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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6995B it is the complementary color #3966A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6995B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C6995B: #CB9956, #DCAB69, #EDBD7C, #FECF8F and #FFE1A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6995B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C6995B: #C6995B, #B58748, #A47535, #936322 and #82510F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 54 / 22

HEX #C6995B

RGB 198 153 91

HSL 34.77, 0.48%, 0.57%

LAB 66.17, 9.48, 38.77

 

Complementary color

CMYK 65 / 38 / 0 / 36

HEX #3966A4

RGB 57 102 164

HSL 214.77, 0.48%, 0.43%

LAB 42.84, 4.9, -38.05

 

CMYK 0 / 25 / 58 / 20

HEX #CB9956

RGB 203 153 86

HSL 34.36, 0.53%, 0.57%

LAB 66.64, 11.18, 42.02

 

CMYK 0 / 22 / 52 / 14

HEX #DCAB69

RGB 220 171 105

HSL 34.43, 0.62%, 0.64%

LAB 73.13, 10.16, 40.62

 

CMYK 0 / 20 / 48 / 7

HEX #EDBD7C

RGB 237 189 124

HSL 34.51, 0.76%, 0.71%

LAB 79.53, 9.28, 39.28

 

CMYK 0 / 19 / 44 / 0

HEX #FECF8F

RGB 254 207 143

HSL 34.59, 0.98%, 0.78%

LAB 85.85, 8.52, 38

 

CMYK 0 / 12 / 36 / 0

HEX #FFE1A2

RGB 255 225 162

HSL 40.65, 1%, 0.82%

LAB 90.65, 1.69, 34.63

 

CMYK 0 / 23 / 54 / 22

HEX #C6995B

RGB 198 153 91

HSL 34.77, 0.48%, 0.57%

LAB 66.17, 9.48, 38.77

 

CMYK 0 / 25 / 60 / 29

HEX #B58748

RGB 181 135 72

HSL 34.68, 0.43%, 0.5%

LAB 59.54, 10.56, 40.19

 

CMYK 0 / 29 / 68 / 36

HEX #A47535

RGB 164 117 53

HSL 34.59, 0.51%, 0.43%

LAB 52.81, 11.86, 41.61

 

CMYK 0 / 33 / 77 / 42

HEX #936322

RGB 147 99 34

HSL 34.51, 0.62%, 0.35%

LAB 45.96, 13.42, 42.82

 

CMYK 0 / 38 / 88 / 49

HEX #82510F

RGB 130 81 15

HSL 34.43, 0.79%, 0.28%

LAB 39.01, 15.34, 43.28

 

CMYK 0 / 23 / 54 / 22

HEX #C6995B

RGB 198 153 91

HSL 34.77, 0.48%, 0.57%

LAB 66.17, 9.48, 38.77

 

CMYK 0 / 14 / 53 / 23

HEX #C5A95C

RGB 197 169 92

HSL 44, 0.48%, 0.57%

LAB 70.19, 0.5, 43.11

 

CMYK 0 / 5 / 53 / 23

HEX #C5BB5C

RGB 197 187 92

HSL 54.29, 0.48%, 0.57%

LAB 74.94, -8.96, 48.73

 

CMYK 4 / 0 / 53 / 23

HEX #BEC55C

RGB 190 197 92

HSL 64, 0.48%, 0.57%

LAB 77.07, -16.94, 51.07

 

CMYK 12 / 0 / 53 / 23

HEX #ADC55C

RGB 173 197 92

HSL 73.71, 0.48%, 0.57%

LAB 75.82, -23.8, 49.29

 

CMYK 0 / 23 / 54 / 22

HEX #C6995B

RGB 198 153 91

HSL 34.77, 0.48%, 0.57%

LAB 66.17, 9.48, 38.77

 

CMYK 0 / 23 / 54 / 2

HEX #F9C072

RGB 249 192 114

HSL 34.67, 0.92%, 0.71%

LAB 81.32, 11.69, 46.81

 

CMYK 0 / 22 / 53 / 82

HEX #2D2315

RGB 45 35 21

HSL 35, 0.36%, 0.13%

LAB 14.48, 2.35, 11.18

 

CMYK 0 / 23 / 54 / 62

HEX #604A2C

RGB 96 74 44

HSL 34.62, 0.37%, 0.27%

LAB 33.06, 5.13, 21.39

 

CMYK 0 / 22 / 54 / 42

HEX #937244

RGB 147 114 68

HSL 34.94, 0.37%, 0.42%

LAB 50.28, 7.14, 30.29

 

CMYK 0 / 23 / 54 / 22

HEX #C6995B

RGB 198 153 91

HSL 34.77, 0.48%, 0.57%

LAB 66.17, 9.48, 38.77

 

CMYK 41 / 0 / 53 / 23

HEX #75C55C

RGB 117 197 92

HSL 105.71, 0.48%, 0.57%

LAB 72.55, -44.18, 44.62

 

CMYK 44 / 53 / 0 / 23

HEX #6E5CC5

RGB 110 92 197

HSL 250.29, 0.48%, 0.57%

LAB 45.63, 33.38, -52.67

 

CMYK 0 / 23 / 54 / 22

HEX #C6995B

RGB 198 153 91

HSL 34.77, 0.48%, 0.57%

LAB 66.17, 9.48, 38.77

 

CMYK 53 / 0 / 23 / 23

HEX #5CC598

RGB 92 197 152

HSL 154.29, 0.48%, 0.57%

LAB 72.54, -41.05, 13.47

 

CMYK 23 / 53 / 0 / 23

HEX #985CC5

RGB 152 92 197

HSL 274.29, 0.48%, 0.57%

LAB 49.93, 43.91, -45.56

 

CMYK 0 / 23 / 54 / 22

HEX #C6995B

RGB 198 153 91

HSL 34.77, 0.48%, 0.57%

LAB 66.17, 9.48, 38.77

 

CMYK 41 / 0 / 53 / 23

HEX #75C55C

RGB 117 197 92

HSL 105.71, 0.48%, 0.57%

LAB 72.55, -44.18, 44.62

 

CMYK 53 / 30 / 0 / 23

HEX #5C8AC5

RGB 92 138 197

HSL 213.71, 0.48%, 0.57%

LAB 56.57, 1.38, -35.41

 

CMYK 12 / 53 / 0 / 23

HEX #AD5CC5

RGB 173 92 197

HSL 286.29, 0.48%, 0.57%

LAB 52.48, 49.53, -41.37

 

CMYK 0 / 23 / 54 / 22

HEX #C6995B

RGB 198 153 91

HSL 34.77, 0.48%, 0.57%

LAB 66.17, 9.48, 38.77

 

CMYK 53 / 0 / 50 / 23

HEX #5CC563

RGB 92 197 99

HSL 124, 0.48%, 0.57%

LAB 71.63, -50.53, 39.87

 

CMYK 53 / 30 / 0 / 23

HEX #5C8AC5

RGB 92 138 197

HSL 213.71, 0.48%, 0.57%

LAB 56.57, 1.38, -35.41

 

CMYK 0 / 53 / 4 / 23

HEX #C55CBE

RGB 197 92 190

HSL 304, 0.48%, 0.57%

LAB 55.32, 54.84, -32.65

 

Description

Color code: HEX #C6995B | qconv.com Color code: HEX #C6995B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 153 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 153 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 54 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 54% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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