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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C62B81 it is the complementary color #39D47E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C62B81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C62B81 shade: #CB2B7C, #DC3D8F, #ED4FA2, #FE61B5 and #FF73C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C62B81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C62B81 shade: #C62B81, #B5196E, #A4075B, #930048 and #820035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C62B81 shade: #C52B80, #C52B57, #C52B2E and #C52B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C62B81 shade: #C52B80, #C52BAA, #B62BC5, #8D2BC5 and #632BC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C62B81 shade matches the following richer shades: #C52B80, #D81882 and #EB0485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C62B81 shade: #C52B80, #B13F7E, #9E527C, #8A657A and #777978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C62B81 shade: #B52BC5, #C52BAB, #C52B82, #C52B59 and #C52B30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C62B81 shade: #811C54, #A3246A, #C52B80, #D64395 and #DD65A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C62B81 shade: #C62B81, #C58C2B and #2BBFC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C62B81 shade: #C62B81, #82C52B and #2B82C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C62B81 shade: #C62B81, #C58C2B, #2BC56E and #2B63C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C62B81 shade: #C62B81, #C5BA2B, #2BC56E and #2B35C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 35 / 22

HEX #C62B81

RGB 198 43 129

HSL 326.71, 0.64%, 0.47%

LAB 46.07, 65.62, -10.78

 

Complementary color

CMYK 73 / 0 / 41 / 17

HEX #39D47E

RGB 57 212 126

HSL 146.71, 0.64%, 0.53%

LAB 75.74, -58.83, 31.35

 

CMYK 0 / 79 / 39 / 20

HEX #CB2B7C

RGB 203 43 124

HSL 329.63, 0.65%, 0.48%

LAB 46.82, 66.35, -6.51

 

CMYK 0 / 72 / 35 / 14

HEX #DC3D8F

RGB 220 61 143

HSL 329.06, 0.69%, 0.55%

LAB 52.44, 67.25, -9.26

 

CMYK 0 / 67 / 32 / 7

HEX #ED4FA2

RGB 237 79 162

HSL 328.48, 0.81%, 0.62%

LAB 58.23, 67.54, -11.47

 

CMYK 0 / 62 / 29 / 0

HEX #FE61B5

RGB 254 97 181

HSL 327.9, 0.99%, 0.69%

LAB 64.13, 67.43, -13.28

 

CMYK 0 / 55 / 22 / 0

HEX #FF73C8

RGB 255 115 200

HSL 323.57, 1%, 0.73%

LAB 67.79, 62.43, -18.46

 

CMYK 0 / 78 / 35 / 22

HEX #C62B81

RGB 198 43 129

HSL 326.71, 0.64%, 0.47%

LAB 46.07, 65.62, -10.78

 

CMYK 0 / 86 / 39 / 29

HEX #B5196E

RGB 181 25 110

HSL 327.31, 0.76%, 0.4%

LAB 40.65, 63.84, -7.5

 

CMYK 0 / 96 / 45 / 36

HEX #A4075B

RGB 164 7 91

HSL 327.9, 0.92%, 0.34%

LAB 35.6, 60.82, -3.29

 

CMYK 0 / 100 / 51 / 42

HEX #930048

RGB 147 0 72

HSL 330.61, 1%, 0.29%

LAB 31.05, 56.16, 2.07

 

CMYK 0 / 100 / 59 / 49

HEX #820035

RGB 130 0 53

HSL 335.54, 1%, 0.25%

LAB 26.74, 50.61, 8.25

 

CMYK 0 / 78 / 35 / 23

HEX #C52B80

RGB 197 43 128

HSL 326.88, 0.64%, 0.47%

LAB 45.85, 65.26, -10.52

 

CMYK 0 / 78 / 56 / 23

HEX #C52B57

RGB 197 43 87

HSL 342.86, 0.64%, 0.47%

LAB 44.64, 61.56, 13.06

 

CMYK 0 / 78 / 77 / 23

HEX #C52B2E

RGB 197 43 46

HSL 358.83, 0.64%, 0.47%

LAB 43.94, 59.35, 37.06

 

CMYK 0 / 78 / 78 / 23

HEX #C52B2B

RGB 197 43 43

HSL 0, 0.64%, 0.47%

LAB 43.9, 59.24, 38.73

 

CMYK 0 / 78 / 35 / 23

HEX #C52B80

RGB 197 43 128

HSL 326.88, 0.64%, 0.47%

LAB 45.85, 65.26, -10.52

 

CMYK 0 / 78 / 14 / 23

HEX #C52BAA

RGB 197 43 170

HSL 310.52, 0.64%, 0.47%

LAB 47.62, 70.47, -33.03

 

CMYK 8 / 78 / 0 / 23

HEX #B62BC5

RGB 182 43 197

HSL 294.16, 0.64%, 0.47%

LAB 46.58, 71.55, -50.66

 

CMYK 28 / 78 / 0 / 23

HEX #8D2BC5

RGB 141 43 197

HSL 278.18, 0.64%, 0.47%

LAB 40.28, 64.06, -61.15

 

CMYK 50 / 78 / 0 / 23

HEX #632BC5

RGB 99 43 197

HSL 261.82, 0.64%, 0.47%

LAB 34.83, 57.5, -70.29

 

CMYK 0 / 78 / 35 / 23

HEX #C52B80

RGB 197 43 128

HSL 326.88, 0.64%, 0.47%

LAB 45.85, 65.26, -10.52

 

CMYK 0 / 89 / 40 / 15

HEX #D81882

RGB 216 24 130

HSL 326.88, 0.8%, 0.47%

LAB 48.09, 74.02, -8.01

 

