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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6ECE8 it is the complementary color #391317. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6ECE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6ECE8 shade: #CBECE3, #DCFEF6, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6ECE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6ECE8 shade: #C6ECE8, #B5DAD5, #A4C8C2, #93B6AF and #82A49C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6ECE8 shade: #C5EBE7, #C5EBDD, #C5EBD3, #C5EBC8 and #CCEBC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6ECE8 shade: #C5EBE7, #C5E5EB, #C5DBEB, #C5D0EB and #C5C6EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6ECE8 shade matches the following richer shades: #C5EBE7, #BFF2EC, #B9F8F1 and #B3FEF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6ECE8 shade: #C5EBE7, #CBE5E2, #D2DFDE, #D8D9D9 and #DED3D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6ECE8 shade: #C5EBD3, #C5EBDD, #C5EBE7, #C5E6EB and #C5DBEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6ECE8 shade: #87D7CE, #A6E1DB, #C5EBE7 and #E4F6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6ECE8 shade: #C6ECE8, #C8C5EB and #EBD8C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6ECE8 shade: #C6ECE8, #E7C5EB and #EBE7C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6ECE8 shade: #C6ECE8, #C8C5EB, #EBC5CA and #E8EBC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6ECE8 shade: #C6ECE8, #D4C5EB, #EBC5CA and #DDEBC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 2 / 7

HEX #C6ECE8

RGB 198 236 232

HSL 173.68, 0.5%, 0.85%

LAB 90.7, -13.05, -2.18

 

Complementary color

CMYK 0 / 67 / 60 / 78

HEX #391317

RGB 57 19 23

HSL 353.68, 0.5%, 0.15%

LAB 11.94, 19.31, 6.7

 

CMYK 14 / 0 / 4 / 7

HEX #CBECE3

RGB 203 236 227

HSL 163.64, 0.46%, 0.86%

LAB 90.89, -12.46, 0.74

 

CMYK 13 / 0 / 3 / 0

HEX #DCFEF6

RGB 220 254 246

HSL 165.88, 0.94%, 0.93%

LAB 97.13, -12.42, 0.13

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 16 / 0 / 2 / 7

HEX #C6ECE8

RGB 198 236 232

HSL 173.68, 0.5%, 0.85%

LAB 90.7, -13.05, -2.18

 

CMYK 17 / 0 / 2 / 15

HEX #B5DAD5

RGB 181 218 213

HSL 171.89, 0.33%, 0.78%

LAB 84.37, -13.1, -1.6

 

CMYK 18 / 0 / 3 / 22

HEX #A4C8C2

RGB 164 200 194

HSL 170, 0.25%, 0.71%

LAB 77.93, -13.16, -0.99

 

CMYK 19 / 0 / 4 / 29

HEX #93B6AF

RGB 147 182 175

HSL 168, 0.19%, 0.65%

LAB 71.39, -13.25, -0.36

 

CMYK 21 / 0 / 5 / 36

HEX #82A49C

RGB 130 164 156

HSL 165.88, 0.16%, 0.58%

LAB 64.72, -13.35, 0.3

 

CMYK 16 / 0 / 2 / 8

HEX #C5EBE7

RGB 197 235 231

HSL 173.68, 0.49%, 0.85%

LAB 90.35, -13.06, -2.18

 

CMYK 16 / 0 / 6 / 8

HEX #C5EBDD

RGB 197 235 221

HSL 157.89, 0.49%, 0.85%

LAB 90.09, -15.02, 2.67

 

CMYK 16 / 0 / 10 / 8

HEX #C5EBD3

RGB 197 235 211

HSL 142.11, 0.49%, 0.85%

LAB 89.85, -16.9, 7.55

 

CMYK 16 / 0 / 15 / 8

HEX #C5EBC8

RGB 197 235 200

HSL 124.74, 0.49%, 0.85%

LAB 89.61, -18.88, 12.92

 

CMYK 13 / 0 / 16 / 8

HEX #CCEBC5

RGB 204 235 197

HSL 108.95, 0.49%, 0.85%

LAB 89.99, -17.05, 15.09

 

CMYK 16 / 0 / 2 / 8

HEX #C5EBE7

RGB 197 235 231

HSL 173.68, 0.49%, 0.85%

LAB 90.35, -13.06, -2.18

 

CMYK 16 / 3 / 0 / 8

HEX #C5E5EB

RGB 197 229 235

HSL 189.47, 0.49%, 0.85%

LAB 88.88, -9.21, -6.44

 

CMYK 16 / 7 / 0 / 8

HEX #C5DBEB

RGB 197 219 235

HSL 205.26, 0.49%, 0.85%

LAB 86.27, -4.06, -10.31

 

CMYK 16 / 11 / 0 / 8

HEX #C5D0EB

RGB 197 208 235

HSL 222.63, 0.49%, 0.85%

LAB 83.43, 1.7, -14.55

 

CMYK 16 / 16 / 0 / 8

HEX #C5C6EB

RGB 197 198 235

HSL 238.42, 0.49%, 0.85%

LAB 80.88, 7.03, -18.39

 

CMYK 16 / 0 / 2 / 8

HEX #C5EBE7

RGB 197 235 231

HSL 173.68, 0.49%, 0.85%

LAB 90.35, -13.06, -2.18

 

CMYK 21 / 0 / 2 / 5

HEX #BFF2EC

RGB 191 242 236

HSL 172.94, 0.66%, 0.85%

LAB 91.97, -17.37, -2.45

 

CMYK 25 / 0 / 3 / 3

HEX #B9F8F1

RGB 185 248 241

HSL 173.33, 0.82%, 0.85%

LAB 93.36, -21.04, -3.04

 

