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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6293 it is the complementary color #209D6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6293 shade: #E4628E, #F574A1, #FF86B4, #FF98C7 and #FFAADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6293 shade: #DF6293, #CE5080, #BD3E6D, #AC2C5A and #9B1A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6293 shade: #DF6293, #DF6272 and #DF6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6293 shade: #DF6293, #DF62B5, #DF62D6, #C662DF and #A462DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6293 shade matches the following richer shades: #DF6293, #EE5390 and #FD448D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6293 shade: #DF6293, #D07296, #C0819A, #B1909D and #A29FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6293 shade: #DF62D7, #DF62B5, #DF6294, #DF6273 and #DF7362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6293 shade: #C62966, #D8407C, #DF6293, #E685AB and #EDA7C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6293 shade: #DF6293, #DFC662 and #62C6DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6293 shade: #DF6293, #94DF62 and #6294DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6293 shade: #DF6293, #DFC662, #62DFAD and #627BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6293 shade: #DF6293, #D2DF62, #62DFAD and #6F62DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

Complementary color

CMYK 80 / 0 / 31 / 38

HEX #209D6C

RGB 32 157 108

HSL 156.48, 0.66%, 0.37%

LAB 57.56, -44.74, 16.46

 

CMYK 0 / 57 / 38 / 11

HEX #E4628E

RGB 228 98 142

HSL 339.69, 0.71%, 0.64%

LAB 59.14, 54.65, 1.38

 

CMYK 0 / 53 / 34 / 4

HEX #F574A1

RGB 245 116 161

HSL 339.07, 0.87%, 0.71%

LAB 65.34, 53.93, -0.22

 

CMYK 0 / 47 / 29 / 0

HEX #FF86B4

RGB 255 134 180

HSL 337.19, 1%, 0.76%

LAB 70.6, 50.84, -3.07

 

CMYK 0 / 40 / 22 / 0

HEX #FF98C7

RGB 255 152 199

HSL 332.62, 1%, 0.8%

LAB 74.72, 44.38, -7.51

 

CMYK 0 / 33 / 15 / 0

HEX #FFAADA

RGB 255 170 218

HSL 326.12, 1%, 0.83%

LAB 79.08, 37.94, -11.4

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 61 / 38 / 19

HEX #CE5080

RGB 206 80 128

HSL 337.14, 0.56%, 0.56%

LAB 52.31, 54.2, -0.76

 

CMYK 0 / 67 / 42 / 26

HEX #BD3E6D

RGB 189 62 109

HSL 337.8, 0.51%, 0.49%

LAB 46.13, 54.53, 1.39

 

CMYK 0 / 74 / 48 / 33

HEX #AC2C5A

RGB 172 44 90

HSL 338.44, 0.59%, 0.42%

LAB 40.1, 54.4, 4.1

 

CMYK 0 / 83 / 54 / 39

HEX #9B1A47

RGB 155 26 71

HSL 339.07, 0.71%, 0.35%

LAB 34.32, 53.46, 7.62

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 56 / 49 / 13

HEX #DF6272

RGB 223 98 114

HSL 352.32, 0.66%, 0.63%

LAB 57.69, 50.17, 15.54

 

CMYK 0 / 56 / 56 / 13

HEX #DF6262

RGB 223 98 98

HSL 0, 0.66%, 0.63%

LAB 57.37, 48.84, 24.39

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 56 / 19 / 13

HEX #DF62B5

RGB 223 98 181

HSL 320.16, 0.66%, 0.63%

LAB 59.67, 58.08, -20.47

 

CMYK 0 / 56 / 4 / 13

HEX #DF62D6

RGB 223 98 214

HSL 304.32, 0.66%, 0.63%

LAB 61.03, 63.2, -37.13

 

CMYK 11 / 56 / 0 / 13

HEX #C662DF

RGB 198 98 223

HSL 288, 0.66%, 0.63%

LAB 58.1, 58.31, -47.03

 

CMYK 26 / 56 / 0 / 13

HEX #A462DF

RGB 164 98 223

HSL 271.68, 0.66%, 0.63%

LAB 53.98, 49.77, -53.84

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 65 / 39 / 7

HEX #EE5390

RGB 238 83 144

HSL 336.39, 0.82%, 0.63%

LAB 58.39, 64.32, -0.7

 

CMYK 0 / 73 / 44 / 1

HEX #FD448D

RGB 253 68 141

HSL 336.32, 0.98%, 0.63%

LAB 58.92, 73.53, 2.14

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 45 / 28 / 18

HEX #D07296

RGB 208 114 150

HSL 337.02, 0.5%, 0.63%

LAB 59.57, 41.11, -2.98

 

