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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6B445 it is the complementary color #394BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6B445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C6B445: #CBB440, #DCC653, #EDD866, #FEEA79 and #FFFC8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6B445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C6B445: #C6B445, #B5A232, #A4901F, #937E0C and #826C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 65 / 22

HEX #C6B445

RGB 198 180 69

HSL 51.63, 0.53%, 0.52%

LAB 72.94, -6.56, 56.97

 

Complementary color

CMYK 69 / 60 / 0 / 27

HEX #394BBA

RGB 57 75 186

HSL 231.63, 0.53%, 0.48%

LAB 36.83, 30.33, -60.69

 

CMYK 0 / 11 / 68 / 20

HEX #CBB440

RGB 203 180 64

HSL 50.07, 0.57%, 0.52%

LAB 73.36, -4.7, 59.62

 

CMYK 0 / 10 / 62 / 14

HEX #DCC653

RGB 220 198 83

HSL 50.36, 0.66%, 0.59%

LAB 79.74, -5.67, 58.8

 

CMYK 0 / 9 / 57 / 7

HEX #EDD866

RGB 237 216 102

HSL 50.67, 0.79%, 0.66%

LAB 86.04, -6.5, 57.79

 

CMYK 0 / 8 / 52 / 0

HEX #FEEA79

RGB 254 234 121

HSL 50.98, 0.99%, 0.74%

LAB 92.26, -7.2, 56.67

 

CMYK 0 / 1 / 45 / 0

HEX #FFFC8C

RGB 255 252 140

HSL 58.43, 1%, 0.77%

LAB 97.14, -14.03, 53.68

 

CMYK 0 / 9 / 65 / 22

HEX #C6B445

RGB 198 180 69

HSL 51.63, 0.53%, 0.52%

LAB 72.94, -6.56, 56.97

 

CMYK 0 / 10 / 72 / 29

HEX #B5A232

RGB 181 162 50

HSL 51.3, 0.57%, 0.45%

LAB 66.44, -5.52, 57.57

 

CMYK 0 / 12 / 81 / 36

HEX #A4901F

RGB 164 144 31

HSL 50.98, 0.68%, 0.38%

LAB 59.83, -4.26, 57.52

 

CMYK 0 / 14 / 92 / 42

HEX #937E0C

RGB 147 126 12

HSL 50.67, 0.85%, 0.31%

LAB 53.11, -2.71, 56.19

 

CMYK 0 / 17 / 100 / 49

HEX #826C00

RGB 130 108 0

HSL 49.85, 1%, 0.25%

LAB 46.27, -0.83, 52.74

 

CMYK 0 / 9 / 65 / 22

HEX #C6B445

RGB 198 180 69

HSL 51.63, 0.53%, 0.52%

LAB 72.94, -6.56, 56.97

 

CMYK 1 / 0 / 66 / 23

HEX #C3C543

RGB 195 197 67

HSL 60.92, 0.53%, 0.52%

LAB 77.24, -16.64, 62.17

 

CMYK 12 / 0 / 66 / 23

HEX #ADC543

RGB 173 197 67

HSL 71.08, 0.53%, 0.52%

LAB 75.59, -25.75, 59.95

 

CMYK 23 / 0 / 66 / 23

HEX #98C543

RGB 152 197 67

HSL 80.77, 0.53%, 0.52%

LAB 74.2, -34.1, 58.06

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 0 / 9 / 65 / 22

HEX #C6B445

RGB 198 180 69

HSL 51.63, 0.53%, 0.52%

LAB 72.94, -6.56, 56.97

 

CMYK 0 / 9 / 65 / 2

HEX #F9E257

RGB 249 226 87

HSL 51.48, 0.93%, 0.66%

LAB 89.5, -7.57, 68.29

 

CMYK 0 / 9 / 64 / 82

HEX #2D2910

RGB 45 41 16

HSL 51.72, 0.48%, 0.12%

LAB 16.41, -2.39, 16.74

 

CMYK 0 / 9 / 66 / 62

HEX #605721

RGB 96 87 33

HSL 51.43, 0.49%, 0.25%

LAB 36.77, -3.79, 31.89

 

CMYK 0 / 9 / 65 / 42

HEX #938633

RGB 147 134 51

HSL 51.88, 0.48%, 0.39%

LAB 55.58, -5.5, 45.04

 

CMYK 0 / 9 / 65 / 22

HEX #C6B445

RGB 198 180 69

HSL 51.63, 0.53%, 0.52%

LAB 72.94, -6.56, 56.97

 

CMYK 66 / 0 / 62 / 23

HEX #43C54A

RGB 67 197 74

HSL 123.23, 0.53%, 0.52%

LAB 70.61, -59.42, 50.16

 

CMYK 36 / 66 / 0 / 23

HEX #7E43C5

RGB 126 67 197

HSL 267.23, 0.53%, 0.52%

LAB 41.97, 50.9, -58.5

 

CMYK 0 / 9 / 65 / 22

HEX #C6B445

RGB 198 180 69

HSL 51.63, 0.53%, 0.52%

LAB 72.94, -6.56, 56.97

 

CMYK 66 / 0 / 10 / 23

HEX #43C5B2

RGB 67 197 178

HSL 171.23, 0.53%, 0.52%

LAB 72.46, -39.65, -0.84

 

CMYK 10 / 66 / 0 / 23

HEX #B243C5

RGB 178 67 197

HSL 291.23, 0.53%, 0.52%

LAB 48.9, 62.38, -47

 

CMYK 0 / 9 / 65 / 22

HEX #C6B445

RGB 198 180 69

HSL 51.63, 0.53%, 0.52%

LAB 72.94, -6.56, 56.97

 

CMYK 66 / 0 / 62 / 23

HEX #43C54A

RGB 67 197 74

HSL 123.23, 0.53%, 0.52%

LAB 70.61, -59.42, 50.16

 

CMYK 66 / 56 / 0 / 23

HEX #4357C5

RGB 67 87 197

HSL 230.77, 0.53%, 0.52%

LAB 41.28, 28.03, -59.86

 

CMYK 0 / 66 / 4 / 23

HEX #C543BE

RGB 197 67 190

HSL 303.23, 0.53%, 0.52%

LAB 51.38, 65.62, -38.83

 

CMYK 0 / 9 / 65 / 22

HEX #C6B445

RGB 198 180 69

HSL 51.63, 0.53%, 0.52%

LAB 72.94, -6.56, 56.97

 

CMYK 66 / 0 / 43 / 23

HEX #43C571

RGB 67 197 113

HSL 141.23, 0.53%, 0.52%

LAB 71.09, -53.91, 31.98

 

CMYK 66 / 56 / 0 / 23

HEX #4357C5

RGB 67 87 197

HSL 230.77, 0.53%, 0.52%

LAB 41.28, 28.03, -59.86

 

CMYK 0 / 66 / 23 / 23

HEX #C54398

RGB 197 67 152

HSL 320.77, 0.53%, 0.52%

LAB 49.68, 59.96, -19.16

 

Description

Color code: HEX #C6B445 | qconv.com Color code: HEX #C6B445 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 180 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 180 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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