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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C664DF it is the complementary color #399B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C664DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C664DF shade: #CB64DA, #DC76ED, #ED88FF, #FE9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C664DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C664DF shade: #C664DF, #B552CC, #A440B9, #932EA6 and #821C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C664DF shade: #C662DF, #DF62D7, #DF62B5, #DF6293 and #DF6272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C664DF shade: #C662DF, #A462DF, #8262DF and #6262DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C664DF shade matches the following richer shades: #C662DF, #CF53EE and #D844FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C664DF shade: #C662DF, #BD72D0, #B381C0, #AA90B1 and #A19FA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C664DF shade: #8262DF, #A362DF, #C462DF, #DF62D9 and #DF62B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C664DF shade: #A629C6, #B940D8, #C662DF, #D285E6 and #DFA7ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C664DF shade: #C664DF, #DF6264 and #62DF92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C664DF shade: #C664DF, #DFC462 and #62DFC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C664DF shade: #C664DF, #DF6264, #7DDF62 and #62DFDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C664DF shade: #C664DF, #DF8662, #7DDF62 and #62BCDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 55 / 0 / 13

HEX #C664DF

RGB 198 100 223

HSL 287.8, 0.66%, 0.63%

LAB 58.46, 57.35, -46.46

 

Complementary color

CMYK 63 / 0 / 79 / 39

HEX #399B20

RGB 57 155 32

HSL 107.8, 0.66%, 0.37%

LAB 56.5, -50.55, 51.71

 

CMYK 7 / 54 / 0 / 15

HEX #CB64DA

RGB 203 100 218

HSL 292.37, 0.61%, 0.62%

LAB 58.86, 57.7, -42.98

 

CMYK 7 / 50 / 0 / 7

HEX #DC76ED

RGB 220 118 237

HSL 291.43, 0.77%, 0.7%

LAB 65.19, 57.09, -43.47

 

CMYK 7 / 47 / 0 / 0

HEX #ED88FF

RGB 237 136 255

HSL 290.92, 1%, 0.77%

LAB 71.44, 56.21, -43.4

 

CMYK 0 / 40 / 0 / 0

HEX #FE9AFF

RGB 254 154 255

HSL 299.41, 1%, 0.8%

LAB 76.92, 52.03, -34.72

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 11 / 55 / 0 / 13

HEX #C664DF

RGB 198 100 223

HSL 287.8, 0.66%, 0.63%

LAB 58.46, 57.35, -46.46

 

CMYK 11 / 60 / 0 / 20

HEX #B552CC

RGB 181 82 204

HSL 288.69, 0.54%, 0.56%

LAB 52.08, 57.86, -45.94

 

CMYK 11 / 65 / 0 / 27

HEX #A440B9

RGB 164 64 185

HSL 289.59, 0.49%, 0.49%

LAB 45.72, 58.13, -45.21

 

CMYK 11 / 72 / 0 / 35

HEX #932EA6

RGB 147 46 166

HSL 290.5, 0.57%, 0.42%

LAB 39.43, 57.94, -44.17

 

CMYK 12 / 81 / 0 / 42

HEX #821C93

RGB 130 28 147

HSL 291.43, 0.68%, 0.34%

LAB 33.31, 56.97, -42.62

 

CMYK 11 / 56 / 0 / 13

HEX #C662DF

RGB 198 98 223

HSL 288, 0.66%, 0.63%

LAB 58.1, 58.31, -47.03

 

CMYK 0 / 56 / 4 / 13

HEX #DF62D7

RGB 223 98 215

HSL 303.84, 0.66%, 0.63%

LAB 61.07, 63.36, -37.63

 

CMYK 0 / 56 / 19 / 13

HEX #DF62B5

RGB 223 98 181

HSL 320.16, 0.66%, 0.63%

LAB 59.67, 58.08, -20.47

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 56 / 49 / 13

HEX #DF6272

RGB 223 98 114

HSL 352.32, 0.66%, 0.63%

LAB 57.69, 50.17, 15.54

 

CMYK 11 / 56 / 0 / 13

HEX #C662DF

RGB 198 98 223

HSL 288, 0.66%, 0.63%

LAB 58.1, 58.31, -47.03

 

CMYK 26 / 56 / 0 / 13

HEX #A462DF

RGB 164 98 223

HSL 271.68, 0.66%, 0.63%

LAB 53.98, 49.77, -53.84

 

CMYK 42 / 56 / 0 / 13

HEX #8262DF

RGB 130 98 223

HSL 255.36, 0.66%, 0.63%

LAB 50.46, 41.77, -59.67

 

CMYK 56 / 56 / 0 / 13

HEX #6262DF

RGB 98 98 223

HSL 240, 0.66%, 0.63%

LAB 47.83, 35.2, -64.06

 

CMYK 11 / 56 / 0 / 13

HEX #C662DF

RGB 198 98 223

HSL 288, 0.66%, 0.63%

LAB 58.1, 58.31, -47.03

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 15 / 73 / 0 / 1

HEX #D844FD

RGB 216 68 253

HSL 288, 0.98%, 0.63%

LAB 57.87, 80.08, -64

 

CMYK 11 / 56 / 0 / 13

HEX #C662DF

RGB 198 98 223

HSL 288, 0.66%, 0.63%

LAB 58.1, 58.31, -47.03

 

CMYK 9 / 45 / 0 / 18

HEX #BD72D0

RGB 189 114 208

HSL 287.87, 0.5%, 0.63%

LAB 59.35, 44.81, -36.69

 

