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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65E47 it is the complementary color #39A1B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65E47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C65E47: #CB5E42, #DC7055, #ED8268, #FE947B and #FFA68E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65E47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C65E47: #C65E47, #B54C34, #A43A21, #93280E and #821600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 64 / 22

HEX #C65E47

RGB 198 94 71

HSL 10.87, 0.53%, 0.53%

LAB 52.36, 39.73, 32.68

 

Complementary color

CMYK 69 / 13 / 0 / 28

HEX #39A1B8

RGB 57 161 184

HSL 190.87, 0.53%, 0.47%

LAB 61.5, -22.09, -20.56

 

CMYK 0 / 54 / 67 / 20

HEX #CB5E42

RGB 203 94 66

HSL 12.26, 0.57%, 0.53%

LAB 53.05, 41.32, 36.48

 

CMYK 0 / 49 / 61 / 14

HEX #DC7055

RGB 220 112 85

HSL 12, 0.66%, 0.6%

LAB 59.4, 39.93, 34.25

 

CMYK 0 / 45 / 56 / 7

HEX #ED8268

RGB 237 130 104

HSL 11.73, 0.79%, 0.67%

LAB 65.72, 38.61, 32.26

 

CMYK 0 / 42 / 52 / 0

HEX #FE947B

RGB 254 148 123

HSL 11.45, 0.98%, 0.74%

LAB 72.01, 37.38, 30.49

 

CMYK 0 / 35 / 44 / 0

HEX #FFA68E

RGB 255 166 142

HSL 12.74, 1%, 0.78%

LAB 76.37, 30.21, 26.02

 

CMYK 0 / 53 / 64 / 22

HEX #C65E47

RGB 198 94 71

HSL 10.87, 0.53%, 0.53%

LAB 52.36, 39.73, 32.68

 

CMYK 0 / 58 / 71 / 29

HEX #B54C34

RGB 181 76 52

HSL 11.16, 0.55%, 0.46%

LAB 45.96, 41.12, 35.13

 

CMYK 0 / 65 / 80 / 36

HEX #A43A21

RGB 164 58 33

HSL 11.45, 0.66%, 0.39%

LAB 39.63, 42.47, 37.83

 

CMYK 0 / 73 / 90 / 42

HEX #93280E

RGB 147 40 14

HSL 11.73, 0.83%, 0.32%

LAB 33.46, 43.56, 40.36

 

CMYK 0 / 83 / 100 / 49

HEX #821600

RGB 130 22 0

HSL 10.15, 1%, 0.25%

LAB 27.63, 43.94, 40.1

 

CMYK 0 / 53 / 64 / 22

HEX #C65E47

RGB 198 94 71

HSL 10.87, 0.53%, 0.53%

LAB 52.36, 39.73, 32.68

 

CMYK 0 / 43 / 64 / 22

HEX #C67147

RGB 198 113 71

HSL 19.84, 0.53%, 0.53%

LAB 56.36, 29.79, 37.48

 

CMYK 0 / 32 / 64 / 22

HEX #C68747

RGB 198 135 71

HSL 30.24, 0.53%, 0.53%

LAB 61.47, 17.81, 43.44

 

CMYK 0 / 21 / 64 / 22

HEX #C69C47

RGB 198 156 71

HSL 40.16, 0.53%, 0.53%

LAB 66.7, 6.34, 49.32

 

CMYK 0 / 11 / 64 / 22

HEX #C6B147

RGB 198 177 71

HSL 50.08, 0.53%, 0.53%

LAB 72.16, -4.86, 55.28

 

CMYK 0 / 53 / 64 / 22

HEX #C65E47

RGB 198 94 71

HSL 10.87, 0.53%, 0.53%

LAB 52.36, 39.73, 32.68

 

CMYK 0 / 53 / 64 / 2

HEX #F97659

RGB 249 118 89

HSL 10.88, 0.93%, 0.66%

LAB 64.82, 48.01, 39.65

 

CMYK 0 / 53 / 64 / 82

HEX #2D1510

RGB 45 21 16

HSL 10.34, 0.48%, 0.12%

LAB 10.04, 11.58, 8.27

 

CMYK 0 / 52 / 65 / 62

HEX #602E22

RGB 96 46 34

HSL 11.61, 0.48%, 0.25%

LAB 25.43, 21.49, 18.04

 

CMYK 0 / 52 / 64 / 42

HEX #934635

RGB 147 70 53

HSL 10.85, 0.47%, 0.39%

LAB 39.31, 30.98, 25.32

 

CMYK 0 / 53 / 64 / 22

HEX #C65E47

RGB 198 94 71

HSL 10.87, 0.53%, 0.53%

LAB 52.36, 39.73, 32.68

 

CMYK 23 / 0 / 64 / 22

HEX #98C647

RGB 152 198 71

HSL 81.73, 0.53%, 0.53%

LAB 74.52, -34.26, 56.77

 

CMYK 64 / 49 / 0 / 22

HEX #4765C6

RGB 71 101 198

HSL 225.83, 0.53%, 0.53%

LAB 45.25, 20.13, -54.01

 

CMYK 0 / 53 / 64 / 22

HEX #C65E47

RGB 198 94 71

HSL 10.87, 0.53%, 0.53%

LAB 52.36, 39.73, 32.68

 

CMYK 64 / 0 / 54 / 22

HEX #47C65C

RGB 71 198 92

HSL 129.92, 0.53%, 0.53%

LAB 71.21, -56.75, 42.62

 

CMYK 54 / 64 / 0 / 22

HEX #5C47C6

RGB 92 71 198

HSL 249.92, 0.53%, 0.53%

LAB 39.34, 42.39, -63.51

 

CMYK 0 / 53 / 64 / 22

HEX #C65E47

RGB 198 94 71

HSL 10.87, 0.53%, 0.53%

LAB 52.36, 39.73, 32.68

 

CMYK 23 / 0 / 64 / 22

HEX #98C647

RGB 152 198 71

HSL 81.73, 0.53%, 0.53%

LAB 74.52, -34.26, 56.77

 

CMYK 64 / 11 / 0 / 22

HEX #47B1C6

RGB 71 177 198

HSL 189.92, 0.53%, 0.53%

LAB 67.17, -23.79, -19.69

 

CMYK 40 / 64 / 0 / 22

HEX #7647C6

RGB 118 71 198

HSL 262.2, 0.53%, 0.53%

LAB 41.9, 47.42, -59.24

 

CMYK 0 / 53 / 64 / 22

HEX #C65E47

RGB 198 94 71

HSL 10.87, 0.53%, 0.53%

LAB 52.36, 39.73, 32.68

 

CMYK 43 / 0 / 64 / 22

HEX #71C647

RGB 113 198 71

HSL 100.16, 0.53%, 0.53%

LAB 72.46, -48.06, 53.94

 

CMYK 64 / 11 / 0 / 22

HEX #47B1C6

RGB 71 177 198

HSL 189.92, 0.53%, 0.53%

LAB 67.17, -23.79, -19.69

 

CMYK 21 / 64 / 0 / 22

HEX #9C47C6

RGB 156 71 198

HSL 280.16, 0.53%, 0.53%

LAB 46.51, 55.77, -51.56

 

Description

Color code: HEX #C65E47 | qconv.com Color code: HEX #C65E47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 94 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 94 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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