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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5F3A2 it is the complementary color #3A0C5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5F3A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5F3A2 shade: #CAF39D, #DBFFB0, #ECFFC3, #FDFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5F3A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5F3A2 shade: #C5F3A2, #B4E18F, #A3CF7C, #92BD69 and #81AB56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5F3A2 shade: #C4F3A0, #DAF3A0, #F0F3A0, #F3DFA0 and #F3C9A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5F3A2 shade: #C4F3A0, #AEF3A0, #A0F3A9, #A0F3BF and #A0F3D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5F3A2 shade matches the following richer shades: #C4F3A0 and #C3FB98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5F3A2 shade: #C4F3A0, #C5EAA9, #C6E1B2, #C7D9BA and #C9D0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5F3A2 shade: #F0F3A0, #DAF3A0, #C4F3A0, #AEF3A0 and #A0F3A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5F3A2 shade: #96E957, #ADEE7C, #C4F3A0, #DBF7C5 and #F1FCE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5F3A2 shade: #C5F3A2, #A0F3DF and #F3A0E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5F3A2 shade: #C5F3A2, #A0C4F3 and #F3A0C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5F3A2 shade: #C5F3A2, #A0F3DF, #CFA0F3 and #F3A0B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5F3A2 shade: #C5F3A2, #A0EDF3, #CFA0F3 and #F3A6A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 33 / 5

HEX #C5F3A2

RGB 197 243 162

HSL 94.07, 0.77%, 0.79%

LAB 91.04, -28.7, 34.38

 

Complementary color

CMYK 38 / 87 / 0 / 64

HEX #3A0C5D

RGB 58 12 93

HSL 274.07, 0.77%, 0.21%

LAB 15.24, 37.1, -37.94

 

CMYK 17 / 0 / 35 / 5

HEX #CAF39D

RGB 202 243 157

HSL 88.6, 0.78%, 0.78%

LAB 91.28, -27.62, 37.24

 

CMYK 14 / 0 / 31 / 0

HEX #DBFFB0

RGB 219 255 176

HSL 87.34, 1%, 0.85%

LAB 95.88, -24.74, 34.04

 

CMYK 7 / 0 / 24 / 0

HEX #ECFFC3

RGB 236 255 195

HSL 79, 1%, 0.88%

LAB 97.35, -16.08, 26.67

 

CMYK 1 / 0 / 16 / 0

HEX #FDFFD6

RGB 253 255 214

HSL 62.93, 1%, 0.92%

LAB 98.93, -7.32, 19.41

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 19 / 0 / 33 / 5

HEX #C5F3A2

RGB 197 243 162

HSL 94.07, 0.77%, 0.79%

LAB 91.04, -28.7, 34.38

 

CMYK 20 / 0 / 36 / 12

HEX #B4E18F

RGB 180 225 143

HSL 92.93, 0.58%, 0.72%

LAB 84.76, -28.79, 35.47

 

CMYK 21 / 0 / 40 / 19

HEX #A3CF7C

RGB 163 207 124

HSL 91.81, 0.46%, 0.65%

LAB 78.38, -28.87, 36.61

 

CMYK 23 / 0 / 44 / 26

HEX #92BD69

RGB 146 189 105

HSL 90.71, 0.39%, 0.58%

LAB 71.91, -28.92, 37.79

 

CMYK 25 / 0 / 50 / 33

HEX #81AB56

RGB 129 171 86

HSL 89.65, 0.34%, 0.5%

LAB 65.33, -28.94, 38.98

 

CMYK 19 / 0 / 34 / 5

HEX #C4F3A0

RGB 196 243 160

HSL 93.98, 0.78%, 0.79%

LAB 90.95, -29.33, 35.24

 

CMYK 10 / 0 / 34 / 5

HEX #DAF3A0

RGB 218 243 160

HSL 78.07, 0.78%, 0.79%

LAB 92.37, -21.46, 37.38

 