CMYK 0 / 98 / 43 / 8

HEX #EB0485

RGB 235 4 133

HSL 326.49, 0.97%, 0.47%

LAB 51.2, 80.41, -4.8

 

CMYK 0 / 78 / 35 / 23

HEX #C52B80

RGB 197 43 128

HSL 326.88, 0.64%, 0.47%

LAB 45.85, 65.26, -10.52

 

CMYK 0 / 64 / 29 / 31

HEX #B13F7E

RGB 177 63 126

HSL 326.84, 0.48%, 0.47%

LAB 44.81, 52.47, -11.2

 

CMYK 0 / 48 / 22 / 38

HEX #9E527C

RGB 158 82 124

HSL 326.84, 0.32%, 0.47%

LAB 45.3, 36.86, -9.54

 

CMYK 0 / 27 / 12 / 46

HEX #8A657A

RGB 138 101 122

HSL 325.95, 0.15%, 0.47%

LAB 47.13, 18.44, -5.87

 

CMYK 2 / 0 / 1 / 53

HEX #777978

RGB 119 121 120

HSL 150, 0.01%, 0.47%

LAB 50.63, -0.95, 0.28

 

CMYK 8 / 78 / 0 / 23

HEX #B52BC5

RGB 181 43 197

HSL 293.77, 0.64%, 0.47%

LAB 46.42, 71.36, -50.93

 

CMYK 0 / 78 / 13 / 23

HEX #C52BAB

RGB 197 43 171

HSL 310.13, 0.64%, 0.47%

LAB 47.67, 70.61, -33.55

 

CMYK 0 / 78 / 34 / 23

HEX #C52B82

RGB 197 43 130

HSL 326.1, 0.64%, 0.47%

LAB 45.92, 65.47, -11.63

 

CMYK 0 / 78 / 55 / 23

HEX #C52B59

RGB 197 43 89

HSL 342.08, 0.64%, 0.47%

LAB 44.69, 61.71, 11.88

 

CMYK 0 / 78 / 76 / 23

HEX #C52B30

RGB 197 43 48

HSL 358.05, 0.64%, 0.47%

LAB 43.96, 59.42, 35.94

 

CMYK 0 / 78 / 35 / 49

HEX #811C54

RGB 129 28 84

HSL 326.73, 0.64%, 0.31%

LAB 29.76, 46.94, -8.19

 

CMYK 0 / 78 / 35 / 36

HEX #A3246A

RGB 163 36 106

HSL 326.93, 0.64%, 0.39%

LAB 38, 56.15, -9.3

 

CMYK 0 / 78 / 35 / 23

HEX #C52B80

RGB 197 43 128

HSL 326.88, 0.64%, 0.47%

LAB 45.85, 65.26, -10.52

 

CMYK 0 / 69 / 30 / 16

HEX #D64395

RGB 214 67 149

HSL 326.53, 0.64%, 0.55%

LAB 52.38, 64.22, -13.02

 

CMYK 0 / 54 / 24 / 13

HEX #DD65A8

RGB 221 101 168

HSL 326.5, 0.64%, 0.63%

LAB 59.44, 54.27, -13.37

 

CMYK 0 / 78 / 35 / 22

HEX #C62B81

RGB 198 43 129

HSL 326.71, 0.64%, 0.47%

LAB 46.07, 65.62, -10.78

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 78 / 3 / 0 / 23

HEX #2BBFC5

RGB 43 191 197

HSL 182.34, 0.64%, 0.47%

LAB 70.74, -34.55, -13.81

 

CMYK 0 / 78 / 35 / 22

HEX #C62B81

RGB 198 43 129

HSL 326.71, 0.64%, 0.47%

LAB 46.07, 65.62, -10.78

 

CMYK 34 / 0 / 78 / 23

HEX #82C52B

RGB 130 197 43

HSL 86.1, 0.64%, 0.47%

LAB 72.79, -43.79, 64.76

 

CMYK 78 / 34 / 0 / 23

HEX #2B82C5

RGB 43 130 197

HSL 206.1, 0.64%, 0.47%

LAB 52.41, -2.22, -42.08

 

CMYK 0 / 78 / 35 / 22

HEX #C62B81

RGB 198 43 129

HSL 326.71, 0.64%, 0.47%

LAB 46.07, 65.62, -10.78

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 78 / 0 / 44 / 23

HEX #2BC56E

RGB 43 197 110

HSL 146.1, 0.64%, 0.47%

LAB 70.57, -58.12, 32.76

 

CMYK 78 / 50 / 0 / 23

HEX #2B63C5

RGB 43 99 197

HSL 218.18, 0.64%, 0.47%

LAB 43.46, 17.09, -56.38

 

CMYK 0 / 78 / 35 / 22

HEX #C62B81

RGB 198 43 129

HSL 326.71, 0.64%, 0.47%

LAB 46.07, 65.62, -10.78

 

CMYK 0 / 6 / 78 / 23

HEX #C5BA2B

RGB 197 186 43

HSL 55.71, 0.64%, 0.47%

LAB 74.29, -11.34, 67.83

 

CMYK 78 / 0 / 44 / 23

HEX #2BC56E

RGB 43 197 110

HSL 146.1, 0.64%, 0.47%

LAB 70.57, -58.12, 32.76

 

CMYK 78 / 73 / 0 / 23

HEX #2B35C5

RGB 43 53 197

HSL 236.1, 0.64%, 0.47%

LAB 32.01, 46.28, -75.08

 

Description

Color code: HEX #C62B81 | qconv.com Color code: HEX #C62B81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 43 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 43 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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