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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67049 it is the complementary color #398FB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67049. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67049 shade: #CB7044, #DC8257, #ED946A, #FEA67D and #FFB890

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67049. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67049 shade: #C67049, #B55E36, #A44C23, #933A10 and #822800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67049 shade: #C57049, #C54E49 and #C54949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67049 shade: #C57049, #C59149, #C5B349, #B6C549 and #95C549

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67049 shade matches the following richer shades: #C57049, #D96835 and #EC6122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67049 shade: #C57049, #B2775C, #9F7E70, #8B8683 and #788D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67049 shade: #C54966, #C54D49, #C56E49, #C58F49 and #C5B149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67049 shade: #8F4C2D, #AE5C37, #C57049, #CF8868 and #D9A188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67049 shade: #C67049, #87C549 and #4955C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67049 shade: #C67049, #49C56E and #6E49C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67049 shade: #C67049, #87C549, #49A0C5 and #8749C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67049 shade: #C67049, #62C549, #49A0C5 and #AD49C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 63 / 22

HEX #C67049

RGB 198 112 73

HSL 18.72, 0.52%, 0.53%

LAB 56.16, 30.46, 36.17

 

Complementary color

CMYK 69 / 21 / 0 / 29

HEX #398FB6

RGB 57 143 182

HSL 198.72, 0.52%, 0.47%

LAB 55.98, -13.09, -27.92

 

CMYK 0 / 45 / 67 / 20

HEX #CB7044

RGB 203 112 68

HSL 19.56, 0.56%, 0.53%

LAB 56.78, 32.17, 39.75

 

CMYK 0 / 41 / 60 / 14

HEX #DC8257

RGB 220 130 87

HSL 19.4, 0.66%, 0.6%

LAB 63.23, 30.71, 37.87

 

CMYK 0 / 38 / 55 / 7

HEX #ED946A

RGB 237 148 106

HSL 19.24, 0.78%, 0.67%

LAB 69.63, 29.4, 36.14

 

CMYK 0 / 35 / 51 / 0

HEX #FEA67D

RGB 254 166 125

HSL 19.07, 0.98%, 0.74%

LAB 75.96, 28.23, 34.55

 

CMYK 0 / 28 / 44 / 0

HEX #FFB890

RGB 255 184 144

HSL 21.62, 1%, 0.78%

LAB 80.49, 21, 30.47

 

CMYK 0 / 43 / 63 / 22

HEX #C67049

RGB 198 112 73

HSL 18.72, 0.52%, 0.53%

LAB 56.16, 30.46, 36.17

 

CMYK 0 / 48 / 70 / 29

HEX #B55E36

RGB 181 94 54

HSL 18.9, 0.54%, 0.46%

LAB 49.61, 32.01, 38.17

 

CMYK 0 / 54 / 79 / 36

HEX #A44C23

RGB 164 76 35

HSL 19.07, 0.65%, 0.39%

LAB 43.04, 33.71, 40.23

 

CMYK 0 / 61 / 89 / 42

HEX #933A10

RGB 147 58 16

HSL 19.24, 0.8%, 0.32%

LAB 36.49, 35.51, 41.93

 

CMYK 0 / 69 / 100 / 49

HEX #822800

RGB 130 40 0

HSL 18.46, 1%, 0.25%

LAB 30.07, 37.2, 42.06

 

CMYK 0 / 43 / 63 / 23

HEX #C57049

RGB 197 112 73

HSL 18.87, 0.52%, 0.53%

LAB 56.03, 30.06, 35.97

 

CMYK 0 / 60 / 63 / 23

HEX #C54E49

RGB 197 78 73

HSL 2.42, 0.52%, 0.53%

LAB 49.25, 47.23, 27.64

 

CMYK 0 / 63 / 63 / 23

HEX #C54949

RGB 197 73 73

HSL 0, 0.52%, 0.53%

LAB 48.41, 49.48, 26.57

 

CMYK 0 / 43 / 63 / 23

HEX #C57049

RGB 197 112 73

HSL 18.87, 0.52%, 0.53%

LAB 56.03, 30.06, 35.97

 

CMYK 0 / 26 / 63 / 23

HEX #C59149

RGB 197 145 73

HSL 34.84, 0.52%, 0.53%

LAB 63.84, 12.04, 45.11

 

CMYK 0 / 9 / 63 / 23

HEX #C5B349

RGB 197 179 73

HSL 51.29, 0.52%, 0.53%

LAB 72.62, -6.21, 54.86

 

CMYK 8 / 0 / 63 / 23

HEX #B6C549

RGB 182 197 73

HSL 67.26, 0.52%, 0.53%

LAB 76.29, -21.67, 58.44

 

CMYK 24 / 0 / 63 / 23

HEX #95C549

RGB 149 197 73

HSL 83.23, 0.52%, 0.53%

LAB 74.06, -34.8, 55.39

 

CMYK 0 / 43 / 63 / 23

HEX #C57049

RGB 197 112 73

HSL 18.87, 0.52%, 0.53%

LAB 56.03, 30.06, 35.97

 

CMYK 0 / 52 / 76 / 15

HEX #D96835

RGB 217 104 53

HSL 18.66, 0.68%, 0.53%

LAB 56.99, 41.06, 48.19

 

CMYK 0 / 59 / 86 / 7

HEX #EC6122

RGB 236 97 34

HSL 18.71, 0.84%, 0.53%

LAB 58.51, 50.89, 58.98

 