CMYK 1 / 0 / 34 / 5

HEX #F0F3A0

RGB 240 243 160

HSL 62.17, 0.78%, 0.79%

LAB 93.95, -13.28, 39.75

 

CMYK 0 / 8 / 34 / 5

HEX #F3DFA0

RGB 243 223 160

HSL 45.54, 0.78%, 0.79%

LAB 89.1, -2.12, 33.41

 

CMYK 0 / 17 / 34 / 5

HEX #F3C9A0

RGB 243 201 160

HSL 29.64, 0.78%, 0.79%

LAB 83.63, 9.23, 26.07

 

CMYK 19 / 0 / 34 / 5

HEX #C4F3A0

RGB 196 243 160

HSL 93.98, 0.78%, 0.79%

LAB 90.95, -29.33, 35.24

 

CMYK 28 / 0 / 34 / 5

HEX #AEF3A0

RGB 174 243 160

HSL 109.88, 0.78%, 0.79%

LAB 89.69, -36.77, 33.35

 

CMYK 34 / 0 / 30 / 5

HEX #A0F3A9

RGB 160 243 169

HSL 126.51, 0.78%, 0.79%

LAB 89.13, -39.77, 27.92

 

CMYK 34 / 0 / 21 / 5

HEX #A0F3BF

RGB 160 243 191

HSL 142.41, 0.78%, 0.79%

LAB 89.55, -35.91, 17.21

 

CMYK 34 / 0 / 12 / 5

HEX #A0F3D6

RGB 160 243 214

HSL 159.04, 0.78%, 0.79%

LAB 90.06, -31.39, 6.01

 

CMYK 19 / 0 / 34 / 5

HEX #C4F3A0

RGB 196 243 160

HSL 93.98, 0.78%, 0.79%

LAB 90.95, -29.33, 35.24

 

CMYK 22 / 0 / 39 / 2

HEX #C3FB98

RGB 195 251 152

HSL 93.94, 0.93%, 0.79%

LAB 92.95, -34.44, 41.81

 

CMYK 19 / 0 / 34 / 5

HEX #C4F3A0

RGB 196 243 160

HSL 93.98, 0.78%, 0.79%

LAB 90.95, -29.33, 35.24

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA9

RGB 197 234 169

HSL 94.15, 0.61%, 0.79%

LAB 88.72, -23.41, 27.72

 

CMYK 12 / 0 / 21 / 12

HEX #C6E1B2

RGB 198 225 178

HSL 94.47, 0.44%, 0.79%

LAB 86.54, -17.27, 20.08

 

CMYK 8 / 0 / 14 / 15

HEX #C7D9BA

RGB 199 217 186

HSL 94.84, 0.29%, 0.79%

LAB 84.64, -11.6, 13.24

 

CMYK 3 / 0 / 6 / 18

HEX #C9D0C3

RGB 201 208 195

HSL 92.31, 0.12%, 0.79%

LAB 82.63, -4.74, 5.61

 

CMYK 1 / 0 / 34 / 5

HEX #F0F3A0

RGB 240 243 160

HSL 62.17, 0.78%, 0.79%

LAB 93.95, -13.28, 39.75

 

CMYK 10 / 0 / 34 / 5

HEX #DAF3A0

RGB 218 243 160

HSL 78.07, 0.78%, 0.79%

LAB 92.37, -21.46, 37.38

 

CMYK 19 / 0 / 34 / 5

HEX #C4F3A0

RGB 196 243 160

HSL 93.98, 0.78%, 0.79%

LAB 90.95, -29.33, 35.24

 

CMYK 28 / 0 / 34 / 5

HEX #AEF3A0

RGB 174 243 160

HSL 109.88, 0.78%, 0.79%

LAB 89.69, -36.77, 33.35

 

CMYK 34 / 0 / 31 / 5

HEX #A0F3A8

RGB 160 243 168

HSL 125.78, 0.78%, 0.79%

LAB 89.11, -39.94, 28.4

 

