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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5FC0C it is the complementary color #3A03F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5FC0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C5FC0C: #CAFC07, #DBFF1A, #ECFF2D, #FDFF40 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5FC0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C5FC0C: #C5FC0C, #B4EA00, #A3D800, #92C600 and #81B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 95 / 1

HEX #C5FC0C

RGB 197 252 12

HSL 73.75, 0.98%, 0.52%

LAB 92.36, -43.21, 88.27

 

Complementary color

CMYK 76 / 99 / 0 / 5

HEX #3A03F3

RGB 58 3 243

HSL 253.75, 0.98%, 0.48%

LAB 32.78, 76.64, -100.26

 

CMYK 20 / 0 / 97 / 1

HEX #CAFC07

RGB 202 252 7

HSL 72.24, 0.98%, 0.51%

LAB 92.66, -41.34, 89

 

CMYK 14 / 0 / 90 / 0

HEX #DBFF1A

RGB 219 255 26

HSL 69.43, 1%, 0.55%

LAB 94.59, -35.81, 89.09

 

CMYK 7 / 0 / 82 / 0

HEX #ECFF2D

RGB 236 255 45

HSL 65.43, 1%, 0.59%

LAB 95.81, -28.62, 87.16

 

CMYK 1 / 0 / 75 / 0

HEX #FDFF40

RGB 253 255 64

HSL 60.63, 1%, 0.63%

LAB 97.14, -21.15, 83.91

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 22 / 0 / 95 / 1

HEX #C5FC0C

RGB 197 252 12

HSL 73.75, 0.98%, 0.52%

LAB 92.36, -43.21, 88.27

 

CMYK 23 / 0 / 100 / 8

HEX #B4EA00

RGB 180 234 0

HSL 73.85, 1%, 0.46%

LAB 86.28, -42.01, 84.08

 

CMYK 25 / 0 / 100 / 15

HEX #A3D800

RGB 163 216 0

HSL 74.72, 1%, 0.42%

LAB 80.12, -40.69, 78.96

 

CMYK 26 / 0 / 100 / 22

HEX #92C600

RGB 146 198 0

HSL 75.76, 1%, 0.39%

LAB 73.87, -39.35, 73.75

 

CMYK 28 / 0 / 100 / 29

HEX #81B400

RGB 129 180 0

HSL 77, 1%, 0.35%

LAB 67.51, -38, 68.45

 

CMYK 22 / 0 / 95 / 1

HEX #C5FC0C

RGB 197 252 12

HSL 73.75, 0.98%, 0.52%

LAB 92.36, -43.21, 88.27

 

CMYK 37 / 0 / 95 / 1

HEX #A0FC0C

RGB 160 252 12

HSL 83, 0.98%, 0.52%

LAB 90.38, -56.59, 85.87

 

CMYK 52 / 0 / 95 / 1

HEX #78FC0C

RGB 120 252 12

HSL 93, 0.98%, 0.52%

LAB 88.75, -68.81, 83.89

 

CMYK 68 / 0 / 95 / 1

HEX #50FC0C

RGB 80 252 12

HSL 103, 0.98%, 0.52%

LAB 87.66, -77.85, 82.54

 

CMYK 84 / 0 / 95 / 1

HEX #28FC0C

RGB 40 252 12

HSL 113, 0.98%, 0.52%

LAB 87.05, -83.23, 81.79

 

CMYK 22 / 0 / 95 / 1

HEX #C5FC0C

RGB 197 252 12

HSL 73.75, 0.98%, 0.52%

LAB 92.36, -43.21, 88.27

 

CMYK 21 / 0 / 96 / 81

HEX #263002

RGB 38 48 2

HSL 73.04, 0.92%, 0.1%

LAB 18.06, -11.88, 24.73

 

CMYK 22 / 0 / 95 / 61

HEX #4D6305

RGB 77 99 5

HSL 74.04, 0.9%, 0.2%

LAB 38.75, -21.05, 43.68

 

CMYK 22 / 0 / 95 / 41

HEX #759607

RGB 117 150 7

HSL 73.85, 0.91%, 0.31%

LAB 57.66, -28.9, 59.54

 

CMYK 22 / 0 / 95 / 21

HEX #9DC90A

RGB 157 201 10

HSL 73.82, 0.91%, 0.41%

LAB 75.43, -36.23, 74.21

 

CMYK 22 / 0 / 95 / 1

HEX #C5FC0C

RGB 197 252 12

HSL 73.75, 0.98%, 0.52%

LAB 92.36, -43.21, 88.27

 

CMYK 95 / 0 / 56 / 1

HEX #0CFC70

RGB 12 252 112

HSL 145, 0.98%, 0.52%

LAB 87.42, -77.81, 52.64

 

CMYK 17 / 95 / 0 / 1

HEX #D00CFC

RGB 208 12 252

HSL 289, 0.98%, 0.52%

LAB 52.62, 90.17, -71.98

 

CMYK 22 / 0 / 95 / 1

HEX #C5FC0C

RGB 197 252 12

HSL 73.75, 0.98%, 0.52%

LAB 92.36, -43.21, 88.27

 

CMYK 95 / 21 / 0 / 1

HEX #0CC8FC

RGB 12 200 252

HSL 193, 0.98%, 0.52%

LAB 75.09, -23.06, -36.98

 

CMYK 0 / 95 / 21 / 1

HEX #FC0CC8

RGB 252 12 200

HSL 313, 0.98%, 0.52%

LAB 57.2, 89.99, -34.81

 

CMYK 22 / 0 / 95 / 1

HEX #C5FC0C

RGB 197 252 12

HSL 73.75, 0.98%, 0.52%

LAB 92.36, -43.21, 88.27

 

CMYK 95 / 0 / 56 / 1

HEX #0CFC70

RGB 12 252 112

HSL 145, 0.98%, 0.52%

LAB 87.42, -77.81, 52.64

 

CMYK 75 / 95 / 0 / 1

HEX #400CFC

RGB 64 12 252

HSL 253, 0.98%, 0.52%

LAB 34.76, 77.67, -102.01

 

CMYK 0 / 95 / 40 / 1

HEX #FC0C98

RGB 252 12 152

HSL 325, 0.98%, 0.52%

LAB 55.3, 85.06, -9.71

 

CMYK 22 / 0 / 95 / 1

HEX #C5FC0C

RGB 197 252 12

HSL 73.75, 0.98%, 0.52%

LAB 92.36, -43.21, 88.27

 

CMYK 95 / 0 / 27 / 1

HEX #0CFCB8

RGB 12 252 184

HSL 163, 0.98%, 0.52%

LAB 88.52, -64.88, 18.86

 

CMYK 75 / 95 / 0 / 1

HEX #400CFC

RGB 64 12 252

HSL 253, 0.98%, 0.52%

LAB 34.76, 77.67, -102.01

 

CMYK 0 / 95 / 68 / 1

HEX #FC0C50

RGB 252 12 80

HSL 343, 0.98%, 0.52%

LAB 53.53, 80.29, 31.03

 

Description

Color code: HEX #C5FC0C | qconv.com Color code: HEX #C5FC0C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 252 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 252 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 95 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 95% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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