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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C640DF it is the complementary color #39BF20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C640DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C640DF shade: #CB40DA, #DC52ED, #ED64FF, #FE76FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C640DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C640DF shade: #C640DF, #B52ECC, #A41CB9, #930AA6 and #820093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C640DF shade: #C53FDE, #DE3FCD, #DE3FA2, #DE3F77 and #DE3F4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C640DF shade: #C53FDE, #9A3FDE, #6F3FDE, #453FDE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C640DF shade matches the following richer shades: #C53FDE and #D22DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C640DF shade: #C53FDE, #B951CC, #AD63BA, #A076A8 and #948896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C640DF shade: #6F3FDE, #993FDE, #C43FDE, #DE3FCF and #DE3FA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C640DF shade: #971DAE, #B623D1, #C53FDE, #D062E4 and #DB86EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C640DF shade: #C640DF, #DE443F and #3FDE84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C640DF shade: #C640DF, #DEC43F and #3FDEC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C640DF shade: #C640DF, #DE443F, #5ADE3F and #3FD9DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C640DF shade: #C640DF, #DE743F, #5ADE3F and #3FA9DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 71 / 0 / 13

HEX #C640DF

RGB 198 64 223

HSL 290.57, 0.71%, 0.56%

LAB 52.95, 72.57, -55.23

 

Complementary color

CMYK 70 / 0 / 83 / 25

HEX #39BF20

RGB 57 191 32

HSL 110.57, 0.71%, 0.44%

LAB 68.19, -62.67, 62.59

 

CMYK 7 / 71 / 0 / 15

HEX #CB40DA

RGB 203 64 218

HSL 294.16, 0.68%, 0.55%

LAB 53.41, 72.73, -51.62

 

CMYK 7 / 65 / 0 / 7

HEX #DC52ED

RGB 220 82 237

HSL 293.42, 0.81%, 0.63%

LAB 59.31, 73.06, -52.77

 

CMYK 7 / 61 / 0 / 0

HEX #ED64FF

RGB 237 100 255

HSL 293.03, 1%, 0.7%

LAB 65.23, 72.82, -53.18

 

CMYK 0 / 54 / 0 / 0

HEX #FE76FF

RGB 254 118 255

HSL 299.56, 1%, 0.73%

LAB 70.35, 69.23, -44.96

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 11 / 71 / 0 / 13

HEX #C640DF

RGB 198 64 223

HSL 290.57, 0.71%, 0.56%

LAB 52.95, 72.57, -55.23

 

CMYK 11 / 77 / 0 / 20

HEX #B52ECC

RGB 181 46 204

HSL 291.27, 0.63%, 0.49%

LAB 47.15, 71.71, -53.81

 

CMYK 11 / 85 / 0 / 27

HEX #A41CB9

RGB 164 28 185

HSL 291.97, 0.74%, 0.42%

LAB 41.57, 69.97, -51.85

 

CMYK 11 / 94 / 0 / 35

HEX #930AA6

RGB 147 10 166

HSL 292.69, 0.89%, 0.35%

LAB 36.32, 66.98, -49.17

 

CMYK 12 / 100 / 0 / 42

HEX #820093

RGB 130 0 147

HSL 293.06, 1%, 0.29%

LAB 31.47, 62.39, -45.59

 

CMYK 11 / 72 / 0 / 13

HEX #C53FDE

RGB 197 63 222

HSL 290.57, 0.71%, 0.56%

LAB 52.62, 72.53, -55.21

 

CMYK 0 / 72 / 8 / 13

HEX #DE3FCD

RGB 222 63 205

HSL 306.42, 0.71%, 0.56%

LAB 55.58, 75.09, -40.59

 

CMYK 0 / 72 / 27 / 13

HEX #DE3FA2

RGB 222 63 162

HSL 322.64, 0.71%, 0.56%

LAB 53.7, 69.27, -18.56

 

CMYK 0 / 72 / 46 / 13

HEX #DE3F77

RGB 222 63 119

HSL 338.87, 0.71%, 0.56%

LAB 52.3, 64.75, 4.96

 

CMYK 0 / 72 / 66 / 13

HEX #DE3F4C

RGB 222 63 76

HSL 355.09, 0.71%, 0.56%

LAB 51.39, 61.68, 29.48

 

CMYK 11 / 72 / 0 / 13

HEX #C53FDE

RGB 197 63 222

HSL 290.57, 0.71%, 0.56%

LAB 52.62, 72.53, -55.21

 

CMYK 31 / 72 / 0 / 13

HEX #9A3FDE

RGB 154 63 222

HSL 274.34, 0.71%, 0.56%

LAB 46.58, 64.1, -65.25

 

CMYK 50 / 72 / 0 / 13

HEX #6F3FDE

RGB 111 63 222

HSL 258.11, 0.71%, 0.56%

LAB 41.55, 56.69, -73.67

 

CMYK 69 / 72 / 0 / 13

HEX #453FDE

RGB 69 63 222

HSL 242.26, 0.71%, 0.56%

LAB 38.01, 51.19, -79.6

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 11 / 72 / 0 / 13

HEX #C53FDE

RGB 197 63 222

HSL 290.57, 0.71%, 0.56%

LAB 52.62, 72.53, -55.21

 

CMYK 13 / 81 / 0 / 5

HEX #D22DF1

RGB 210 45 241

HSL 290.51, 0.88%, 0.56%

LAB 53.95, 83.49, -63.67

 