CMYK 36 / 0 / 63 / 9

HEX #96E957

RGB 150 233 87

HSL 94.11, 0.77%, 0.63%

LAB 84.72, -48.98, 61.18

 

CMYK 27 / 0 / 48 / 7

HEX #ADEE7C

RGB 173 238 124

HSL 94.21, 0.77%, 0.71%

LAB 87.72, -39.59, 48.46

 

CMYK 19 / 0 / 34 / 5

HEX #C4F3A0

RGB 196 243 160

HSL 93.98, 0.78%, 0.79%

LAB 90.95, -29.33, 35.24

 

CMYK 11 / 0 / 20 / 3

HEX #DBF7C5

RGB 219 247 197

HSL 93.6, 0.76%, 0.87%

LAB 94.15, -17.81, 21.05

 

CMYK 4 / 0 / 8 / 1

HEX #F1FCE9

RGB 241 252 233

HSL 94.74, 0.76%, 0.95%

LAB 97.71, -6.93, 7.84

 

CMYK 19 / 0 / 33 / 5

HEX #C5F3A2

RGB 197 243 162

HSL 94.07, 0.77%, 0.79%

LAB 91.04, -28.7, 34.38

 

CMYK 34 / 0 / 8 / 5

HEX #A0F3DF

RGB 160 243 223

HSL 165.54, 0.78%, 0.79%

LAB 90.28, -29.49, 1.64

 

CMYK 0 / 34 / 6 / 5

HEX #F3A0E5

RGB 243 160 229

HSL 310.12, 0.78%, 0.79%

LAB 75.98, 41.04, -22.18

 

CMYK 19 / 0 / 33 / 5

HEX #C5F3A2

RGB 197 243 162

HSL 94.07, 0.77%, 0.79%

LAB 91.04, -28.7, 34.38

 

CMYK 34 / 19 / 0 / 5

HEX #A0C4F3

RGB 160 196 243

HSL 213.98, 0.78%, 0.79%

LAB 78.12, -0.97, -27.1

 

CMYK 0 / 34 / 19 / 5

HEX #F3A0C4

RGB 243 160 196

HSL 333.98, 0.78%, 0.79%

LAB 74.94, 35.74, -5.7

 

CMYK 19 / 0 / 33 / 5

HEX #C5F3A2

RGB 197 243 162

HSL 94.07, 0.77%, 0.79%

LAB 91.04, -28.7, 34.38

 

CMYK 34 / 0 / 8 / 5

HEX #A0F3DF

RGB 160 243 223

HSL 165.54, 0.78%, 0.79%

LAB 90.28, -29.49, 1.64

 

CMYK 15 / 34 / 0 / 5

HEX #CFA0F3

RGB 207 160 243

HSL 273.98, 0.78%, 0.79%

LAB 72.81, 32.53, -34.98

 

CMYK 0 / 34 / 26 / 5

HEX #F3A0B3

RGB 243 160 179

HSL 346.27, 0.78%, 0.79%

LAB 74.48, 33.3, 2.97

 

CMYK 19 / 0 / 33 / 5

HEX #C5F3A2

RGB 197 243 162

HSL 94.07, 0.77%, 0.79%

LAB 91.04, -28.7, 34.38

 

CMYK 34 / 2 / 0 / 5

HEX #A0EDF3

RGB 160 237 243

HSL 184.34, 0.78%, 0.79%

LAB 89.16, -22.1, -10.44

 

CMYK 15 / 34 / 0 / 5

HEX #CFA0F3

RGB 207 160 243

HSL 273.98, 0.78%, 0.79%

LAB 72.81, 32.53, -34.98

 

CMYK 0 / 32 / 34 / 5

HEX #F3A6A0

RGB 243 166 160

HSL 4.34, 0.78%, 0.79%

LAB 75.37, 27.68, 14.66

 

Description

Color code: HEX #C5F3A2 | qconv.com Color code: HEX #C5F3A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 243 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 243 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 33% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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