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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6934F it is the complementary color #396CB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6934F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6934F shade: #CB934A, #DCA55D, #EDB770, #FEC983 and #FFDB96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6934F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6934F shade: #C6934F, #B5813C, #A46F29, #935D16 and #824B03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6934F shade: #C6924E, #C6724E, #C6524E and #C64E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6934F shade: #C6924E, #C6B34E, #B8C64E, #98C64E and #78C64E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6934F shade matches the following richer shades: #C6924E, #D9953B, #EB9828 and #FE9A15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6934F shade: #C6924E, #B39061, #A08D74, #8D8A87 and #7A879A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6934F shade: #C6524E, #C6724E, #C6924E, #C6B24E and #BAC64E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6934F shade: #92672F, #B17E39, #C6924E, #D0A56D and #DAB98C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6934F shade: #C6934F, #6AC64E and #624EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6934F shade: #C6934F, #4EC692 and #924EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6934F shade: #C6934F, #6AC64E, #4E82C6 and #AA4EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6934F shade: #C6934F, #4EC656, #4E82C6 and #C64EBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 60 / 22

HEX #C6934F

RGB 198 147 79

HSL 34.29, 0.51%, 0.54%

LAB 64.51, 11.8, 42.93

 

Complementary color

CMYK 68 / 39 / 0 / 31

HEX #396CB0

RGB 57 108 176

HSL 214.29, 0.51%, 0.46%

LAB 45.26, 5.46, -41.26

 

CMYK 0 / 28 / 64 / 20

HEX #CB934A

RGB 203 147 74

HSL 33.95, 0.55%, 0.54%

LAB 65.01, 13.58, 46.13

 

CMYK 0 / 25 / 58 / 14

HEX #DCA55D

RGB 220 165 93

HSL 34.02, 0.64%, 0.61%

LAB 71.5, 12.4, 44.73

 

CMYK 0 / 23 / 53 / 7

HEX #EDB770

RGB 237 183 112

HSL 34.08, 0.78%, 0.68%

LAB 77.9, 11.37, 43.34

 

CMYK 0 / 21 / 48 / 0

HEX #FEC983

RGB 254 201 131

HSL 34.15, 0.98%, 0.75%

LAB 84.22, 10.47, 42

 

CMYK 0 / 14 / 41 / 0

HEX #FFDB96

RGB 255 219 150

HSL 39.43, 1%, 0.79%

LAB 88.98, 3.45, 38.53

 

CMYK 0 / 26 / 60 / 22

HEX #C6934F

RGB 198 147 79

HSL 34.29, 0.51%, 0.54%

LAB 64.51, 11.8, 42.93

 

CMYK 0 / 29 / 67 / 29

HEX #B5813C

RGB 181 129 60

HSL 34.21, 0.5%, 0.47%

LAB 57.89, 13.08, 44.33

 

CMYK 0 / 32 / 75 / 36

HEX #A46F29

RGB 164 111 41

HSL 34.15, 0.6%, 0.4%

LAB 51.18, 14.6, 45.57

 

CMYK 0 / 37 / 85 / 42

HEX #935D16

RGB 147 93 22

HSL 34.08, 0.74%, 0.33%

LAB 44.36, 16.43, 46.25

 

CMYK 0 / 42 / 98 / 49

HEX #824B03

RGB 130 75 3

HSL 34.02, 0.95%, 0.26%

LAB 37.45, 18.6, 45.8

 

CMYK 0 / 26 / 61 / 22

HEX #C6924E

RGB 198 146 78

HSL 34, 0.51%, 0.54%

LAB 64.25, 12.27, 43.13

 

CMYK 0 / 42 / 61 / 22

HEX #C6724E

RGB 198 114 78

HSL 18, 0.51%, 0.54%

LAB 56.67, 29.74, 34.06

 

