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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E124 it is the complementary color #3A1EDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E124 shade: #CAE11F, #DBF332, #ECFF45, #FDFF58 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E124 shade: #C5E124, #B4CF11, #A3BD00, #92AB00 and #819900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E124 shade: #C4E123, #E1C923, #E19623, #E16323 and #E13023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E124 shade: #C4E123, #91E123, #5EE123, #2BE123 and #23E14E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E124 shade matches the following richer shades: #C4E123 and #D3F50E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E124 shade: #C4E123, #B6CC37, #A8B84B, #9AA45F and #8B9073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E124 shade: #E19523, #E1C723, #C7E123, #95E123 and #62E123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E124 shade: #889C15, #A7C01A, #C4E123, #CEE547 and #D8EA6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E124 shade: #C5E124, #23E162 and #AE23E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E124 shade: #C5E124, #23C7E1 and #E123C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E124 shade: #C5E124, #23E162, #3C23E1 and #E123A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E124 shade: #C5E124, #23E19B, #3C23E1 and #E12368

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 84 / 12

HEX #C5E124

RGB 197 225 36

HSL 68.89, 0.76%, 0.51%

LAB 84.92, -30.64, 78.83

 

Complementary color

CMYK 74 / 86 / 0 / 14

HEX #3A1EDB

RGB 58 30 219

HSL 248.89, 0.76%, 0.49%

LAB 31.68, 64.67, -88.39

 

CMYK 10 / 0 / 86 / 12

HEX #CAE11F

RGB 202 225 31

HSL 67.11, 0.76%, 0.5%

LAB 85.25, -28.74, 80.26

 

CMYK 10 / 0 / 79 / 5

HEX #DBF332

RGB 219 243 50

HSL 67.46, 0.89%, 0.57%

LAB 91.41, -29.72, 81.71

 

CMYK 7 / 0 / 73 / 0

HEX #ECFF45

RGB 236 255 69

HSL 66.13, 1%, 0.64%

LAB 95.91, -27.78, 80.8

 

CMYK 1 / 0 / 65 / 0

HEX #FDFF58

RGB 253 255 88

HSL 60.72, 1%, 0.67%

LAB 97.27, -20.06, 76.03

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 12 / 0 / 84 / 12

HEX #C5E124

RGB 197 225 36

HSL 68.89, 0.76%, 0.51%

LAB 84.92, -30.64, 78.83

 

CMYK 13 / 0 / 92 / 19

HEX #B4CF11

RGB 180 207 17

HSL 68.53, 0.85%, 0.44%

LAB 78.68, -29.57, 76.6

 

CMYK 14 / 0 / 100 / 26

HEX #A3BD00

RGB 163 189 0

HSL 68.25, 1%, 0.37%

LAB 72.35, -28.33, 73.08

 

CMYK 15 / 0 / 100 / 33

HEX #92AB00

RGB 146 171 0

HSL 68.77, 1%, 0.34%

LAB 65.93, -26.86, 67.74

 

CMYK 16 / 0 / 100 / 40

HEX #819900

RGB 129 153 0

HSL 69.41, 1%, 0.3%

LAB 59.39, -25.37, 62.29

 

CMYK 13 / 0 / 84 / 12

HEX #C4E123

RGB 196 225 35

HSL 69.16, 0.76%, 0.51%

LAB 84.85, -31.08, 78.96

 

CMYK 0 / 11 / 84 / 12

HEX #E1C923

RGB 225 201 35

HSL 52.42, 0.76%, 0.51%

LAB 80.68, -7.17, 76.42

 

CMYK 0 / 33 / 84 / 12

HEX #E19623

RGB 225 150 35

HSL 36.32, 0.76%, 0.51%

LAB 67.98, 19.65, 65.88

 

CMYK 0 / 56 / 84 / 12

HEX #E16323

RGB 225 99 35

HSL 20.21, 0.76%, 0.51%

LAB 57.13, 45.95, 56.74

 

CMYK 0 / 79 / 84 / 12

HEX #E13023

RGB 225 48 35

HSL 4.11, 0.76%, 0.51%

LAB 49.79, 65.75, 50.43

 

CMYK 13 / 0 / 84 / 12

HEX #C4E123

RGB 196 225 35

HSL 69.16, 0.76%, 0.51%

LAB 84.85, -31.08, 78.96

 

CMYK 36 / 0 / 84 / 12

HEX #91E123

RGB 145 225 35

HSL 85.26, 0.76%, 0.51%

LAB 81.83, -50.45, 75.2

 

CMYK 58 / 0 / 84 / 12

HEX #5EE123

RGB 94 225 35

HSL 101.37, 0.76%, 0.51%

LAB 79.81, -65.72, 72.65

 