CMYK 0 / 43 / 63 / 23

HEX #C57049

RGB 197 112 73

HSL 18.87, 0.52%, 0.53%

LAB 56.03, 30.06, 35.97

 

CMYK 0 / 33 / 48 / 30

HEX #B2775C

RGB 178 119 92

HSL 18.84, 0.36%, 0.53%

LAB 55.51, 19.98, 24.24

 

CMYK 0 / 21 / 30 / 38

HEX #9F7E70

RGB 159 126 112

HSL 17.87, 0.2%, 0.53%

LAB 55.55, 10.62, 12.47

 

CMYK 0 / 4 / 6 / 45

HEX #8B8683

RGB 139 134 131

HSL 22.5, 0.03%, 0.53%

LAB 56.27, 1.3, 2.27

 

CMYK 20 / 6 / 0 / 41

HEX #788D96

RGB 120 141 150

HSL 198, 0.13%, 0.53%

LAB 57.31, -5.44, -7.3

 

CMYK 0 / 63 / 48 / 23

HEX #C54966

RGB 197 73 102

HSL 345.97, 0.52%, 0.53%

LAB 49, 51.75, 9.94

 

CMYK 0 / 61 / 63 / 23

HEX #C54D49

RGB 197 77 73

HSL 1.94, 0.52%, 0.53%

LAB 49.08, 47.69, 27.42

 

CMYK 0 / 44 / 63 / 23

HEX #C56E49

RGB 197 110 73

HSL 17.9, 0.52%, 0.53%

LAB 55.59, 31.13, 35.44

 

CMYK 0 / 27 / 63 / 23

HEX #C58F49

RGB 197 143 73

HSL 33.87, 0.52%, 0.53%

LAB 63.34, 13.13, 44.54

 

CMYK 0 / 10 / 63 / 23

HEX #C5B149

RGB 197 177 73

HSL 50.32, 0.52%, 0.53%

LAB 72.09, -5.17, 54.29

 

CMYK 0 / 47 / 69 / 44

HEX #8F4C2D

RGB 143 76 45

HSL 18.98, 0.52%, 0.37%

LAB 39.91, 25.46, 30.55

 

CMYK 0 / 47 / 68 / 32

HEX #AE5C37

RGB 174 92 55

HSL 18.66, 0.52%, 0.45%

LAB 48.17, 30.27, 35.72

 

CMYK 0 / 43 / 63 / 23

HEX #C57049

RGB 197 112 73

HSL 18.87, 0.52%, 0.53%

LAB 56.03, 30.06, 35.97

 

CMYK 0 / 34 / 50 / 19

HEX #CF8868

RGB 207 136 104

HSL 18.64, 0.52%, 0.61%

LAB 63.24, 23.65, 28.3

 

CMYK 0 / 26 / 37 / 15

HEX #D9A188

RGB 217 161 136

HSL 18.52, 0.52%, 0.69%

LAB 70.88, 17.51, 21.14

 

CMYK 0 / 43 / 63 / 22

HEX #C67049

RGB 198 112 73

HSL 18.72, 0.52%, 0.53%

LAB 56.16, 30.46, 36.17

 

CMYK 31 / 0 / 63 / 23

HEX #87C549

RGB 135 197 73

HSL 90, 0.52%, 0.53%

LAB 73.26, -39.98, 54.28

 

CMYK 63 / 57 / 0 / 23

HEX #4955C5

RGB 73 85 197

HSL 234.19, 0.52%, 0.53%

LAB 41.13, 30.26, -60.09

 

CMYK 0 / 43 / 63 / 22

HEX #C67049

RGB 198 112 73

HSL 18.72, 0.52%, 0.53%

LAB 56.16, 30.46, 36.17

 

CMYK 63 / 0 / 44 / 23

HEX #49C56E

RGB 73 197 110

HSL 137.9, 0.52%, 0.53%

LAB 71.2, -53.25, 33.69

 

CMYK 44 / 63 / 0 / 23

HEX #6E49C5

RGB 110 73 197

HSL 257.9, 0.52%, 0.53%

LAB 41.39, 44.41, -59.52

 

CMYK 0 / 43 / 63 / 22

HEX #C67049

RGB 198 112 73

HSL 18.72, 0.52%, 0.53%

LAB 56.16, 30.46, 36.17

 

CMYK 31 / 0 / 63 / 23

HEX #87C549

RGB 135 197 73

HSL 90, 0.52%, 0.53%

LAB 73.26, -39.98, 54.28

 

CMYK 63 / 19 / 0 / 23

HEX #49A0C5

RGB 73 160 197

HSL 197.9, 0.52%, 0.53%

LAB 62.16, -14.85, -26.8

 

CMYK 31 / 63 / 0 / 23

HEX #8749C5

RGB 135 73 197

HSL 270, 0.52%, 0.53%

LAB 44.16, 49.79, -54.91

 

CMYK 0 / 43 / 63 / 22

HEX #C67049

RGB 198 112 73

HSL 18.72, 0.52%, 0.53%

LAB 56.16, 30.46, 36.17

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 63 / 19 / 0 / 23

HEX #49A0C5

RGB 73 160 197

HSL 197.9, 0.52%, 0.53%

LAB 62.16, -14.85, -26.8

 

CMYK 12 / 63 / 0 / 23

HEX #AD49C5

RGB 173 73 197

HSL 288.39, 0.52%, 0.53%

LAB 49.11, 58.64, -46.71

 

Description

Color code: HEX #C67049 | qconv.com Color code: HEX #C67049 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 112 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 112 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 63 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 63% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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