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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E79C5 it is the complementary color #C1863A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E79C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E79C5 shade: #4379C0, #548BD3, #659DE6, #76AFF9 and #87C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E79C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E79C5 shade: #3E79C5, #2D67B2, #1C559F, #0B438C and #003179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E79C5 shade: #3E79C5, #3E55C5, #4C3EC5, #703EC5 and #953EC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E79C5 shade: #3E79C5, #3E55C5 and #3E3EC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E79C5 shade matches the following richer shades: #3E79C5, #2A77D9 and #1674ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E79C5 shade: #3E79C5, #527CB1, #677E9D, #7B8188 and #8F8374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E79C5 shade: #3EC3C5, #3E9FC5, #3E7BC5, #3E57C5 and #493EC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E79C5 shade: #285288, #3265A8, #3E79C5, #5E8FCF and #7EA5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E79C5 shade: #3E79C5, #A33EC5 and #B1C53E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E79C5 shade: #3E79C5, #C53E7B and #7BC53E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E79C5 shade: #3E79C5, #A33EC5, #C5883E and #60C53E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E79C5 shade: #3E79C5, #C53EBE, #C5883E and #3EC545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

Complementary color

CMYK 0 / 31 / 70 / 24

HEX #C1863A

RGB 193 134 58

HSL 33.78, 0.54%, 0.49%

LAB 60.51, 15.43, 48.52

 

CMYK 65 / 37 / 0 / 25

HEX #4379C0

RGB 67 121 192

HSL 214.08, 0.5%, 0.51%

LAB 50.3, 4.84, -42.5

 

CMYK 60 / 34 / 0 / 17

HEX #548BD3

RGB 84 139 211

HSL 214.02, 0.59%, 0.58%

LAB 57.13, 3.64, -42.46

 

CMYK 56 / 32 / 0 / 10

HEX #659DE6

RGB 101 157 230

HSL 213.95, 0.72%, 0.65%

LAB 63.83, 2.67, -42.44

 

CMYK 53 / 30 / 0 / 2

HEX #76AFF9

RGB 118 175 249

HSL 213.89, 0.92%, 0.72%

LAB 70.42, 1.88, -42.44

 

CMYK 47 / 24 / 0 / 0

HEX #87C1FF

RGB 135 193 255

HSL 211, 1%, 0.76%

LAB 76.38, -2.5, -36.33

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 75 / 42 / 0 / 30

HEX #2D67B2

RGB 45 103 178

HSL 213.83, 0.6%, 0.44%

LAB 43.47, 7.54, -45.32

 

CMYK 82 / 47 / 0 / 38

HEX #1C559F

RGB 28 85 159

HSL 213.89, 0.7%, 0.37%

LAB 36.46, 9.83, -45.32

 

CMYK 92 / 52 / 0 / 45

HEX #0B438C

RGB 11 67 140

HSL 213.95, 0.85%, 0.3%

LAB 29.36, 12.85, -45.24

 

CMYK 100 / 60 / 0 / 53

HEX #003179

RGB 0 49 121

HSL 215.7, 1%, 0.24%

LAB 22.22, 16.8, -44.95

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 69 / 57 / 0 / 23

HEX #3E55C5

RGB 62 85 197

HSL 229.78, 0.54%, 0.51%

LAB 40.5, 28.55, -61.14

 

CMYK 61 / 69 / 0 / 23

HEX #4C3EC5

RGB 76 62 197

HSL 246.22, 0.54%, 0.51%

LAB 36.01, 44.7, -68.43

 

CMYK 43 / 69 / 0 / 23

HEX #703EC5

RGB 112 62 197

HSL 262.22, 0.54%, 0.51%

LAB 39.45, 50.68, -62.67

 

CMYK 24 / 69 / 0 / 23

HEX #953EC5

RGB 149 62 197

HSL 278.67, 0.54%, 0.51%

LAB 44.04, 58.09, -55.01

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 69 / 57 / 0 / 23

HEX #3E55C5

RGB 62 85 197

HSL 229.78, 0.54%, 0.51%

LAB 40.5, 28.55, -61.14

 

CMYK 69 / 69 / 0 / 23

HEX #3E3EC5

RGB 62 62 197

HSL 240, 0.54%, 0.51%

LAB 35, 42.87, -70.11

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 81 / 45 / 0 / 15

HEX #2A77D9

RGB 42 119 217

HSL 213.6, 0.7%, 0.51%

LAB 50.33, 11.87, -56.76

 

CMYK 91 / 51 / 0 / 7

HEX #1674ED

RGB 22 116 237

HSL 213.77, 0.86%, 0.51%

LAB 50.42, 20.04, -67.88

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 54 / 30 / 0 / 31

HEX #527CB1

RGB 82 124 177

HSL 213.47, 0.38%, 0.51%

LAB 51.13, 1.04, -32.51

 

