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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68D3E it is the complementary color #3972C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68D3E shade: #CB8D39, #DC9F4C, #EDB15F, #FEC372 and #FFD585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68D3E shade: #C68D3E, #B57B2B, #A46918, #935705 and #824500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68D3E shade: #C58C3E, #C5683E, #C5443E and #C53E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68D3E shade: #C58C3E, #C5B13E, #B5C53E, #90C53E and #6CC53E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68D3E shade matches the following richer shades: #C58C3E, #D9902A and #ED9316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68D3E shade: #C58C3E, #B18952, #9D8667, #88837B and #747F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68D3E shade: #C5433E, #C5673E, #C58B3E, #C5AF3E and #B8C53E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68D3E shade: #886028, #A87632, #C58C3E, #CF9F5E and #D8B27E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68D3E shade: #C68D3E, #5EC53E and #553EC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68D3E shade: #C68D3E, #3EC58B and #8B3EC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68D3E shade: #C68D3E, #5EC53E, #3E79C5 and #A63EC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68D3E shade: #C68D3E, #3EC547, #3E79C5 and #C53EBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 69 / 22

HEX #C68D3E

RGB 198 141 62

HSL 34.85, 0.54%, 0.51%

LAB 62.85, 13.97, 49.33

 

Complementary color

CMYK 70 / 41 / 0 / 24

HEX #3972C1

RGB 57 114 193

HSL 214.85, 0.54%, 0.49%

LAB 47.95, 7.88, -46.84

 

CMYK 0 / 31 / 72 / 20

HEX #CB8D39

RGB 203 141 57

HSL 34.52, 0.58%, 0.51%

LAB 63.38, 15.87, 52.34

 

CMYK 0 / 28 / 65 / 14

HEX #DC9F4C

RGB 220 159 76

HSL 34.58, 0.67%, 0.58%

LAB 69.85, 14.45, 51.11

 

CMYK 0 / 25 / 60 / 7

HEX #EDB15F

RGB 237 177 95

HSL 34.65, 0.8%, 0.65%

LAB 76.24, 13.22, 49.77

 

CMYK 0 / 23 / 55 / 0

HEX #FEC372

RGB 254 195 114

HSL 34.71, 0.99%, 0.72%

LAB 82.55, 12.15, 48.41

 

CMYK 0 / 16 / 48 / 0

HEX #FFD585

RGB 255 213 133

HSL 39.34, 1%, 0.76%

LAB 87.26, 4.86, 44.85

 

CMYK 0 / 29 / 69 / 22

HEX #C68D3E

RGB 198 141 62

HSL 34.85, 0.54%, 0.51%

LAB 62.85, 13.97, 49.33

 

CMYK 0 / 32 / 76 / 29

HEX #B57B2B

RGB 181 123 43

HSL 34.78, 0.62%, 0.44%

LAB 56.25, 15.52, 50.42

 

CMYK 0 / 36 / 85 / 36

HEX #A46918

RGB 164 105 24

HSL 34.71, 0.74%, 0.37%

LAB 49.57, 17.35, 50.9

 

CMYK 0 / 41 / 97 / 42

HEX #935705

RGB 147 87 5

HSL 34.65, 0.93%, 0.3%

LAB 42.81, 19.5, 50.04

 

CMYK 0 / 47 / 100 / 49

HEX #824500

RGB 130 69 0

HSL 31.85, 1%, 0.25%

LAB 35.99, 22.02, 45.88

 

CMYK 0 / 29 / 69 / 23

HEX #C58C3E

RGB 197 140 62

HSL 34.67, 0.54%, 0.51%

LAB 62.49, 14.09, 48.91

 

CMYK 0 / 47 / 69 / 23

HEX #C5683E

RGB 197 104 62

HSL 18.67, 0.54%, 0.51%

LAB 54.15, 33.63, 39.68

 

CMYK 0 / 65 / 69 / 23

HEX #C5443E

RGB 197 68 62

HSL 2.67, 0.54%, 0.51%

LAB 47.43, 51, 31.83

 

CMYK 0 / 69 / 69 / 23

HEX #C53E3E

RGB 197 62 62

HSL 0, 0.54%, 0.51%

LAB 46.53, 53.45, 30.74

 

CMYK 0 / 29 / 69 / 23

HEX #C58C3E

RGB 197 140 62

HSL 34.67, 0.54%, 0.51%

LAB 62.49, 14.09, 48.91

 

CMYK 0 / 10 / 69 / 23

HEX #C5B13E

RGB 197 177 62

HSL 51.11, 0.54%, 0.51%

LAB 72, -5.82, 58.87

 

CMYK 8 / 0 / 69 / 23

HEX #B5C53E

RGB 181 197 62

HSL 67.11, 0.54%, 0.51%

LAB 76.13, -22.77, 62.63

 

CMYK 27 / 0 / 69 / 23

HEX #90C53E

RGB 144 197 62

HSL 83.56, 0.54%, 0.51%

LAB 73.68, -37.5, 59.34

 

CMYK 45 / 0 / 69 / 23

HEX #6CC53E

RGB 108 197 62

HSL 99.56, 0.54%, 0.51%

LAB 71.87, -49.99, 56.9

 

CMYK 0 / 29 / 69 / 23

HEX #C58C3E

RGB 197 140 62

HSL 34.67, 0.54%, 0.51%

LAB 62.49, 14.09, 48.91

 

