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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73389 it is the complementary color #38CC76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73389. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73389 shade: #CC3384, #DD4597, #EE57AA, #FF69BD and #FF7BD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73389. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73389 shade: #C73389, #B62176, #A50F63, #940050 and #83003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73389 shade: #C73389, #C73361, #C73339 and #C73333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73389 shade: #C73389, #C733B1, #B533C7, #8D33C7 and #6533C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73389 shade matches the following richer shades: #C73389, #DB1F8C and #EF0B8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73389 shade: #C73389, #B24786, #9E5C82, #8A707F and #76847C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73389 shade: #B533C7, #C733B1, #C73389, #C73362 and #C7333B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73389 shade: #85225C, #A62B72, #C73389, #D2519C and #DB72AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73389 shade: #C73389, #C78E33 and #33C4C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73389 shade: #C73389, #89C733 and #3389C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73389 shade: #C73389, #C78E33, #33C771 and #336CC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73389 shade: #C73389, #C7BA33, #33C771 and #3340C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

Complementary color

CMYK 73 / 0 / 42 / 20

HEX #38CC76

RGB 56 204 118

HSL 145.14, 0.59%, 0.51%

LAB 73.11, -57.48, 32.01

 

CMYK 0 / 75 / 35 / 20

HEX #CC3384

RGB 204 51 132

HSL 328.24, 0.6%, 0.5%

LAB 48.1, 65.1, -9.44

 

CMYK 0 / 69 / 32 / 13

HEX #DD4597

RGB 221 69 151

HSL 327.63, 0.69%, 0.57%

LAB 53.88, 65.62, -11.82

 

CMYK 0 / 63 / 29 / 7

HEX #EE57AA

RGB 238 87 170

HSL 327.02, 0.82%, 0.64%

LAB 59.79, 65.65, -13.74

 

CMYK 0 / 59 / 26 / 0

HEX #FF69BD

RGB 255 105 189

HSL 326.4, 1%, 0.71%

LAB 65.78, 65.37, -15.32

 

CMYK 0 / 52 / 18 / 0

HEX #FF7BD0

RGB 255 123 208

HSL 321.36, 1%, 0.74%

LAB 69.46, 59.88, -20.41

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 82 / 35 / 29

HEX #B62176

RGB 182 33 118

HSL 325.77, 0.69%, 0.42%

LAB 41.75, 63.12, -10.81

 

CMYK 0 / 91 / 40 / 35

HEX #A50F63

RGB 165 15 99

HSL 326.4, 0.83%, 0.35%

LAB 36.45, 60.75, -7.15

 

CMYK 0 / 100 / 46 / 42

HEX #940050

RGB 148 0 80

HSL 327.57, 1%, 0.29%

LAB 31.52, 57.08, -2.51

 

CMYK 0 / 100 / 53 / 49

HEX #83003D

RGB 131 0 61

HSL 332.06, 1%, 0.26%

LAB 27.19, 51.45, 3.46

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 74 / 51 / 22

HEX #C73361

RGB 199 51 97

HSL 341.35, 0.59%, 0.49%

LAB 46.14, 60.41, 9.01

 

CMYK 0 / 74 / 71 / 22

HEX #C73339

RGB 199 51 57

HSL 357.57, 0.59%, 0.49%

LAB 45.37, 57.87, 32.39

 

CMYK 0 / 74 / 74 / 22

HEX #C73333

RGB 199 51 51

HSL 0, 0.59%, 0.49%

LAB 45.29, 57.61, 35.79

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 74 / 11 / 22

HEX #C733B1

RGB 199 51 177

HSL 308.92, 0.59%, 0.49%

LAB 49.11, 69.61, -34.8

 

CMYK 9 / 74 / 0 / 22

HEX #B533C7

RGB 181 51 199

HSL 292.7, 0.59%, 0.49%

LAB 47.38, 69.28, -50.55

 

CMYK 29 / 74 / 0 / 22

HEX #8D33C7

RGB 141 51 199

HSL 276.49, 0.59%, 0.49%

LAB 41.46, 61.53, -60.4

 

CMYK 49 / 74 / 0 / 22

HEX #6533C7

RGB 101 51 199

HSL 260.27, 0.59%, 0.49%

LAB 36.48, 54.74, -68.74

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 86 / 36 / 14

HEX #DB1F8C

RGB 219 31 140

HSL 325.21, 0.75%, 0.49%

LAB 49.42, 74.49, -12.02

 