CMYK 0 / 59 / 61 / 22

HEX #C6524E

RGB 198 82 78

HSL 2, 0.51%, 0.54%

LAB 50.2, 46.06, 25.95

 

CMYK 0 / 61 / 61 / 22

HEX #C64E4E

RGB 198 78 78

HSL 0, 0.51%, 0.54%

LAB 49.5, 47.92, 25.05

 

CMYK 0 / 26 / 61 / 22

HEX #C6924E

RGB 198 146 78

HSL 34, 0.51%, 0.54%

LAB 64.25, 12.27, 43.13

 

CMYK 0 / 10 / 61 / 22

HEX #C6B34E

RGB 198 179 78

HSL 50.5, 0.51%, 0.54%

LAB 72.76, -5.45, 52.8

 

CMYK 7 / 0 / 61 / 22

HEX #B8C64E

RGB 184 198 78

HSL 67, 0.51%, 0.54%

LAB 76.76, -20.99, 56.87

 

CMYK 23 / 0 / 61 / 22

HEX #98C64E

RGB 152 198 78

HSL 83, 0.51%, 0.54%

LAB 74.58, -33.7, 53.86

 

CMYK 39 / 0 / 61 / 22

HEX #78C64E

RGB 120 198 78

HSL 99, 0.51%, 0.54%

LAB 72.85, -45.14, 51.44

 

CMYK 0 / 26 / 61 / 22

HEX #C6924E

RGB 198 146 78

HSL 34, 0.51%, 0.54%

LAB 64.25, 12.27, 43.13

 

CMYK 0 / 31 / 73 / 15

HEX #D9953B

RGB 217 149 59

HSL 34.18, 0.68%, 0.54%

LAB 66.95, 17.64, 55.64

 

CMYK 0 / 35 / 83 / 8

HEX #EB9828

RGB 235 152 40

HSL 34.46, 0.83%, 0.54%

LAB 69.66, 22.96, 66.21

 

CMYK 0 / 39 / 92 / 0

HEX #FE9A15

RGB 254 154 21

HSL 34.25, 0.99%, 0.54%

LAB 72.39, 29.44, 74.31

 

CMYK 0 / 26 / 61 / 22

HEX #C6924E

RGB 198 146 78

HSL 34, 0.51%, 0.54%

LAB 64.25, 12.27, 43.13

 

CMYK 0 / 20 / 46 / 30

HEX #B39061

RGB 179 144 97

HSL 34.39, 0.35%, 0.54%

LAB 61.99, 6.97, 29.91

 

CMYK 0 / 12 / 28 / 37

HEX #A08D74

RGB 160 141 116

HSL 34.09, 0.19%, 0.54%

LAB 59.69, 3.13, 15.96

 

CMYK 0 / 2 / 4 / 45

HEX #8D8A87

RGB 141 138 135

HSL 30, 0.03%, 0.54%

LAB 57.64, 0.54, 1.99

 

CMYK 21 / 12 / 0 / 40

HEX #7A879A

RGB 122 135 154

HSL 215.63, 0.14%, 0.54%

LAB 55.89, -0.44, -11.72

 

CMYK 0 / 59 / 61 / 22

HEX #C6524E

RGB 198 82 78

HSL 2, 0.51%, 0.54%

LAB 50.2, 46.06, 25.95

 

CMYK 0 / 42 / 61 / 22

HEX #C6724E

RGB 198 114 78

HSL 18, 0.51%, 0.54%

LAB 56.67, 29.74, 34.06

 

CMYK 0 / 26 / 61 / 22

HEX #C6924E

RGB 198 146 78

HSL 34, 0.51%, 0.54%

LAB 64.25, 12.27, 43.13

 

CMYK 0 / 10 / 61 / 22

HEX #C6B24E

RGB 198 178 78

HSL 50, 0.51%, 0.54%

LAB 72.49, -4.92, 52.51

 

CMYK 6 / 0 / 61 / 22

HEX #BAC64E

RGB 186 198 78

HSL 66, 0.51%, 0.54%

LAB 76.91, -20.17, 57.07

 

