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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6AB75 it is the complementary color #39548A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6AB75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C6AB75: #CBAB70, #DCBD83, #EDCF96, #FEE1A9 and #FFF3BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6AB75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C6AB75: #C6AB75, #B59962, #A4874F, #93753C and #826329

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 41 / 22

HEX #C6AB75

RGB 198 171 117

HSL 40, 0.42%, 0.62%

LAB 71.16, 2.31, 31.41

 

Complementary color

CMYK 59 / 39 / 0 / 46

HEX #39548A

RGB 57 84 138

HSL 220, 0.42%, 0.38%

LAB 36.07, 7.15, -33.17

 

CMYK 0 / 16 / 45 / 20

HEX #CBAB70

RGB 203 171 112

HSL 38.9, 0.47%, 0.62%

LAB 71.55, 3.82, 34.65

 

CMYK 0 / 14 / 40 / 14

HEX #DCBD83

RGB 220 189 131

HSL 39.1, 0.56%, 0.69%

LAB 78.02, 3.17, 33.4

 

CMYK 0 / 13 / 37 / 7

HEX #EDCF96

RGB 237 207 150

HSL 39.31, 0.71%, 0.76%

LAB 84.4, 2.61, 32.21

 

CMYK 0 / 11 / 33 / 0

HEX #FEE1A9

RGB 254 225 169

HSL 39.53, 0.98%, 0.83%

LAB 90.68, 2.12, 31.09

 

CMYK 0 / 5 / 26 / 0

HEX #FFF3BC

RGB 255 243 188

HSL 49.25, 1%, 0.87%

LAB 95.58, -4.24, 28.03

 

CMYK 0 / 14 / 41 / 22

HEX #C6AB75

RGB 198 171 117

HSL 40, 0.42%, 0.62%

LAB 71.16, 2.31, 31.41

 

CMYK 0 / 15 / 46 / 29

HEX #B59962

RGB 181 153 98

HSL 39.76, 0.36%, 0.55%

LAB 64.55, 2.97, 32.7

 

CMYK 0 / 18 / 52 / 36

HEX #A4874F

RGB 164 135 79

HSL 39.53, 0.35%, 0.48%

LAB 57.83, 3.75, 34.05

 

CMYK 0 / 20 / 59 / 42

HEX #93753C

RGB 147 117 60

HSL 39.31, 0.42%, 0.41%

LAB 50.98, 4.71, 35.45

 

CMYK 0 / 24 / 68 / 49

HEX #826329

RGB 130 99 41

HSL 39.1, 0.52%, 0.34%

LAB 43.99, 5.92, 36.8

 

CMYK 0 / 14 / 41 / 22

HEX #C6AB75

RGB 198 171 117

HSL 40, 0.42%, 0.62%

LAB 71.16, 2.31, 31.41

 

CMYK 0 / 7 / 41 / 22

HEX #C6B975

RGB 198 185 117

HSL 50.37, 0.42%, 0.62%

LAB 74.82, -5.11, 36.14

 

CMYK 0 / 0 / 41 / 22

HEX #C6C675

RGB 198 198 117

HSL 60, 0.42%, 0.62%

LAB 78.27, -11.83, 40.52

 

CMYK 7 / 0 / 41 / 22

HEX #B9C675

RGB 185 198 117

HSL 69.63, 0.42%, 0.62%

LAB 77.27, -16.98, 39.04

 

CMYK 14 / 0 / 41 / 22

HEX #ABC675

RGB 171 198 117

HSL 80, 0.42%, 0.62%

LAB 76.27, -22.41, 37.57

 

CMYK 0 / 14 / 41 / 22

HEX #C6AB75

RGB 198 171 117

HSL 40, 0.42%, 0.62%

LAB 71.16, 2.31, 31.41

 

CMYK 0 / 14 / 41 / 2

HEX #F9D793

RGB 249 215 147

HSL 40, 0.89%, 0.78%

LAB 87.41, 2.84, 37.9

 

CMYK 0 / 13 / 40 / 82

HEX #2D271B

RGB 45 39 27

HSL 40, 0.25%, 0.14%

LAB 15.94, 0.48, 8.96

 

CMYK 0 / 14 / 41 / 62

HEX #605339

RGB 96 83 57

HSL 40, 0.25%, 0.3%

LAB 35.92, 1.14, 17.21

 

CMYK 0 / 14 / 41 / 42

HEX #937F57

RGB 147 127 87

HSL 40, 0.26%, 0.46%

LAB 54.1, 1.74, 24.57

 

CMYK 0 / 14 / 41 / 22

HEX #C6AB75

RGB 198 171 117

HSL 40, 0.42%, 0.62%

LAB 71.16, 2.31, 31.41

 

CMYK 35 / 0 / 41 / 22

HEX #80C675

RGB 128 198 117

HSL 111.85, 0.42%, 0.62%

LAB 73.72, -37.76, 33.77

 

CMYK 30 / 41 / 0 / 22

HEX #8B75C6

RGB 139 117 198

HSL 256.3, 0.42%, 0.62%

LAB 54.33, 26.35, -39.26

 

CMYK 0 / 14 / 41 / 22

HEX #C6AB75

RGB 198 171 117

HSL 40, 0.42%, 0.62%

LAB 71.16, 2.31, 31.41

 

CMYK 41 / 0 / 14 / 22

HEX #75C6AB

RGB 117 198 171

HSL 160, 0.42%, 0.62%

LAB 74.26, -31.08, 5.79

 

CMYK 14 / 41 / 0 / 22

HEX #AB75C6

RGB 171 117 198

HSL 280, 0.42%, 0.62%

LAB 57.52, 35.76, -34.04

 

CMYK 0 / 14 / 41 / 22

HEX #C6AB75

RGB 198 171 117

HSL 40, 0.42%, 0.62%

LAB 71.16, 2.31, 31.41

 

CMYK 35 / 0 / 41 / 22

HEX #80C675

RGB 128 198 117

HSL 111.85, 0.42%, 0.62%

LAB 73.72, -37.76, 33.77

 

CMYK 41 / 27 / 0 / 22

HEX #7590C6

RGB 117 144 198

HSL 220, 0.42%, 0.62%

LAB 59.71, 4.36, -30.97

 

CMYK 6 / 41 / 0 / 22

HEX #BB75C6

RGB 187 117 198

HSL 291.85, 0.42%, 0.62%

LAB 59.31, 40.63, -31.11

 

CMYK 0 / 14 / 41 / 22

HEX #C6AB75

RGB 198 171 117

HSL 40, 0.42%, 0.62%

LAB 71.16, 2.31, 31.41

 

CMYK 41 / 0 / 34 / 22

HEX #75C682

RGB 117 198 130

HSL 129.63, 0.42%, 0.62%

LAB 73.4, -39.13, 26.52

 

CMYK 41 / 27 / 0 / 22

HEX #7590C6

RGB 117 144 198

HSL 220, 0.42%, 0.62%

LAB 59.71, 4.36, -30.97

 

CMYK 0 / 41 / 7 / 22

HEX #C675B9

RGB 198 117 185

HSL 309.63, 0.42%, 0.62%

LAB 60.1, 41.65, -22.4

 

Description

Color code: HEX #C6AB75 | qconv.com Color code: HEX #C6AB75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 171 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 171 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 41% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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