.3

 

CMYK 74 / 68 / 0 / 22

HEX #3340C7

RGB 51 64 199

HSL 234.73, 0.59%, 0.49%

LAB 34.99, 41.13, -71.33

 

Description

Color code: HEX #C73388 | qconv.com Color code: HEX #C73388 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 51 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 51 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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