CMYK 11 / 72 / 0 / 13

HEX #C53FDE

RGB 197 63 222

HSL 290.57, 0.71%, 0.56%

LAB 52.62, 72.53, -55.21

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 7 / 47 / 0 / 27

HEX #AD63BA

RGB 173 99 186

HSL 291.03, 0.39%, 0.56%

LAB 53.33, 43.68, -33.69

 

CMYK 5 / 30 / 0 / 34

HEX #A076A8

RGB 160 118 168

HSL 290.4, 0.22%, 0.56%

LAB 55.34, 25.38, -20.31

 

CMYK 1 / 9 / 0 / 41

HEX #948896

RGB 148 136 150

HSL 291.43, 0.06%, 0.56%

LAB 58.14, 7.17, -5.83

 

CMYK 50 / 72 / 0 / 13

HEX #6F3FDE

RGB 111 63 222

HSL 258.11, 0.71%, 0.56%

LAB 41.55, 56.69, -73.67

 

CMYK 31 / 72 / 0 / 13

HEX #993FDE

RGB 153 63 222

HSL 273.96, 0.71%, 0.56%

LAB 46.45, 63.92, -65.47

 

CMYK 12 / 72 / 0 / 13

HEX #C43FDE

RGB 196 63 222

HSL 290.19, 0.71%, 0.56%

LAB 52.47, 72.33, -55.45

 

CMYK 0 / 72 / 7 / 13

HEX #DE3FCF

RGB 222 63 207

HSL 305.66, 0.71%, 0.56%

LAB 55.67, 75.38, -41.58

 

CMYK 0 / 72 / 26 / 13

HEX #DE3FA4

RGB 222 63 164

HSL 321.89, 0.71%, 0.56%

LAB 53.78, 69.52, -19.62

 

CMYK 13 / 83 / 0 / 32

HEX #971DAE

RGB 151 29 174

HSL 290.48, 0.71%, 0.4%

LAB 38.75, 65.52, -50

 

CMYK 13 / 83 / 0 / 18

HEX #B623D1

RGB 182 35 209

HSL 290.69, 0.71%, 0.48%

LAB 46.65, 75.63, -57.5

 

CMYK 11 / 72 / 0 / 13

HEX #C53FDE

RGB 197 63 222

HSL 290.57, 0.71%, 0.56%

LAB 52.62, 72.53, -55.21

 

CMYK 9 / 57 / 0 / 11

HEX #D062E4

RGB 208 98 228

HSL 290.77, 0.71%, 0.64%

LAB 59.66, 61.79, -47.29

 

CMYK 6 / 43 / 0 / 8

HEX #DB86EA

RGB 219 134 234

HSL 291, 0.7%, 0.72%

LAB 68.06, 48.16, -37.34

 

CMYK 11 / 71 / 0 / 13

HEX #C640DF

RGB 198 64 223

HSL 290.57, 0.71%, 0.56%

LAB 52.95, 72.57, -55.23

 

CMYK 0 / 69 / 72 / 13

HEX #DE443F

RGB 222 68 63

HSL 1.89, 0.71%, 0.56%

LAB 51.86, 59.22, 37.56

 

CMYK 72 / 0 / 41 / 13

HEX #3FDE84

RGB 63 222 132

HSL 146.04, 0.71%, 0.56%

LAB 79.02, -60.53, 32.63

 

CMYK 11 / 71 / 0 / 13

HEX #C640DF

RGB 198 64 223

HSL 290.57, 0.71%, 0.56%

LAB 52.95, 72.57, -55.23

 

CMYK 0 / 12 / 72 / 13

HEX #DEC43F

RGB 222 196 63

HSL 50.19, 0.71%, 0.56%

LAB 79.25, -4.91, 66.47

 

CMYK 72 / 0 / 12 / 13

HEX #3FDEC4

RGB 63 222 196

HSL 170.19, 0.71%, 0.56%

LAB 80.34, -46.48, 0.98

 

CMYK 11 / 71 / 0 / 13

HEX #C640DF

RGB 198 64 223

HSL 290.57, 0.71%, 0.56%

LAB 52.95, 72.57, -55.23

 

CMYK 0 / 69 / 72 / 13

HEX #DE443F

RGB 222 68 63

HSL 1.89, 0.71%, 0.56%

LAB 51.86, 59.22, 37.56

 

CMYK 59 / 0 / 72 / 13

HEX #5ADE3F

RGB 90 222 63

HSL 109.81, 0.71%, 0.56%

LAB 78.91, -64.06, 63.59

 

CMYK 72 / 2 / 0 / 13

HEX #3FD9DE

RGB 63 217 222

HSL 181.89, 0.71%, 0.56%

LAB 79.59, -37.18, -13.99

 

CMYK 11 / 71 / 0 / 13

HEX #C640DF

RGB 198 64 223

HSL 290.57, 0.71%, 0.56%

LAB 52.95, 72.57, -55.23

 

CMYK 0 / 48 / 72 / 13

HEX #DE743F

RGB 222 116 63

HSL 20, 0.71%, 0.56%

LAB 60.23, 37.38, 46.92

 

CMYK 59 / 0 / 72 / 13

HEX #5ADE3F

RGB 90 222 63

HSL 109.81, 0.71%, 0.56%

LAB 78.91, -64.06, 63.59

 

CMYK 72 / 24 / 0 / 13

HEX #3FA9DE

RGB 63 169 222

HSL 200, 0.71%, 0.56%

LAB 65.52, -13.14, -35.49

 

Description

Color code: HEX #C640DF | qconv.com Color code: HEX #C640DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 64 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 64 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 71 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 71% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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