CMYK 0 / 95 / 40 / 6

HEX #EF0B8F

RGB 239 11 143

HSL 325.26, 0.91%, 0.49%

LAB 52.48, 81.62, -8.83

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 60 / 25 / 30

HEX #B24786

RGB 178 71 134

HSL 324.67, 0.43%, 0.49%

LAB 46.57, 50.31, -13.39

 

CMYK 0 / 42 / 18 / 38

HEX #9E5C82

RGB 158 92 130

HSL 325.45, 0.26%, 0.49%

LAB 47.67, 32.36, -9.6

 

CMYK 0 / 19 / 8 / 46

HEX #8A707F

RGB 138 112 127

HSL 325.38, 0.1%, 0.49%

LAB 50.13, 12.9, -4.4

 

CMYK 11 / 0 / 6 / 48

HEX #76847C

RGB 118 132 124

HSL 145.71, 0.06%, 0.49%

LAB 53.82, -6.77, 2.57

 

CMYK 9 / 74 / 0 / 22

HEX #B533C7

RGB 181 51 199

HSL 292.7, 0.59%, 0.49%

LAB 47.38, 69.28, -50.55

 

CMYK 0 / 74 / 11 / 22

HEX #C733B1

RGB 199 51 177

HSL 308.92, 0.59%, 0.49%

LAB 49.11, 69.61, -34.8

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 74 / 51 / 22

HEX #C73362

RGB 199 51 98

HSL 340.95, 0.59%, 0.49%

LAB 46.17, 60.49, 8.43

 

CMYK 0 / 74 / 70 / 22

HEX #C7333B

RGB 199 51 59

HSL 356.76, 0.59%, 0.49%

LAB 45.39, 57.96, 31.24

 

CMYK 0 / 74 / 31 / 48

HEX #85225C

RGB 133 34 92

HSL 324.85, 0.59%, 0.33%

LAB 31.59, 46.95, -10.58

 

CMYK 0 / 74 / 31 / 35

HEX #A62B72

RGB 166 43 114

HSL 325.37, 0.59%, 0.41%

LAB 39.66, 55.6, -11.76

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 61 / 26 / 18

HEX #D2519C

RGB 210 81 156

HSL 325.12, 0.59%, 0.57%

LAB 54.01, 58.37, -14.74

 

CMYK 0 / 48 / 20 / 14

HEX #DB72AF

RGB 219 114 175

HSL 325.14, 0.59%, 0.65%

LAB 61.82, 48.32, -13.83

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 29 / 74 / 22

HEX #C78E33

RGB 199 142 51

HSL 36.89, 0.59%, 0.49%

LAB 63.12, 13.3, 54.52

 

CMYK 74 / 2 / 0 / 22

HEX #33C4C7

RGB 51 196 199

HSL 181.22, 0.59%, 0.49%

LAB 72.43, -35.48, -12.34

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 31 / 0 / 74 / 22

HEX #89C733

RGB 137 199 51

HSL 85.14, 0.59%, 0.49%

LAB 73.81, -41.68, 63.31

 

CMYK 74 / 31 / 0 / 22

HEX #3389C7

RGB 51 137 199

HSL 205.14, 0.59%, 0.49%

LAB 54.78, -4.66, -39.46

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 29 / 74 / 22

HEX #C78E33

RGB 199 142 51

HSL 36.89, 0.59%, 0.49%

LAB 63.12, 13.3, 54.52

 

CMYK 74 / 0 / 43 / 22

HEX #33C771

RGB 51 199 113

HSL 145.14, 0.59%, 0.49%

LAB 71.38, -57.27, 32.3

 

CMYK 74 / 46 / 0 / 22

HEX #336CC7

RGB 51 108 199

HSL 216.89, 0.59%, 0.49%

LAB 46.38, 13.03, -52.82

 

CMYK 0 / 74 / 31 / 22

HEX #C73389

RGB 199 51 137

HSL 325.14, 0.59%, 0.49%

LAB 47.39, 64.36, -13.63

 

CMYK 0 / 7 / 74 / 22

HEX #C7BA33

RGB 199 186 51

HSL 54.73, 0.59%, 0.49%

LAB 74.51, -10.16, 65.51

 

CMYK 74 / 0 / 43 / 22

HEX #33C771

RGB 51 199 113

HSL 145.14, 0.59%, 0.49%

LAB 71.38, -57.27, 32.3

 

CMYK 74 / 68 / 0 / 22

HEX #3340C7

RGB 51 64 199

HSL 234.73, 0.59%, 0.49%

LAB 34.99, 41.13, -71.33

 

Description

Color code: HEX #C73389 | qconv.com Color code: HEX #C73389 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 51 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 51 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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