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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 34 / 0 / 5 it is the complementary color CMYK 48 / 0 / 86 / 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 34 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 34 / 0 / 5: CMYK 11 / 32 / 0 / 7, CMYK 11 / 30 / 0 / 0, CMYK 4 / 23 / 0 / 0, CMYK 0 / 16 / 0 / 0 and CMYK 0 / 9 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 34 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 34 / 0 / 5: CMYK 15 / 34 / 0 / 5, CMYK 15 / 36 / 0 / 13, CMYK 16 / 39 / 0 / 20, CMYK 16 / 43 / 0 / 27 and CMYK 17 / 47 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 34 / 0 / 5

HEX #CEA0F2

RGB 206 160 242

HSL 273.66, 0.76%, 0.79%

LAB 72.68, 32.02, -34.65

 

Complementary color

CMYK 48 / 0 / 86 / 63

HEX #315F0D

RGB 49 95 13

HSL 93.66, 0.76%, 0.21%

LAB 35.73, -30.37, 38.18

 

CMYK 11 / 32 / 0 / 7

HEX #D3A0ED

RGB 211 160 237

HSL 279.74, 0.68%, 0.78%

LAB 72.96, 32.5, -31.45

 

CMYK 11 / 30 / 0 / 0

HEX #E4B2FF

RGB 228 178 255

HSL 278.96, 1%, 0.85%

LAB 79.36, 31.65, -31.19

 

CMYK 4 / 23 / 0 / 0

HEX #F5C4FF

RGB 245 196 255

HSL 289.83, 1%, 0.88%

LAB 85.05, 27.38, -22.35

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 15 / 34 / 0 / 5

HEX #CEA0F2

RGB 206 160 242

HSL 273.66, 0.76%, 0.79%

LAB 72.68, 32.02, -34.65

 

CMYK 15 / 36 / 0 / 13

HEX #BD8EDF

RGB 189 142 223

HSL 274.81, 0.56%, 0.72%

LAB 66.13, 32.72, -34.51

 

CMYK 16 / 39 / 0 / 20

HEX #AC7CCC

RGB 172 124 204

HSL 276, 0.44%, 0.64%

LAB 59.48, 33.46, -34.38

 

CMYK 16 / 43 / 0 / 27

HEX #9B6AB9

RGB 155 106 185

HSL 277.22, 0.36%, 0.57%

LAB 52.71, 34.26, -34.24

 

CMYK 17 / 47 / 0 / 35

HEX #8A58A6

RGB 138 88 166

HSL 278.46, 0.31%, 0.5%

LAB 45.82, 35.1, -34.1

 

CMYK 15 / 34 / 0 / 5

HEX #CEA0F2

RGB 206 160 242

HSL 273.66, 0.76%, 0.79%

LAB 72.68, 32.02, -34.65

 

CMYK 10 / 34 / 0 / 5

HEX #DBA0F2

RGB 219 160 242

HSL 283.17, 0.76%, 0.79%

LAB 73.94, 35.96, -32.59

 

CMYK 4 / 34 / 0 / 5

HEX #E8A0F2

RGB 232 160 242

HSL 292.68, 0.76%, 0.79%

LAB 75.27, 39.94, -30.44

 

CMYK 0 / 34 / 2 / 5

HEX #F2A0EE

RGB 242 160 238

HSL 302.93, 0.76%, 0.79%

LAB 76.19, 42.3, -26.77

 

CMYK 0 / 34 / 7 / 5

HEX #F2A0E0

RGB 242 160 224

HSL 313.17, 0.76%, 0.79%

LAB 75.7, 39.87, -19.89

 

CMYK 15 / 34 / 0 / 5

HEX #CEA0F2

RGB 206 160 242

HSL 273.66, 0.76%, 0.79%

LAB 72.68, 32.02, -34.65

 

CMYK 16 / 34 / 0 / 85

HEX #201926

RGB 32 25 38

HSL 272.31, 0.21%, 0.12%

LAB 10.12, 6.76, -7.6

 

CMYK 15 / 34 / 0 / 65

HEX #4C3B59

RGB 76 59 89

HSL 274, 0.2%, 0.29%

LAB 27.81, 14.04, -15.17

 

CMYK 15 / 34 / 0 / 45

HEX #775D8C

RGB 119 93 140

HSL 273.19, 0.2%, 0.46%

LAB 43.72, 20.13, -22.05

 

CMYK 15 / 34 / 0 / 25

HEX #A37EBF

RGB 163 126 191

HSL 274.15, 0.34%, 0.62%

LAB 58.48, 26.69, -28.63

 

CMYK 15 / 34 / 0 / 5

HEX #CEA0F2

RGB 206 160 242

HSL 273.66, 0.76%, 0.79%

LAB 72.68, 32.02, -34.65

 

CMYK 0 / 34 / 25 / 5

HEX #F2A0B5

RGB 242 160 181

HSL 344.63, 0.76%, 0.79%

LAB 74.42, 33.22, 1.77

 

CMYK 34 / 0 / 29 / 5

HEX #A0F2AC

RGB 160 242 172

HSL 128.78, 0.76%, 0.79%

LAB 88.9, -38.83, 26.08

 

CMYK 15 / 34 / 0 / 5

HEX #CEA0F2

RGB 206 160 242

HSL 273.66, 0.76%, 0.79%

LAB 72.68, 32.02, -34.65

 

CMYK 0 / 15 / 34 / 5

HEX #F2CDA0

RGB 242 205 160

HSL 32.93, 0.76%, 0.79%

LAB 84.52, 6.76, 27.26

 

CMYK 34 / 0 / 15 / 5

HEX #A0F2CD

RGB 160 242 205

HSL 152.93, 0.76%, 0.79%

LAB 89.57, -32.75, 9.99

 

CMYK 15 / 34 / 0 / 5

HEX #CEA0F2

RGB 206 160 242

HSL 273.66, 0.76%, 0.79%

LAB 72.68, 32.02, -34.65

 

CMYK 0 / 34 / 25 / 5

HEX #F2A0B5

RGB 242 160 181

HSL 344.63, 0.76%, 0.79%

LAB 74.42, 33.22, 1.77

 

CMYK 19 / 0 / 34 / 5

HEX #C5F2A0

RGB 197 242 160

HSL 92.93, 0.76%, 0.79%

LAB 90.74, -28.51, 34.98

 

CMYK 34 / 0 / 9 / 5

HEX #A0F2DD

RGB 160 242 221

HSL 164.63, 0.76%, 0.79%

LAB 89.95, -29.44, 2.21

 

CMYK 15 / 34 / 0 / 5

HEX #CEA0F2

RGB 206 160 242

HSL 273.66, 0.76%, 0.79%

LAB 72.68, 32.02, -34.65

 

CMYK 0 / 32 / 34 / 5

HEX #F2A4A0

RGB 242 164 160

HSL 2.93, 0.76%, 0.79%

LAB 74.8, 28.37, 13.86

 

CMYK 19 / 0 / 34 / 5

HEX #C5F2A0

RGB 197 242 160

HSL 92.93, 0.76%, 0.79%

LAB 90.74, -28.51, 34.98

 

CMYK 34 / 2 / 0 / 5

HEX #A0EEF2

RGB 160 238 242

HSL 182.93, 0.76%, 0.79%

LAB 89.41, -22.83, -9.55

 

Description

Color code: CMYK 15 / 34 / 0 / 5 | qconv.com Color code: CMYK 15 / 34 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 160 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 160 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 34 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 34% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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