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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67D6B it is the complementary color #398294. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67D6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C67D6B: #CB7D66, #DC8F79, #EDA18C, #FEB39F and #FFC5B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67D6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C67D6B: #C67D6B, #B56B58, #A45945, #934732 and #82351F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 46 / 22

HEX #C67D6B

RGB 198 125 107

HSL 11.87, 0.44%, 0.6%

LAB 59.65, 26.33, 21.67

 

Complementary color

CMYK 61 / 12 / 0 / 42

HEX #398294

RGB 57 130 148

HSL 191.87, 0.44%, 0.4%

LAB 50.66, -17.02, -16.49

 

CMYK 0 / 38 / 50 / 20

HEX #CB7D66

RGB 203 125 102

HSL 13.66, 0.49%, 0.6%

LAB 60.18, 27.83, 25.31

 

CMYK 0 / 35 / 45 / 14

HEX #DC8F79

RGB 220 143 121

HSL 13.33, 0.59%, 0.67%

LAB 66.7, 26.73, 23.78

 

CMYK 0 / 32 / 41 / 7

HEX #EDA18C

RGB 237 161 140

HSL 12.99, 0.73%, 0.74%

LAB 73.15, 25.74, 22.4

 

CMYK 0 / 30 / 37 / 0

HEX #FEB39F

RGB 254 179 159

HSL 12.63, 0.98%, 0.81%

LAB 79.51, 24.86, 21.14

 

CMYK 0 / 23 / 30 / 0

HEX #FFC5B2

RGB 255 197 178

HSL 14.81, 1%, 0.85%

LAB 84.18, 18.1, 17.5

 

CMYK 0 / 37 / 46 / 22

HEX #C67D6B

RGB 198 125 107

HSL 11.87, 0.44%, 0.6%

LAB 59.65, 26.33, 21.67

 

CMYK 0 / 41 / 51 / 29

HEX #B56B58

RGB 181 107 88

HSL 12.26, 0.39%, 0.53%

LAB 53, 27.49, 23.28

 

CMYK 0 / 46 / 58 / 36

HEX #A45945

RGB 164 89 69

HSL 12.63, 0.41%, 0.46%

LAB 46.27, 28.79, 25.14

 

CMYK 0 / 52 / 66 / 42

HEX #934732

RGB 147 71 50

HSL 12.99, 0.49%, 0.39%

LAB 39.48, 30.23, 27.3

 

CMYK 0 / 59 / 76 / 49

HEX #82351F

RGB 130 53 31

HSL 13.33, 0.61%, 0.32%

LAB 32.68, 31.79, 29.81

 

CMYK 0 / 37 / 46 / 22

HEX #C67D6B

RGB 198 125 107

HSL 11.87, 0.44%, 0.6%

LAB 59.65, 26.33, 21.67

 

CMYK 0 / 29 / 45 / 23

HEX #C58B6C

RGB 197 139 108

HSL 20.9, 0.43%, 0.6%

LAB 62.86, 18.35, 25.37

 

CMYK 0 / 22 / 45 / 23

HEX #C59A6C

RGB 197 154 108

HSL 31.01, 0.43%, 0.6%

LAB 66.57, 10.13, 30.24

 

CMYK 0 / 14 / 45 / 23

HEX #C5A96C

RGB 197 169 108

HSL 41.12, 0.43%, 0.6%

LAB 70.41, 2.01, 35.17

 

CMYK 0 / 7 / 45 / 23

HEX #C5B86C

RGB 197 184 108

HSL 51.24, 0.43%, 0.6%

LAB 74.34, -5.93, 40.12

 

CMYK 0 / 37 / 46 / 22

HEX #C67D6B

RGB 198 125 107

HSL 11.87, 0.44%, 0.6%

LAB 59.65, 26.33, 21.67

 

CMYK 0 / 37 / 46 / 2

HEX #F99D87

RGB 249 157 135

HSL 11.58, 0.9%, 0.75%

LAB 73.55, 31.93, 25.9

 

CMYK 0 / 38 / 47 / 82

HEX #2D1C18

RGB 45 28 24

HSL 11.43, 0.3%, 0.14%

LAB 12.31, 7.74, 6.15

 

CMYK 0 / 36 / 46 / 62

HEX #603D34

RGB 96 61 52

HSL 12.27, 0.3%, 0.29%

LAB 29.59, 14.17, 11.87

 

CMYK 0 / 37 / 46 / 42

HEX #935D4F

RGB 147 93 79

HSL 12.35, 0.3%, 0.44%

LAB 45.08, 20.42, 17.23

 

CMYK 0 / 37 / 46 / 22

HEX #C67D6B

RGB 198 125 107

HSL 11.87, 0.44%, 0.6%

LAB 59.65, 26.33, 21.67

 

CMYK 17 / 0 / 45 / 23

HEX #A3C56C

RGB 163 197 108

HSL 82.92, 0.43%, 0.6%

LAB 75.33, -26.03, 40.79

 

CMYK 45 / 36 / 0 / 23

HEX #6C7FC5

RGB 108 127 197

HSL 227.19, 0.43%, 0.6%

LAB 54.45, 11.73, -38.67

 

CMYK 0 / 37 / 46 / 22

HEX #C67D6B

RGB 198 125 107

HSL 11.87, 0.44%, 0.6%

LAB 59.65, 26.33, 21.67

 

CMYK 45 / 0 / 37 / 23

HEX #6CC57C

RGB 108 197 124

HSL 130.79, 0.43%, 0.6%

LAB 72.61, -42.32, 28.54

 

CMYK 37 / 45 / 0 / 23

HEX #7C6CC5

RGB 124 108 197

HSL 250.79, 0.43%, 0.6%

LAB 50.74, 27.29, -44.46

 

CMYK 0 / 37 / 46 / 22

HEX #C67D6B

RGB 198 125 107

HSL 11.87, 0.44%, 0.6%

LAB 59.65, 26.33, 21.67

 

CMYK 17 / 0 / 45 / 23

HEX #A3C56C

RGB 163 197 108

HSL 82.92, 0.43%, 0.6%

LAB 75.33, -26.03, 40.79

 

CMYK 45 / 8 / 0 / 23

HEX #6CB5C5

RGB 108 181 197

HSL 190.79, 0.43%, 0.6%

LAB 69.66, -18.56, -15.24

 

CMYK 28 / 45 / 0 / 23

HEX #8E6CC5

RGB 142 108 197

HSL 262.92, 0.43%, 0.6%

LAB 52.41, 32.18, -41.71

 

CMYK 0 / 37 / 46 / 22

HEX #C67D6B

RGB 198 125 107

HSL 11.87, 0.44%, 0.6%

LAB 59.65, 26.33, 21.67

 

CMYK 31 / 0 / 45 / 23

HEX #88C56C

RGB 136 197 108

HSL 101.12, 0.43%, 0.6%

LAB 73.71, -35.86, 38.41

 

CMYK 45 / 8 / 0 / 23

HEX #6CB5C5

RGB 108 181 197

HSL 190.79, 0.43%, 0.6%

LAB 69.66, -18.56, -15.24

 

CMYK 14 / 45 / 0 / 23

HEX #A96CC5

RGB 169 108 197

HSL 281.12, 0.43%, 0.6%

LAB 55.27, 39.93, -37

 

Description

Color code: HEX #C67D6B | qconv.com Color code: HEX #C67D6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 125 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 125 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 46 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 46% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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