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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 197 73 it is the complementary color RGB 157 58 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 197 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 197 73 shade: RGB 103 197 68, RGB 120 215 87, RGB 137 233 106, RGB 154 251 125 and RGB 171 255 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 197 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 197 73 shade: RGB 98 197 73, RGB 81 179 54, RGB 64 161 35, RGB 47 143 16 and RGB 30 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 197 73 shade: RGB 98 197 73, RGB 132 197 73, RGB 165 197 73, RGB 197 196 73 and RGB 197 163 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 197 73 shade: RGB 98 197 73, RGB 73 197 81, RGB 73 197 115, RGB 73 197 149 and RGB 73 197 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 197 73 shade matches the following richer shades: RGB 98 197 73, RGB 86 217 53 and RGB 75 236 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 197 73 shade: RGB 98 197 73, RGB 110 178 92, RGB 121 159 112, RGB 133 139 131 and RGB 144 120 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 197 73 shade: RGB 166 197 73, RGB 133 197 73, RGB 100 197 73, RGB 73 197 79 and RGB 73 197 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 197 73 shade: RGB 65 143 45, RGB 79 174 55, RGB 98 197 73, RGB 125 207 104 and RGB 152 217 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 197 73 shade: RGB 98 197 73, RGB 73 197 195 and RGB 197 73 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 197 73 shade: RGB 98 197 73, RGB 73 100 197 and RGB 197 73 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 197 73 shade: RGB 98 197 73, RGB 73 197 195, RGB 170 73 197 and RGB 197 73 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 197 73 shade: RGB 98 197 73, RGB 73 162 197, RGB 170 73 197 and RGB 197 108 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

Complementary color

CMYK 14 / 68 / 0 / 29

HEX #9D3AB6

RGB 157 58 182

HSL 287.9, 0.52%, 0.47%

LAB 43.61, 58.47, -46.87

 

CMYK 48 / 0 / 65 / 23

HEX #67C544

RGB 103 197 68

HSL 103.72, 0.53%, 0.52%

LAB 71.71, -51.01, 54.26

 

CMYK 44 / 0 / 60 / 16

HEX #78D757

RGB 120 215 87

HSL 104.53, 0.62%, 0.59%

LAB 78.04, -51.23, 53.36

 

CMYK 41 / 0 / 55 / 9

HEX #89E96A

RGB 137 233 106

HSL 105.35, 0.74%, 0.66%

LAB 84.3, -51.3, 52.29

 

CMYK 39 / 0 / 50 / 2

HEX #9AFB7D

RGB 154 251 125

HSL 106.19, 0.94%, 0.74%

LAB 90.48, -51.28, 51.15

 

CMYK 33 / 0 / 44 / 0

HEX #ABFF90

RGB 171 255 144

HSL 105.41, 1%, 0.78%

LAB 92.66, -45.27, 45.05

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 55 / 0 / 70 / 30

HEX #51B336

RGB 81 179 54

HSL 107.04, 0.54%, 0.46%

LAB 65.17, -51.57, 52.69

 

CMYK 60 / 0 / 78 / 37

HEX #40A123

RGB 64 161 35

HSL 106.19, 0.64%, 0.38%

LAB 58.7, -50.79, 52.91

 

CMYK 67 / 0 / 89 / 44

HEX #2F8F10

RGB 47 143 16

HSL 105.35, 0.8%, 0.31%

LAB 52.16, -49.48, 52.03

 

CMYK 76 / 0 / 100 / 51

HEX #1E7D00

RGB 30 125 0

HSL 105.6, 1%, 0.25%

LAB 45.56, -47.41, 49.52

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 33 / 0 / 63 / 23

HEX #84C549

RGB 132 197 73

HSL 91.45, 0.52%, 0.53%

LAB 73.1, -41.06, 54.06

 

CMYK 16 / 0 / 63 / 23

HEX #A5C549

RGB 165 197 73

HSL 75.48, 0.52%, 0.53%

LAB 75.08, -28.56, 56.79

 

CMYK 0 / 1 / 63 / 23

HEX #C5C449

RGB 197 196 73

HSL 59.52, 0.52%, 0.53%

LAB 77.18, -14.94, 59.73

 

CMYK 0 / 17 / 63 / 23

HEX #C5A349

RGB 197 163 73

HSL 43.55, 0.52%, 0.53%

LAB 68.42, 2.27, 50.26

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 63 / 0 / 59 / 23

HEX #49C551

RGB 73 197 81

HSL 123.87, 0.52%, 0.53%

LAB 70.83, -57.37, 47.33

 

CMYK 63 / 0 / 42 / 23

HEX #49C573

RGB 73 197 115

HSL 140.32, 0.52%, 0.53%

LAB 71.27, -52.4, 31.22

 

CMYK 63 / 0 / 24 / 23

HEX #49C595

RGB 73 197 149

HSL 156.77, 0.52%, 0.53%

LAB 71.91, -45.66, 14.1

 

CMYK 63 / 0 / 8 / 23

HEX #49C5B6

RGB 73 197 182

HSL 172.74, 0.52%, 0.53%

LAB 72.71, -37.62, -2.62

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 60 / 0 / 76 / 15

HEX #56D935

RGB 86 217 53

HSL 107.93, 0.68%, 0.53%

LAB 77.2, -63.98, 65.24

 