CMYK 0 / 33 / 20 / 25

HEX #C0819A

RGB 192 129 154

HSL 336.19, 0.33%, 0.63%

LAB 60.99, 27.95, -3.4

 

CMYK 0 / 19 / 11 / 31

HEX #B1909D

RGB 177 144 157

HSL 336.36, 0.17%, 0.63%

LAB 63.12, 14.57, -2.17

 

CMYK 0 / 2 / 1 / 36

HEX #A29FA0

RGB 162 159 160

HSL 340, 0.02%, 0.63%

LAB 65.76, 1.27, -0.14

 

CMYK 0 / 56 / 4 / 13

HEX #DF62D7

RGB 223 98 215

HSL 303.84, 0.66%, 0.63%

LAB 61.07, 63.36, -37.63

 

CMYK 0 / 56 / 19 / 13

HEX #DF62B5

RGB 223 98 181

HSL 320.16, 0.66%, 0.63%

LAB 59.67, 58.08, -20.47

 

CMYK 0 / 56 / 34 / 13

HEX #DF6294

RGB 223 98 148

HSL 336, 0.66%, 0.63%

LAB 58.57, 53.74, -3.05

 

CMYK 0 / 56 / 48 / 13

HEX #DF6273

RGB 223 98 115

HSL 351.84, 0.66%, 0.63%

LAB 57.71, 50.27, 14.99

 

CMYK 0 / 48 / 56 / 13

HEX #DF7362

RGB 223 115 98

HSL 8.16, 0.66%, 0.63%

LAB 60.63, 40.49, 28.65

 

CMYK 0 / 79 / 48 / 22

HEX #C62966

RGB 198 41 102

HSL 336.69, 0.66%, 0.47%

LAB 45.01, 63.57, 4.29

 

CMYK 0 / 70 / 43 / 15

HEX #D8407C

RGB 216 64 124

HSL 336.32, 0.66%, 0.55%

LAB 51.52, 63.17, 0.69

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 42 / 26 / 10

HEX #E685AB

RGB 230 133 171

HSL 336.49, 0.66%, 0.71%

LAB 66.93, 41.74, -3.79

 

CMYK 0 / 30 / 18 / 7

HEX #EDA7C2

RGB 237 167 194

HSL 336.86, 0.66%, 0.79%

LAB 75.78, 29.65, -3.43

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 11 / 56 / 13

HEX #DFC662

RGB 223 198 98

HSL 48, 0.66%, 0.63%

LAB 80.16, -3.36, 52.54

 

CMYK 56 / 11 / 0 / 13

HEX #62C6DF

RGB 98 198 223

HSL 192, 0.66%, 0.63%

LAB 75.02, -22.22, -21.33

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 34 / 0 / 56 / 13

HEX #94DF62

RGB 148 223 98

HSL 96, 0.66%, 0.63%

LAB 81.81, -44.42, 53.13

 

CMYK 56 / 34 / 0 / 13

HEX #6294DF

RGB 98 148 223

HSL 216, 0.66%, 0.63%

LAB 60.87, 5.05, -43.22

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 0 / 11 / 56 / 13

HEX #DFC662

RGB 223 198 98

HSL 48, 0.66%, 0.63%

LAB 80.16, -3.36, 52.54

 

CMYK 56 / 0 / 22 / 13

HEX #62DFAD

RGB 98 223 173

HSL 156, 0.66%, 0.63%

LAB 80.95, -46.47, 14.16

 

CMYK 56 / 45 / 0 / 13

HEX #627BDF

RGB 98 123 223

HSL 228, 0.66%, 0.63%

LAB 54.12, 19.97, -53.93

 

CMYK 0 / 56 / 34 / 13

HEX #DF6293

RGB 223 98 147

HSL 336.48, 0.66%, 0.63%

LAB 58.54, 53.62, -2.51

 

CMYK 6 / 0 / 56 / 13

HEX #D2DF62

RGB 210 223 98

HSL 66.24, 0.66%, 0.63%

LAB 85.68, -21.21, 58.59

 

CMYK 56 / 0 / 22 / 13

HEX #62DFAD

RGB 98 223 173

HSL 156, 0.66%, 0.63%

LAB 80.95, -46.47, 14.16

 

CMYK 50 / 56 / 0 / 13

HEX #6F62DF

RGB 111 98 223

HSL 246.24, 0.66%, 0.63%

LAB 48.81, 37.72, -62.42

 

Description

Color code: HEX #DF6293 | qconv.com Color code: HEX #DF6293 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 98 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 98 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 34 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 34% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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