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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E401 it is the complementary color #3A1BFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E401. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E401 shade: #CAE400, #DBF60F, #ECFF22, #FDFF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E401. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E401 shade: #C5E401, #B4D200, #A3C000, #92AE00 and #819C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E401 shade: #C5E401, #E4C601, #E48801, #E44B01 and #E40E01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E401 shade: #C5E401, #88E401, #4AE401, #0DE401 and #01E432

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E401 shade matches the following richer shades: #C5E401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E401 shade: #C5E401, #B7D113, #AABF26, #9CAC38 and #8F9A4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E401 shade: #E48901, #E4C601, #C6E401, #89E401 and #4CE401

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E401 shade: #7E9200, #A1BB00, #C5E401, #DDFD10 and #E3FE3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E401 shade: #C5E401, #01E44C and #A701E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E401 shade: #C5E401, #01C6E4 and #E401C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E401 shade: #C5E401, #01E44C, #1F01E4 and #E40198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E401 shade: #C5E401, #01E491, #1F01E4 and #E40154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

Complementary color

CMYK 77 / 89 / 0 / 0

HEX #3A1BFE

RGB 58 27 254

HSL 248.19, 0.99%, 0.55%

LAB 35.67, 74.8, -101.63

 

CMYK 11 / 0 / 100 / 11

HEX #CAE400

RGB 202 228 0

HSL 66.84, 1%, 0.45%

LAB 86.03, -30.57, 84.52

 

CMYK 11 / 0 / 94 / 4

HEX #DBF60F

RGB 219 246 15

HSL 67.01, 0.93%, 0.51%

LAB 92.13, -31.87, 88.45

 

CMYK 7 / 0 / 87 / 0

HEX #ECFF22

RGB 236 255 34

HSL 65.16, 1%, 0.57%

LAB 95.78, -28.89, 89.29

 

CMYK 1 / 0 / 79 / 0

HEX #FDFF35

RGB 253 255 53

HSL 60.59, 1%, 0.6%

LAB 97.09, -21.53, 86.87

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 14 / 0 / 100 / 18

HEX #B4D200

RGB 180 210 0

HSL 68.57, 1%, 0.41%

LAB 79.5, -31.19, 78.96

 

CMYK 15 / 0 / 100 / 25

HEX #A3C000

RGB 163 192 0

HSL 69.06, 1%, 0.38%

LAB 73.21, -29.75, 73.73

 

CMYK 16 / 0 / 100 / 32

HEX #92AE00

RGB 146 174 0

HSL 69.66, 1%, 0.34%

LAB 66.81, -28.3, 68.4

 

CMYK 17 / 0 / 100 / 39

HEX #819C00

RGB 129 156 0

HSL 70.38, 1%, 0.31%

LAB 60.29, -26.84, 62.97

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 0 / 13 / 100 / 11

HEX #E4C601

RGB 228 198 1

HSL 52.07, 0.99%, 0.45%

LAB 80.11, -4.84, 81.06

 

CMYK 0 / 40 / 100 / 11

HEX #E48801

RGB 228 136 1

HSL 35.68, 0.99%, 0.45%

LAB 65.05, 27.86, 70.79

 

CMYK 0 / 67 / 100 / 11

HEX #E44B01

RGB 228 75 1

HSL 19.56, 0.99%, 0.45%

LAB 53.52, 57.06, 64.07

 

CMYK 0 / 94 / 100 / 11

HEX #E40E01

RGB 228 14 1

HSL 3.44, 0.99%, 0.45%

LAB 48.02, 72.46, 61.61

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 40 / 0 / 100 / 11

HEX #88E401

RGB 136 228 1

HSL 84.32, 0.99%, 0.45%

LAB 82.23, -55.38, 79.88

 

CMYK 68 / 0 / 100 / 11

HEX #4AE401

RGB 74 228 1

HSL 100.7, 0.99%, 0.45%

LAB 80.15, -71.85, 77.35

 

CMYK 94 / 0 / 100 / 11

HEX #0DE401

RGB 13 228 1

HSL 116.83, 0.99%, 0.45%

LAB 79.37, -78.73, 76.4

 

CMYK 100 / 0 / 78 / 11

HEX #01E432

RGB 1 228 50

HSL 132.95, 0.99%, 0.45%

LAB 79.46, -77.45, 67.95

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 12 / 0 / 91 / 18

HEX #B7D113

RGB 183 209 19

HSL 68.21, 0.83%, 0.45%

LAB 79.45, -29.25, 77.02

 