CMYK 0 / 34 / 81 / 15

HEX #D9902A

RGB 217 144 42

HSL 34.97, 0.7%, 0.51%

LAB 65.64, 19.65, 61.17

 

CMYK 0 / 38 / 91 / 7

HEX #ED9316

RGB 237 147 22

HSL 34.88, 0.86%, 0.51%

LAB 68.7, 26.06, 70.46

 

CMYK 0 / 29 / 69 / 23

HEX #C58C3E

RGB 197 140 62

HSL 34.67, 0.54%, 0.51%

LAB 62.49, 14.09, 48.91

 

CMYK 0 / 23 / 54 / 31

HEX #B18952

RGB 177 137 82

HSL 34.74, 0.38%, 0.51%

LAB 59.75, 8.54, 35.12

 

CMYK 0 / 15 / 34 / 38

HEX #9D8667

RGB 157 134 103

HSL 34.44, 0.22%, 0.51%

LAB 57.27, 4.03, 19.94

 

CMYK 0 / 4 / 10 / 47

HEX #88837B

RGB 136 131 123

HSL 36.92, 0.05%, 0.51%

LAB 54.97, 0.38, 4.98

 

CMYK 19 / 11 / 0 / 44

HEX #747F8F

RGB 116 127 143

HSL 215.56, 0.11%, 0.51%

LAB 52.81, -0.46, -10

 

CMYK 0 / 66 / 69 / 23

HEX #C5433E

RGB 197 67 62

HSL 2.22, 0.54%, 0.51%

LAB 47.28, 51.42, 31.64

 

CMYK 0 / 48 / 69 / 23

HEX #C5673E

RGB 197 103 62

HSL 18.22, 0.54%, 0.51%

LAB 53.94, 34.15, 39.44

 

CMYK 0 / 29 / 69 / 23

HEX #C58B3E

RGB 197 139 62

HSL 34.22, 0.54%, 0.51%

LAB 62.24, 14.64, 48.64

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 7 / 0 / 69 / 23

HEX #B8C53E

RGB 184 197 62

HSL 65.78, 0.54%, 0.51%

LAB 76.36, -21.52, 62.92

 

CMYK 0 / 29 / 71 / 47

HEX #886028

RGB 136 96 40

HSL 35, 0.55%, 0.35%

LAB 43.88, 10.41, 37.39

 

CMYK 0 / 30 / 70 / 34

HEX #A87632

RGB 168 118 50

HSL 34.58, 0.54%, 0.43%

LAB 53.51, 12.9, 43.95

 

CMYK 0 / 29 / 69 / 23

HEX #C58C3E

RGB 197 140 62

HSL 34.67, 0.54%, 0.51%

LAB 62.49, 14.09, 48.91

 

CMYK 0 / 23 / 55 / 19

HEX #CF9F5E

RGB 207 159 94

HSL 34.51, 0.54%, 0.59%

LAB 68.66, 10.26, 40.47

 

CMYK 0 / 18 / 42 / 15

HEX #D8B27E

RGB 216 178 126

HSL 34.67, 0.54%, 0.67%

LAB 74.79, 6.85, 31.72

 

CMYK 0 / 29 / 69 / 22

HEX #C68D3E

RGB 198 141 62

HSL 34.85, 0.54%, 0.51%

LAB 62.85, 13.97, 49.33

 

CMYK 52 / 0 / 69 / 23

HEX #5EC53E

RGB 94 197 62

HSL 105.78, 0.54%, 0.51%

LAB 71.32, -54.12, 56.16

 

CMYK 57 / 69 / 0 / 23

HEX #553EC5

RGB 85 62 197

HSL 250.22, 0.54%, 0.51%

LAB 36.76, 46.04, -67.17

 

CMYK 0 / 29 / 69 / 22

HEX #C68D3E

RGB 198 141 62

HSL 34.85, 0.54%, 0.51%

LAB 62.85, 13.97, 49.33

 

CMYK 69 / 0 / 29 / 23

HEX #3EC58B

RGB 62 197 139

HSL 154.22, 0.54%, 0.51%

LAB 71.43, -49.76, 18.77

 

CMYK 29 / 69 / 0 / 23

HEX #8B3EC5

RGB 139 62 197

HSL 274.22, 0.54%, 0.51%

LAB 42.71, 56, -57.22

 

CMYK 0 / 29 / 69 / 22

HEX #C68D3E

RGB 198 141 62

HSL 34.85, 0.54%, 0.51%

LAB 62.85, 13.97, 49.33

 

CMYK 52 / 0 / 69 / 23

HEX #5EC53E

RGB 94 197 62

HSL 105.78, 0.54%, 0.51%

LAB 71.32, -54.12, 56.16

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 16 / 69 / 0 / 23

HEX #A63EC5

RGB 166 62 197

HSL 286.22, 0.54%, 0.51%

LAB 46.42, 61.74, -51.05

 

CMYK 0 / 29 / 69 / 22

HEX #C68D3E

RGB 198 141 62

HSL 34.85, 0.54%, 0.51%

LAB 62.85, 13.97, 49.33

 

CMYK 69 / 0 / 64 / 23

HEX #3EC547

RGB 62 197 71

HSL 124, 0.54%, 0.51%

LAB 70.46, -60.7, 51.26

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 0 / 69 / 5 / 23

HEX #C53EBC

RGB 197 62 188

HSL 304, 0.54%, 0.51%

LAB 50.62, 67.15, -38.86

 

Description

Color code: HEX #C68D3E | qconv.com Color code: HEX #C68D3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 141 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 141 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 69 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 69% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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