CMYK 30 / 0 / 3 / 0

HEX #B3FEF6

RGB 179 254 246

HSL 173.6, 0.97%, 0.85%

LAB 94.79, -24.58, -3.57

 

CMYK 16 / 0 / 2 / 8

HEX #C5EBE7

RGB 197 235 231

HSL 173.68, 0.49%, 0.85%

LAB 90.35, -13.06, -2.18

 

CMYK 11 / 0 / 1 / 10

HEX #CBE5E2

RGB 203 229 226

HSL 173.08, 0.33%, 0.85%

LAB 89.03, -9.11, -1.45

 

CMYK 6 / 0 / 0 / 13

HEX #D2DFDE

RGB 210 223 222

HSL 175.38, 0.17%, 0.85%

LAB 87.85, -4.52, -1.02

 

CMYK 0 / 0 / 0 / 15

HEX #D8D9D9

RGB 216 217 217

HSL 180, 0.01%, 0.85%

LAB 86.62, -0.33, -0.13

 

CMYK 0 / 5 / 5 / 13

HEX #DED3D4

RGB 222 211 212

HSL 354.55, 0.14%, 0.85%

LAB 85.44, 3.96, 0.85

 

CMYK 16 / 0 / 10 / 8

HEX #C5EBD3

RGB 197 235 211

HSL 142.11, 0.49%, 0.85%

LAB 89.85, -16.9, 7.55

 

CMYK 16 / 0 / 6 / 8

HEX #C5EBDD

RGB 197 235 221

HSL 157.89, 0.49%, 0.85%

LAB 90.09, -15.02, 2.67

 

CMYK 16 / 0 / 2 / 8

HEX #C5EBE7

RGB 197 235 231

HSL 173.68, 0.49%, 0.85%

LAB 90.35, -13.06, -2.18

 

CMYK 16 / 2 / 0 / 8

HEX #C5E6EB

RGB 197 230 235

HSL 187.89, 0.49%, 0.85%

LAB 89.14, -9.72, -6.05

 

CMYK 16 / 7 / 0 / 8

HEX #C5DBEB

RGB 197 219 235

HSL 205.26, 0.49%, 0.85%

LAB 86.27, -4.06, -10.31

 

CMYK 37 / 0 / 4 / 16

HEX #87D7CE

RGB 135 215 206

HSL 173.25, 0.5%, 0.69%

LAB 80.85, -26.53, -3.32

 

CMYK 26 / 0 / 3 / 12

HEX #A6E1DB

RGB 166 225 219

HSL 173.9, 0.5%, 0.77%

LAB 85.54, -19.92, -3.15

 

CMYK 16 / 0 / 2 / 8

HEX #C5EBE7

RGB 197 235 231

HSL 173.68, 0.49%, 0.85%

LAB 90.35, -13.06, -2.18

 

CMYK 7 / 0 / 1 / 4

HEX #E4F6F4

RGB 228 246 244

HSL 173.33, 0.5%, 0.93%

LAB 95.55, -6.25, -1.08

 

CMYK 16 / 0 / 2 / 7

HEX #C6ECE8

RGB 198 236 232

HSL 173.68, 0.5%, 0.85%

LAB 90.7, -13.05, -2.18

 

CMYK 15 / 16 / 0 / 8

HEX #C8C5EB

RGB 200 197 235

HSL 244.74, 0.49%, 0.85%

LAB 80.86, 8.51, -18.41

 

CMYK 0 / 8 / 16 / 8

HEX #EBD8C5

RGB 235 216 197

HSL 30, 0.49%, 0.85%

LAB 87.39, 3.5, 11.73

 

CMYK 16 / 0 / 2 / 7

HEX #C6ECE8

RGB 198 236 232

HSL 173.68, 0.5%, 0.85%

LAB 90.7, -13.05, -2.18

 

CMYK 2 / 16 / 0 / 8

HEX #E7C5EB

RGB 231 197 235

HSL 293.68, 0.49%, 0.85%

LAB 83.4, 18.56, -14.32

 

CMYK 0 / 2 / 16 / 8

HEX #EBE7C5

RGB 235 231 197

HSL 53.68, 0.49%, 0.85%

LAB 91.16, -4.2, 17.06

 

CMYK 16 / 0 / 2 / 7

HEX #C6ECE8

RGB 198 236 232

HSL 173.68, 0.5%, 0.85%

LAB 90.7, -13.05, -2.18

 

CMYK 15 / 16 / 0 / 8

HEX #C8C5EB

RGB 200 197 235

HSL 244.74, 0.49%, 0.85%

LAB 80.86, 8.51, -18.41

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 1 / 0 / 16 / 8

HEX #E8EBC5

RGB 232 235 197

HSL 64.74, 0.49%, 0.85%

LAB 91.96, -7.29, 18.13

 

CMYK 16 / 0 / 2 / 7

HEX #C6ECE8

RGB 198 236 232

HSL 173.68, 0.5%, 0.85%

LAB 90.7, -13.05, -2.18

 

CMYK 10 / 16 / 0 / 8

HEX #D4C5EB

RGB 212 197 235

HSL 263.68, 0.49%, 0.85%

LAB 81.8, 12.35, -16.89

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 6 / 0 / 16 / 8

HEX #DDEBC5

RGB 221 235 197

HSL 82.11, 0.49%, 0.85%

LAB 91.15, -11.18, 16.89

 

Description

Color code: HEX #C6ECE8 | qconv.com Color code: HEX #C6ECE8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 236 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 236 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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