CMYK 11 / 0 / 80 / 25

HEX #AABF26

RGB 170 191 38

HSL 68.24, 0.67%, 0.45%

LAB 73.51, -25.55, 67.77

 

CMYK 9 / 0 / 67 / 33

HEX #9CAC38

RGB 156 172 56

HSL 68.28, 0.51%, 0.45%

LAB 67.17, -21.21, 55.26

 

CMYK 7 / 0 / 51 / 40

HEX #8F9A4B

RGB 143 154 75

HSL 68.35, 0.34%, 0.45%

LAB 61.18, -15.99, 39.73

 

CMYK 0 / 40 / 100 / 11

HEX #E48901

RGB 228 137 1

HSL 35.95, 0.99%, 0.45%

LAB 65.27, 27.33, 70.93

 

CMYK 0 / 13 / 100 / 11

HEX #E4C601

RGB 228 198 1

HSL 52.07, 0.99%, 0.45%

LAB 80.11, -4.84, 81.06

 

CMYK 13 / 0 / 100 / 11

HEX #C6E401

RGB 198 228 1

HSL 67.93, 0.99%, 0.45%

LAB 85.75, -32.19, 84.11

 

CMYK 40 / 0 / 100 / 11

HEX #89E401

RGB 137 228 1

HSL 84.05, 0.99%, 0.45%

LAB 82.28, -55.05, 79.93

 

CMYK 67 / 0 / 100 / 11

HEX #4CE401

RGB 76 228 1

HSL 100.18, 0.99%, 0.45%

LAB 80.19, -71.46, 77.41

 

CMYK 14 / 0 / 100 / 43

HEX #7E9200

RGB 126 146 0

HSL 68.22, 1%, 0.29%

LAB 57.07, -23.2, 60.46

 

CMYK 14 / 0 / 100 / 27

HEX #A1BB00

RGB 161 187 0

HSL 68.34, 1%, 0.37%

LAB 71.63, -28.21, 72.49

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 13 / 0 / 94 / 1

HEX #DDFD10

RGB 221 253 16

HSL 68.1, 0.98%, 0.53%

LAB 94.17, -34.26, 89.98

 

CMYK 11 / 0 / 77 / 0

HEX #E3FE3A

RGB 227 254 58

HSL 68.27, 0.99%, 0.61%

LAB 94.96, -31.33, 82.95

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 100 / 0 / 67 / 11

HEX #01E44C

RGB 1 228 76

HSL 139.82, 0.99%, 0.45%

LAB 79.62, -75.32, 59.07

 

CMYK 27 / 100 / 0 / 11

HEX #A701E4

RGB 167 1 228

HSL 283.88, 0.99%, 0.45%

LAB 44, 81.62, -72.78

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 100 / 13 / 0 / 11

HEX #01C6E4

RGB 1 198 228

HSL 187.93, 0.99%, 0.45%

LAB 73.54, -30.3, -26.44

 

CMYK 0 / 100 / 13 / 11

HEX #E401C6

RGB 228 1 198

HSL 307.93, 0.99%, 0.45%

LAB 52.5, 86.17, -41.35

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 100 / 0 / 67 / 11

HEX #01E44C

RGB 1 228 76

HSL 139.82, 0.99%, 0.45%

LAB 79.62, -75.32, 59.07

 

CMYK 86 / 100 / 0 / 11

HEX #1F01E4

RGB 31 1 228

HSL 247.93, 0.99%, 0.45%

LAB 29.2, 72.84, -97.74

 

CMYK 0 / 100 / 33 / 11

HEX #E40198

RGB 228 1 152

HSL 320.09, 0.99%, 0.45%

LAB 50.43, 80.94, -17.52

 

CMYK 14 / 0 / 100 / 11

HEX #C5E401

RGB 197 228 1

HSL 68.19, 0.99%, 0.45%

LAB 85.69, -32.6, 84.03

 

CMYK 100 / 0 / 36 / 11

HEX #01E491

RGB 1 228 145

HSL 158.06, 0.99%, 0.45%

LAB 80.48, -64.92, 27.84

 

CMYK 86 / 100 / 0 / 11

HEX #1F01E4

RGB 31 1 228

HSL 247.93, 0.99%, 0.45%

LAB 29.2, 72.84, -97.74

 

CMYK 0 / 100 / 63 / 11

HEX #E40154

RGB 228 1 84

HSL 338.06, 0.99%, 0.45%

LAB 48.46, 75.73, 21.11

 

Description

Color code: HEX #C5E401 | qconv.com Color code: HEX #C5E401 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 228 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 228 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 100 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 100% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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