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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58C2B it is the complementary color #3A73D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58C2B shade: #CA8C26, #DB9E39, #ECB04C, #FDC25F and #FFD472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58C2B shade: #C58C2B, #B47A18, #A36805, #925600 and #814400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58C2B shade: #C58C2B, #C5622B, #C5392B and #C52B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58C2B shade: #C58C2B, #C5B52B, #ABC52B, #81C52B and #58C52B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58C2B shade matches the following richer shades: #C58C2B, #D89118 and #EB9604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58C2B shade: #C58C2B, #B1873F, #9E8252, #8A7D65 and #777879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58C2B shade: #C5382B, #C5612B, #C58A2B, #C5B32B and #AEC52B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58C2B shade: #815C1C, #A37424, #C58C2B, #D6A043 and #DDB165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58C2B shade: #C58C2B, #47C52B and #4C2BC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58C2B shade: #C58C2B, #2BC58A and #8A2BC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58C2B shade: #C58C2B, #47C52B, #2B66C5 and #A82BC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58C2B shade: #C58C2B, #2BC53D, #2B66C5 and #C52BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

Complementary color

CMYK 73 / 46 / 0 / 17

HEX #3A73D4

RGB 58 115 212

HSL 217.79, 0.64%, 0.53%

LAB 49.39, 14.33, -55.4

 

CMYK 0 / 31 / 81 / 21

HEX #CA8C26

RGB 202 140 38

HSL 37.32, 0.68%, 0.47%

LAB 62.89, 15.2, 59.45

 

CMYK 0 / 28 / 74 / 14

HEX #DB9E39

RGB 219 158 57

HSL 37.41, 0.69%, 0.54%

LAB 69.33, 13.56, 58.95

 

CMYK 0 / 25 / 68 / 7

HEX #ECB04C

RGB 236 176 76

HSL 37.5, 0.81%, 0.61%

LAB 75.7, 12.15, 57.98

 

CMYK 0 / 23 / 62 / 1

HEX #FDC25F

RGB 253 194 95

HSL 37.59, 0.98%, 0.68%

LAB 82, 10.92, 56.8

 

CMYK 0 / 17 / 55 / 0

HEX #FFD472

RGB 255 212 114

HSL 41.7, 1%, 0.72%

LAB 86.78, 3.77, 53.49

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 0 / 32 / 87 / 29

HEX #B47A18

RGB 180 122 24

HSL 37.69, 0.76%, 0.4%

LAB 55.77, 14.98, 56.88

 

CMYK 0 / 36 / 97 / 36

HEX #A36805

RGB 163 104 5

HSL 37.59, 0.94%, 0.33%

LAB 49.13, 17.08, 55.44

 

CMYK 0 / 41 / 100 / 43

HEX #925600

RGB 146 86 0

HSL 35.34, 1%, 0.29%

LAB 42.41, 19.52, 51.07

 

CMYK 0 / 47 / 100 / 49

HEX #814400

RGB 129 68 0

HSL 31.63, 1%, 0.25%

LAB 35.6, 22.14, 45.56

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 0 / 50 / 78 / 23

HEX #C5622B

RGB 197 98 43

HSL 21.43, 0.64%, 0.47%

LAB 52.71, 35.86, 47.66

 

CMYK 0 / 71 / 78 / 23

HEX #C5392B

RGB 197 57 43

HSL 5.45, 0.64%, 0.47%

LAB 45.59, 54.55, 40.49

 

CMYK 0 / 78 / 78 / 23

HEX #C52B2B

RGB 197 43 43

HSL 0, 0.64%, 0.47%

LAB 43.9, 59.24, 38.73

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 0 / 8 / 78 / 23

HEX #C5B52B

RGB 197 181 43

HSL 53.77, 0.64%, 0.47%

LAB 72.95, -8.77, 66.63

 

CMYK 13 / 0 / 78 / 23

HEX #ABC52B

RGB 171 197 43

HSL 70.13, 0.64%, 0.47%

LAB 75.3, -27.83, 67.98

 

CMYK 35 / 0 / 78 / 23

HEX #81C52B

RGB 129 197 43

HSL 86.49, 0.64%, 0.47%

LAB 72.74, -44.15, 64.69

 

CMYK 55 / 0 / 78 / 23

HEX #58C52B

RGB 88 197 43

HSL 102.47, 0.64%, 0.47%

LAB 71, -57.09, 62.42

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 0 / 33 / 89 / 15

HEX #D89118

RGB 216 145 24

HSL 37.81, 0.8%, 0.47%

LAB 65.68, 18.22, 66.59

 