CMYK 0 / 29 / 68 / 43

HEX #92672F

RGB 146 103 47

HSL 33.94, 0.51%, 0.38%

LAB 47, 11.37, 37.6

 

CMYK 0 / 29 / 68 / 31

HEX #B17E39

RGB 177 126 57

HSL 34.5, 0.51%, 0.46%

LAB 56.65, 12.81, 44.29

 

CMYK 0 / 26 / 61 / 22

HEX #C6924E

RGB 198 146 78

HSL 34, 0.51%, 0.54%

LAB 64.25, 12.27, 43.13

 

CMYK 0 / 21 / 48 / 18

HEX #D0A56D

RGB 208 165 109

HSL 33.94, 0.51%, 0.62%

LAB 70.47, 8.8, 34.95

 

CMYK 0 / 15 / 36 / 15

HEX #DAB98C

RGB 218 185 140

HSL 34.62, 0.51%, 0.7%

LAB 76.98, 5.52, 27.25

 

CMYK 0 / 26 / 60 / 22

HEX #C6934F

RGB 198 147 79

HSL 34.29, 0.51%, 0.54%

LAB 64.51, 11.8, 42.93

 

CMYK 46 / 0 / 61 / 22

HEX #6AC64E

RGB 106 198 78

HSL 106, 0.51%, 0.54%

LAB 72.23, -49.55, 50.58

 

CMYK 51 / 61 / 0 / 22

HEX #624EC6

RGB 98 78 198

HSL 250, 0.51%, 0.54%

LAB 41.41, 39.43, -60.12

 

CMYK 0 / 26 / 60 / 22

HEX #C6934F

RGB 198 147 79

HSL 34.29, 0.51%, 0.54%

LAB 64.51, 11.8, 42.93

 

CMYK 61 / 0 / 26 / 22

HEX #4EC692

RGB 78 198 146

HSL 154, 0.51%, 0.54%

LAB 72.28, -45.78, 16.26

 

CMYK 26 / 61 / 0 / 22

HEX #924EC6

RGB 146 78 198

HSL 274, 0.51%, 0.54%

LAB 46.49, 50.01, -51.67

 

CMYK 0 / 26 / 60 / 22

HEX #C6934F

RGB 198 147 79

HSL 34.29, 0.51%, 0.54%

LAB 64.51, 11.8, 42.93

 

CMYK 46 / 0 / 61 / 22

HEX #6AC64E

RGB 106 198 78

HSL 106, 0.51%, 0.54%

LAB 72.23, -49.55, 50.58

 

CMYK 61 / 34 / 0 / 22

HEX #4E82C6

RGB 78 130 198

HSL 214, 0.51%, 0.54%

LAB 53.67, 3.5, -40.59

 

CMYK 14 / 61 / 0 / 22

HEX #AA4EC6

RGB 170 78 198

HSL 286, 0.51%, 0.54%

LAB 49.58, 55.82, -46.55

 

CMYK 0 / 26 / 60 / 22

HEX #C6934F

RGB 198 147 79

HSL 34.29, 0.51%, 0.54%

LAB 64.51, 11.8, 42.93

 

CMYK 61 / 0 / 57 / 22

HEX #4EC656

RGB 78 198 86

HSL 124, 0.51%, 0.54%

LAB 71.34, -56.03, 45.65

 

CMYK 61 / 34 / 0 / 22

HEX #4E82C6

RGB 78 130 198

HSL 214, 0.51%, 0.54%

LAB 53.67, 3.5, -40.59

 

CMYK 0 / 61 / 4 / 22

HEX #C64EBE

RGB 198 78 190

HSL 304, 0.51%, 0.54%

LAB 53.14, 61.42, -36.06

 

Description

Color code: HEX #C6934F | qconv.com Color code: HEX #C6934F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 147 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 147 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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