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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C70916 it is the complementary color #38F6E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C70916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C70916: #CC0911, #DD1B24, #EE2D37, #FF3F4A and #FF515D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C70916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C70916: #C70916, #B60003, #A50000, #940000 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 89 / 22

HEX #C70916

RGB 199 9 22

HSL 355.89, 0.91%, 0.41%

LAB 41.84, 65.83, 47.87

 

Complementary color

CMYK 77 / 0 / 5 / 4

HEX #38F6E9

RGB 56 246 233

HSL 175.89, 0.91%, 0.59%

LAB 88.27, -47.73, -6.88

 

CMYK 0 / 96 / 92 / 20

HEX #CC0911

RGB 204 9 17

HSL 357.54, 0.92%, 0.42%

LAB 42.87, 67.02, 51.22

 

CMYK 0 / 88 / 84 / 13

HEX #DD1B24

RGB 221 27 36

HSL 357.22, 0.78%, 0.49%

LAB 47.34, 69.39, 47.47

 

CMYK 0 / 81 / 77 / 7

HEX #EE2D37

RGB 238 45 55

HSL 356.89, 0.85%, 0.55%

LAB 52.21, 70.71, 43.25

 

CMYK 0 / 75 / 71 / 0

HEX #FF3F4A

RGB 255 63 74

HSL 356.56, 1%, 0.62%

LAB 57.38, 71.26, 39.29

 

CMYK 0 / 68 / 64 / 0

HEX #FF515D

RGB 255 81 93

HSL 355.86, 1%, 0.66%

LAB 59.83, 66.16, 31.47

 

CMYK 0 / 95 / 89 / 22

HEX #C70916

RGB 199 9 22

HSL 355.89, 0.91%, 0.41%

LAB 41.84, 65.83, 47.87

 

CMYK 0 / 100 / 98 / 29

HEX #B60003

RGB 182 0 3

HSL 359.01, 1%, 0.36%

LAB 37.76, 62.22, 50.95

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 100 / 100 / 42

HEX #940000

RGB 148 0 0

HSL 0, 1%, 0.29%

LAB 30.15, 53.4, 43.8

SW® 2911

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 95 / 89 / 22

HEX #C70916

RGB 199 9 22

HSL 355.89, 0.91%, 0.41%

LAB 41.84, 65.83, 47.87

 

CMYK 0 / 87 / 95 / 22

HEX #C71909

RGB 199 25 9

HSL 5.05, 0.91%, 0.41%

LAB 42.55, 63.45, 53.24

 

CMYK 0 / 72 / 95 / 22

HEX #C73809

RGB 199 56 9

HSL 14.84, 0.91%, 0.41%

LAB 45.62, 54.82, 54.98

 

CMYK 0 / 56 / 95 / 22

HEX #C75809

RGB 199 88 9

HSL 24.95, 0.91%, 0.41%

LAB 50.85, 40.9, 58.23

 

CMYK 0 / 40 / 95 / 22

HEX #C77809

RGB 199 120 9

HSL 35.05, 0.91%, 0.41%

LAB 57.65, 24.18, 62.79

 

CMYK 0 / 95 / 89 / 22

HEX #C70916

RGB 199 9 22

HSL 355.89, 0.91%, 0.41%

LAB 41.84, 65.83, 47.87

 

CMYK 0 / 96 / 89 / 2

HEX #FA0B1C

RGB 250 11 28

HSL 355.73, 0.96%, 0.51%

LAB 52.56, 78.4, 57.88

 

CMYK 0 / 96 / 89 / 82

HEX #2E0205

RGB 46 2 5

HSL 355.91, 0.92%, 0.09%

LAB 5.74, 21.94, 6.97

 

CMYK 0 / 96 / 89 / 62

HEX #61040B

RGB 97 4 11

HSL 355.48, 0.92%, 0.2%

LAB 18.59, 38.65, 24

 

CMYK 0 / 95 / 89 / 42

HEX #940710

RGB 148 7 16

HSL 356.17, 0.91%, 0.3%

LAB 30.61, 52.58, 37.26

 

CMYK 0 / 95 / 89 / 22

HEX #C70916

RGB 199 9 22

HSL 355.89, 0.91%, 0.41%

LAB 41.84, 65.83, 47.87

 

CMYK 11 / 0 / 95 / 22

HEX #B1C709

RGB 177 199 9

HSL 66.95, 0.91%, 0.41%

LAB 76.2, -27.13, 75.49

 

CMYK 95 / 49 / 0 / 22

HEX #0965C7

RGB 9 101 199

HSL 210.95, 0.91%, 0.41%

LAB 43.49, 14.23, -57.52

 

CMYK 0 / 95 / 89 / 22

HEX #C70916

RGB 199 9 22

HSL 355.89, 0.91%, 0.41%

LAB 41.84, 65.83, 47.87

 

CMYK 87 / 0 / 95 / 22

HEX #19C709

RGB 25 199 9

HSL 114.95, 0.91%, 0.41%

LAB 70.23, -70.01, 68.22

 

CMYK 95 / 87 / 0 / 22

HEX #0919C7

RGB 9 25 199

HSL 234.95, 0.91%, 0.41%

LAB 26.38, 59.27, -85.64

 

CMYK 0 / 95 / 89 / 22

HEX #C70916

RGB 199 9 22

HSL 355.89, 0.91%, 0.41%

LAB 41.84, 65.83, 47.87

 

CMYK 11 / 0 / 95 / 22

HEX #B1C709

RGB 177 199 9

HSL 66.95, 0.91%, 0.41%

LAB 76.2, -27.13, 75.49

 

CMYK 95 / 0 / 8 / 22

HEX #09C7B7

RGB 9 199 183

HSL 174.95, 0.91%, 0.41%

LAB 72.44, -44.3, -3.66

 

CMYK 84 / 95 / 0 / 22

HEX #1F09C7

RGB 31 9 199

HSL 246.95, 0.91%, 0.41%

LAB 25.59, 64.17, -86.93

 

CMYK 0 / 95 / 89 / 22

HEX #C70916

RGB 199 9 22

HSL 355.89, 0.91%, 0.41%

LAB 41.84, 65.83, 47.87

 

CMYK 40 / 0 / 95 / 22

HEX #78C709

RGB 120 199 9

HSL 84.95, 0.91%, 0.41%

LAB 72.8, -49.2, 71.37

 

CMYK 95 / 0 / 8 / 22

HEX #09C7B7

RGB 9 199 183

HSL 174.95, 0.91%, 0.41%

LAB 72.44, -44.3, -3.66

 

CMYK 56 / 95 / 0 / 22

HEX #5809C7

RGB 88 9 199

HSL 264.95, 0.91%, 0.41%

LAB 30.38, 66.81, -78.83

 

Description

Color code: HEX #C70916 | qconv.com Color code: HEX #C70916 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 9 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 9 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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