CMYK 34 / 20 / 0 / 38

HEX #677E9D

RGB 103 126 157

HSL 214.44, 0.22%, 0.51%

LAB 52.11, -0.49, -19.31

 

CMYK 10 / 5 / 0 / 47

HEX #7B8188

RGB 123 129 136

HSL 212.31, 0.05%, 0.51%

LAB 53.7, -0.74, -4.55

 

CMYK 0 / 8 / 19 / 44

HEX #8F8374

RGB 143 131 116

HSL 33.33, 0.11%, 0.51%

LAB 55.41, 1.93, 9.75

 

CMYK 69 / 1 / 0 / 23

HEX #3EC3C5

RGB 62 195 197

HSL 180.89, 0.54%, 0.51%

LAB 72.29, -34.24, -11.45

 

CMYK 69 / 19 / 0 / 23

HEX #3E9FC5

RGB 62 159 197

HSL 196.89, 0.54%, 0.51%

LAB 61.53, -16.12, -27.8

 

CMYK 69 / 38 / 0 / 23

HEX #3E7BC5

RGB 62 123 197

HSL 212.89, 0.54%, 0.51%

LAB 50.95, 4.55, -44.36

 

CMYK 69 / 56 / 0 / 23

HEX #3E57C5

RGB 62 87 197

HSL 228.89, 0.54%, 0.51%

LAB 41.01, 27.27, -60.31

 

CMYK 63 / 69 / 0 / 23

HEX #493EC5

RGB 73 62 197

HSL 244.89, 0.54%, 0.51%

LAB 35.78, 44.28, -68.82

 

CMYK 71 / 40 / 0 / 47

HEX #285288

RGB 40 82 136

HSL 213.75, 0.55%, 0.35%

LAB 34.53, 4.37, -34.45

 

CMYK 70 / 40 / 0 / 34

HEX #3265A8

RGB 50 101 168

HSL 214.07, 0.54%, 0.43%

LAB 42.48, 5.79, -41

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 55 / 31 / 0 / 19

HEX #5E8FCF

RGB 94 143 207

HSL 213.98, 0.54%, 0.59%

LAB 58.54, 2.05, -37.97

 

CMYK 42 / 24 / 0 / 15

HEX #7EA5D8

RGB 126 165 216

HSL 214, 0.54%, 0.67%

LAB 66.75, -0.18, -30.07

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 17 / 69 / 0 / 23

HEX #A33EC5

RGB 163 62 197

HSL 284.89, 0.54%, 0.51%

LAB 45.99, 61.09, -51.77

 

CMYK 10 / 0 / 69 / 23

HEX #B1C53E

RGB 177 197 62

HSL 68.89, 0.54%, 0.51%

LAB 75.84, -24.42, 62.24

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 0 / 69 / 38 / 23

HEX #C53E7B

RGB 197 62 123

HSL 332.89, 0.54%, 0.51%

LAB 47.94, 58.38, -4.35

 

CMYK 38 / 0 / 69 / 23

HEX #7BC53E

RGB 123 197 62

HSL 92.89, 0.54%, 0.51%

LAB 72.56, -45.08, 57.83

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 17 / 69 / 0 / 23

HEX #A33EC5

RGB 163 62 197

HSL 284.89, 0.54%, 0.51%

LAB 45.99, 61.09, -51.77

 

CMYK 0 / 31 / 69 / 23

HEX #C5883E

RGB 197 136 62

HSL 32.89, 0.54%, 0.51%

LAB 61.5, 16.28, 47.85

 

CMYK 51 / 0 / 69 / 23

HEX #60C53E

RGB 96 197 62

HSL 104.89, 0.54%, 0.51%

LAB 71.4, -53.56, 56.26

 

CMYK 69 / 39 / 0 / 23

HEX #3E79C5

RGB 62 121 197

HSL 213.78, 0.54%, 0.51%

LAB 50.37, 5.77, -45.28

 

CMYK 0 / 69 / 4 / 23

HEX #C53EBE

RGB 197 62 190

HSL 303.11, 0.54%, 0.51%

LAB 50.73, 67.47, -39.86

 

CMYK 0 / 31 / 69 / 23

HEX #C5883E

RGB 197 136 62

HSL 32.89, 0.54%, 0.51%

LAB 61.5, 16.28, 47.85

 

CMYK 69 / 0 / 65 / 23

HEX #3EC545

RGB 62 197 69

HSL 123.11, 0.54%, 0.51%

LAB 70.45, -60.91, 52.09

 

Description

Color code: HEX #3E79C5 | qconv.com Color code: HEX #3E79C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 121 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 121 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 39 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 39% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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