CMYK 0 / 36 / 98 / 8

HEX #EB9604

RGB 235 150 4

HSL 37.92, 0.97%, 0.47%

LAB 69.1, 23.43, 73.45

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 0 / 24 / 64 / 31

HEX #B1873F

RGB 177 135 63

HSL 37.89, 0.48%, 0.47%

LAB 59.01, 8.17, 43.97

 

CMYK 0 / 18 / 48 / 38

HEX #9E8252

RGB 158 130 82

HSL 37.89, 0.32%, 0.47%

LAB 55.93, 4.24, 29.92

 

CMYK 0 / 9 / 27 / 46

HEX #8A7D65

RGB 138 125 101

HSL 38.92, 0.15%, 0.47%

LAB 52.96, 0.96, 14.91

 

CMYK 2 / 1 / 0 / 53

HEX #777879

RGB 119 120 121

HSL 210, 0.01%, 0.47%

LAB 50.38, -0.17, -0.69

 

CMYK 0 / 72 / 78 / 23

HEX #C5382B

RGB 197 56 43

HSL 5.06, 0.64%, 0.47%

LAB 45.46, 54.92, 40.35

 

CMYK 0 / 51 / 78 / 23

HEX #C5612B

RGB 197 97 43

HSL 21.04, 0.64%, 0.47%

LAB 52.5, 36.38, 47.46

 

CMYK 0 / 30 / 78 / 23

HEX #C58A2B

RGB 197 138 43

HSL 37.01, 0.64%, 0.47%

LAB 61.85, 14.28, 56.44

 

CMYK 0 / 9 / 78 / 23

HEX #C5B32B

RGB 197 179 43

HSL 52.99, 0.64%, 0.47%

LAB 72.42, -7.73, 66.15

 

CMYK 12 / 0 / 78 / 23

HEX #AEC52B

RGB 174 197 43

HSL 68.96, 0.64%, 0.47%

LAB 75.52, -26.59, 68.25

 

CMYK 0 / 29 / 78 / 49

HEX #815C1C

RGB 129 92 28

HSL 38.02, 0.64%, 0.31%

LAB 41.85, 8.84, 40.69

 

CMYK 0 / 29 / 78 / 36

HEX #A37424

RGB 163 116 36

HSL 37.8, 0.64%, 0.39%

LAB 52.29, 11.08, 48.77

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 0 / 25 / 69 / 16

HEX #D6A043

RGB 214 160 67

HSL 37.96, 0.64%, 0.55%

LAB 69.36, 10.84, 54.52

 

CMYK 0 / 20 / 54 / 13

HEX #DDB165

RGB 221 177 101

HSL 38, 0.64%, 0.63%

LAB 74.67, 7.05, 44.56

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 64 / 0 / 78 / 23

HEX #47C52B

RGB 71 197 43

HSL 109.09, 0.64%, 0.47%

LAB 70.49, -61.21, 61.76

 

CMYK 61 / 78 / 0 / 23

HEX #4C2BC5

RGB 76 43 197

HSL 252.86, 0.64%, 0.47%

LAB 32.47, 54.65, -74.25

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 78 / 0 / 30 / 23

HEX #2BC58A

RGB 43 197 138

HSL 157.01, 0.64%, 0.47%

LAB 71.06, -52.59, 18.74

 

CMYK 30 / 78 / 0 / 23

HEX #8A2BC5

RGB 138 43 197

HSL 277.01, 0.64%, 0.47%

LAB 39.85, 63.55, -61.86

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 64 / 0 / 78 / 23

HEX #47C52B

RGB 71 197 43

HSL 109.09, 0.64%, 0.47%

LAB 70.49, -61.21, 61.76

 

CMYK 78 / 48 / 0 / 23

HEX #2B66C5

RGB 43 102 197

HSL 217.01, 0.64%, 0.47%

LAB 44.3, 15.15, -55.02

 

CMYK 15 / 78 / 0 / 23

HEX #A82BC5

RGB 168 43 197

HSL 288.7, 0.64%, 0.47%

LAB 44.35, 68.91, -54.36

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

CMYK 78 / 0 / 69 / 23

HEX #2BC53D

RGB 43 197 61

HSL 127.01, 0.64%, 0.47%

LAB 70.02, -64.71, 54.78

 

CMYK 78 / 48 / 0 / 23

HEX #2B66C5

RGB 43 102 197

HSL 217.01, 0.64%, 0.47%

LAB 44.3, 15.15, -55.02

 

CMYK 0 / 78 / 9 / 23

HEX #C52BB3

RGB 197 43 179

HSL 307.01, 0.64%, 0.47%

LAB 48.07, 71.75, -37.63

 

Description

Color code: HEX #C58C2B | qconv.com Color code: HEX #C58C2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 140 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 140 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 78 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 78% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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