CMYK 7 / 33 / 0 / 25

HEX #B381C0

RGB 179 129 192

HSL 287.62, 0.33%, 0.63%

LAB 60.86, 30.32, -25.39

 

CMYK 4 / 19 / 0 / 31

HEX #AA90B1

RGB 170 144 177

HSL 287.27, 0.17%, 0.63%

LAB 63.07, 15.82, -13.63

 

CMYK 1 / 2 / 0 / 36

HEX #A19FA2

RGB 161 159 162

HSL 280, 0.02%, 0.63%

LAB 65.73, 1.3, -1.31

 

CMYK 42 / 56 / 0 / 13

HEX #8262DF

RGB 130 98 223

HSL 255.36, 0.66%, 0.63%

LAB 50.46, 41.77, -59.67

 

CMYK 27 / 56 / 0 / 13

HEX #A362DF

RGB 163 98 223

HSL 271.2, 0.66%, 0.63%

LAB 53.87, 49.53, -54.02

 

CMYK 12 / 56 / 0 / 13

HEX #C462DF

RGB 196 98 223

HSL 287.04, 0.66%, 0.63%

LAB 57.85, 57.8, -47.45

 

CMYK 0 / 56 / 3 / 13

HEX #DF62D9

RGB 223 98 217

HSL 302.88, 0.66%, 0.63%

LAB 61.16, 63.7, -38.61

 

CMYK 0 / 56 / 18 / 13

HEX #DF62B7

RGB 223 98 183

HSL 319.2, 0.66%, 0.63%

LAB 59.75, 58.37, -21.5

 

CMYK 16 / 79 / 0 / 22

HEX #A629C6

RGB 166 41 198

HSL 287.77, 0.66%, 0.47%

LAB 43.9, 69.31, -55.69

 

CMYK 14 / 70 / 0 / 15

HEX #B940D8

RGB 185 64 216

HSL 287.76, 0.66%, 0.55%

LAB 50.62, 68.62, -55.1

 

CMYK 11 / 56 / 0 / 13

HEX #C662DF

RGB 198 98 223

HSL 288, 0.66%, 0.63%

LAB 58.1, 58.31, -47.03

 

CMYK 9 / 42 / 0 / 10

HEX #D285E6

RGB 210 133 230

HSL 287.63, 0.66%, 0.71%

LAB 66.66, 45.28, -37.38

 

CMYK 6 / 30 / 0 / 7

HEX #DFA7ED

RGB 223 167 237

HSL 288, 0.66%, 0.79%

LAB 75.72, 32.45, -27.1

 

CMYK 11 / 55 / 0 / 13

HEX #C664DF

RGB 198 100 223

HSL 287.8, 0.66%, 0.63%

LAB 58.46, 57.35, -46.46

 

CMYK 0 / 56 / 55 / 13

HEX #DF6264

RGB 223 98 100

HSL 359.04, 0.66%, 0.63%

LAB 57.41, 48.99, 23.29

 

CMYK 56 / 0 / 35 / 13

HEX #62DF92

RGB 98 223 146

HSL 143.04, 0.66%, 0.63%

LAB 80.43, -51.84, 27.51

 

CMYK 11 / 55 / 0 / 13

HEX #C664DF

RGB 198 100 223

HSL 287.8, 0.66%, 0.63%

LAB 58.46, 57.35, -46.46

 

CMYK 0 / 12 / 56 / 13

HEX #DFC462

RGB 223 196 98

HSL 47.04, 0.66%, 0.63%

LAB 79.64, -2.33, 51.95

 

CMYK 56 / 0 / 12 / 13

HEX #62DFC4

RGB 98 223 196

HSL 167.04, 0.66%, 0.63%

LAB 81.49, -41.23, 2.76

 

CMYK 11 / 55 / 0 / 13

HEX #C664DF

RGB 198 100 223

HSL 287.8, 0.66%, 0.63%

LAB 58.46, 57.35, -46.46

 

CMYK 0 / 56 / 55 / 13

HEX #DF6264

RGB 223 98 100

HSL 359.04, 0.66%, 0.63%

LAB 57.41, 48.99, 23.29

 

CMYK 44 / 0 / 56 / 13

HEX #7DDF62

RGB 125 223 98

HSL 107.04, 0.66%, 0.63%

LAB 80.75, -51.77, 51.62

 

CMYK 56 / 0 / 1 / 13

HEX #62DFDD

RGB 98 223 221

HSL 179.04, 0.66%, 0.63%

LAB 82.16, -34.92, -9.53

 

CMYK 11 / 55 / 0 / 13

HEX #C664DF

RGB 198 100 223

HSL 287.8, 0.66%, 0.63%

LAB 58.46, 57.35, -46.46

 

CMYK 0 / 40 / 56 / 13

HEX #DF8662

RGB 223 134 98

HSL 17.28, 0.66%, 0.63%

LAB 64.66, 30.61, 33.8

 

CMYK 44 / 0 / 56 / 13

HEX #7DDF62

RGB 125 223 98

HSL 107.04, 0.66%, 0.63%

LAB 80.75, -51.77, 51.62

 

CMYK 56 / 16 / 0 / 13

HEX #62BCDF

RGB 98 188 223

HSL 196.8, 0.66%, 0.63%

LAB 72.16, -17.08, -25.71

 

Description

Color code: HEX #C664DF | qconv.com Color code: HEX #C664DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 100 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 100 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 55 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 55% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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