CMYK 68 / 0 / 86 / 7

HEX #4BEC22

RGB 75 236 34

HSL 107.82, 0.84%, 0.53%

LAB 82.7, -73.36, 75.21

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 38 / 0 / 48 / 30

HEX #6EB25C

RGB 110 178 92

HSL 107.44, 0.36%, 0.53%

LAB 66.47, -38.19, 37.13

 

CMYK 24 / 0 / 30 / 38

HEX #799F70

RGB 121 159 112

HSL 108.51, 0.2%, 0.53%

LAB 61.68, -22.32, 20.43

 

CMYK 4 / 0 / 6 / 45

HEX #858B83

RGB 133 139 131

HSL 105, 0.03%, 0.53%

LAB 57.16, -3.77, 3.51

 

CMYK 4 / 20 / 0 / 41

HEX #907896

RGB 144 120 150

HSL 288, 0.13%, 0.53%

LAB 53.56, 14.97, -12.71

 

CMYK 16 / 0 / 63 / 23

HEX #A6C549

RGB 166 197 73

HSL 75, 0.52%, 0.53%

LAB 75.15, -28.16, 56.88

 

CMYK 32 / 0 / 63 / 23

HEX #85C549

RGB 133 197 73

HSL 90.97, 0.52%, 0.53%

LAB 73.15, -40.7, 54.13

 

CMYK 49 / 0 / 63 / 23

HEX #64C549

RGB 100 197 73

HSL 106.94, 0.52%, 0.53%

LAB 71.64, -51.42, 52.03

 

CMYK 63 / 0 / 60 / 23

HEX #49C54F

RGB 73 197 79

HSL 122.9, 0.52%, 0.53%

LAB 70.81, -57.61, 48.21

 

CMYK 63 / 0 / 43 / 23

HEX #49C570

RGB 73 197 112

HSL 138.87, 0.52%, 0.53%

LAB 71.23, -52.92, 32.7

 

CMYK 55 / 0 / 69 / 44

HEX #418F2D

RGB 65 143 45

HSL 107.76, 0.52%, 0.37%

LAB 52.9, -42.89, 43.24

 

CMYK 55 / 0 / 68 / 32

HEX #4FAE37

RGB 79 174 55

HSL 107.9, 0.52%, 0.45%

LAB 63.52, -50.13, 50.54

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 40 / 0 / 50 / 19

HEX #7DCF68

RGB 125 207 104

HSL 107.77, 0.52%, 0.61%

LAB 76.06, -44.44, 43.19

 

CMYK 30 / 0 / 37 / 15

HEX #98D988

RGB 152 217 136

HSL 108.15, 0.52%, 0.69%

LAB 80.78, -35.71, 33.51

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 63 / 0 / 1 / 23

HEX #49C5C3

RGB 73 197 195

HSL 179.03, 0.52%, 0.53%

LAB 73.08, -34.11, -9.14

 

CMYK 0 / 63 / 24 / 23

HEX #C54996

RGB 197 73 150

HSL 322.74, 0.52%, 0.53%

LAB 50.5, 57.23, -16.73

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 63 / 49 / 0 / 23

HEX #4964C5

RGB 73 100 197

HSL 226.94, 0.52%, 0.53%

LAB 45.03, 20.76, -53.79

 

CMYK 0 / 63 / 49 / 23

HEX #C54964

RGB 197 73 100

HSL 346.94, 0.52%, 0.53%

LAB 48.95, 51.57, 11.08

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 63 / 0 / 1 / 23

HEX #49C5C3

RGB 73 197 195

HSL 179.03, 0.52%, 0.53%

LAB 73.08, -34.11, -9.14

 

CMYK 14 / 63 / 0 / 23

HEX #AA49C5

RGB 170 73 197

HSL 286.94, 0.52%, 0.53%

LAB 48.69, 57.92, -47.4

 

CMYK 0 / 63 / 62 / 23

HEX #C5494B

RGB 197 73 75

HSL 359.03, 0.52%, 0.53%

LAB 48.44, 49.61, 25.43

 

CMYK 50 / 0 / 63 / 23

HEX #62C549

RGB 98 197 73

HSL 107.9, 0.52%, 0.53%

LAB 71.56, -51.99, 51.92

 

CMYK 63 / 18 / 0 / 23

HEX #49A2C5

RGB 73 162 197

HSL 196.94, 0.52%, 0.53%

LAB 62.75, -15.93, -25.89

 

CMYK 14 / 63 / 0 / 23

HEX #AA49C5

RGB 170 73 197

HSL 286.94, 0.52%, 0.53%

LAB 48.69, 57.92, -47.4

 

CMYK 0 / 45 / 63 / 23

HEX #C56C49

RGB 197 108 73

HSL 16.94, 0.52%, 0.53%

LAB 55.15, 32.19, 34.92

 

Description

Color code: RGB 98 197 73 | qconv.com Color code: RGB 98 197 73 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 197 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 197 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 63 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 63% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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