CMYK 81 / 0 / 84 / 12

HEX #2BE123

RGB 43 225 35

HSL 117.47, 0.76%, 0.51%

LAB 78.74, -74.8, 71.29

 

CMYK 84 / 0 / 65 / 12

HEX #23E14E

RGB 35 225 78

HSL 133.58, 0.76%, 0.51%

LAB 78.9, -72.48, 57.54

 

CMYK 13 / 0 / 84 / 12

HEX #C4E123

RGB 196 225 35

HSL 69.16, 0.76%, 0.51%

LAB 84.85, -31.08, 78.96

 

CMYK 14 / 0 / 94 / 4

HEX #D3F50E

RGB 211 245 14

HSL 68.83, 0.92%, 0.51%

LAB 91.32, -34.63, 87.68

 

CMYK 13 / 0 / 84 / 12

HEX #C4E123

RGB 196 225 35

HSL 69.16, 0.76%, 0.51%

LAB 84.85, -31.08, 78.96

 

CMYK 11 / 0 / 73 / 20

HEX #B6CC37

RGB 182 204 55

HSL 68.86, 0.59%, 0.51%

LAB 78.11, -26.12, 67.1

 

CMYK 9 / 0 / 59 / 28

HEX #A8B84B

RGB 168 184 75

HSL 68.81, 0.43%, 0.51%

LAB 71.63, -20.85, 52.21

 

CMYK 6 / 0 / 42 / 36

HEX #9AA45F

RGB 154 164 95

HSL 68.7, 0.27%, 0.51%

LAB 65.16, -14.5, 34.55

 

CMYK 3 / 0 / 20 / 44

HEX #8B9073

RGB 139 144 115

HSL 70.34, 0.12%, 0.51%

LAB 58.67, -7.08, 14.83

 

CMYK 0 / 34 / 84 / 12

HEX #E19523

RGB 225 149 35

HSL 36, 0.76%, 0.51%

LAB 67.74, 20.19, 65.69

 

CMYK 0 / 12 / 84 / 12

HEX #E1C723

RGB 225 199 35

HSL 51.79, 0.76%, 0.51%

LAB 80.17, -6.15, 76

 

CMYK 12 / 0 / 84 / 12

HEX #C7E123

RGB 199 225 35

HSL 68.21, 0.76%, 0.51%

LAB 85.05, -29.86, 79.22

 

CMYK 34 / 0 / 84 / 12

HEX #95E123

RGB 149 225 35

HSL 84, 0.76%, 0.51%

LAB 82.03, -49.05, 75.45

 

CMYK 56 / 0 / 84 / 12

HEX #62E123

RGB 98 225 35

HSL 100.11, 0.76%, 0.51%

LAB 79.94, -64.72, 72.8

 

CMYK 13 / 0 / 87 / 39

HEX #889C15

RGB 136 156 21

HSL 68.89, 0.76%, 0.35%

LAB 60.84, -23.39, 60.15

 

CMYK 13 / 0 / 86 / 25

HEX #A7C01A

RGB 167 192 26

HSL 69.04, 0.76%, 0.43%

LAB 73.54, -27.65, 70.57

 

CMYK 13 / 0 / 84 / 12

HEX #C4E123

RGB 196 225 35

HSL 69.16, 0.76%, 0.51%

LAB 84.85, -31.08, 78.96

 

CMYK 10 / 0 / 69 / 10

HEX #CEE547

RGB 206 229 71

HSL 68.73, 0.75%, 0.59%

LAB 86.81, -27.47, 70.58

 

CMYK 8 / 0 / 54 / 8

HEX #D8EA6B

RGB 216 234 107

HSL 68.5, 0.75%, 0.67%

LAB 89.16, -23.42, 58.67

 

CMYK 12 / 0 / 84 / 12

HEX #C5E124

RGB 197 225 36

HSL 68.89, 0.76%, 0.51%

LAB 84.92, -30.64, 78.83

 

CMYK 84 / 0 / 56 / 12

HEX #23E162

RGB 35 225 98

HSL 139.89, 0.76%, 0.51%

LAB 79.09, -70.12, 49.11

 

CMYK 23 / 84 / 0 / 12

HEX #AE23E1

RGB 174 35 225

HSL 283.89, 0.76%, 0.51%

LAB 46.49, 77.18, -66.96

 

CMYK 12 / 0 / 84 / 12

HEX #C5E124

RGB 197 225 36

HSL 68.89, 0.76%, 0.51%

LAB 84.92, -30.64, 78.83

 

CMYK 84 / 12 / 0 / 12

HEX #23C7E1

RGB 35 199 225

HSL 188.21, 0.76%, 0.51%

LAB 73.96, -30.38, -24.16

 

CMYK 0 / 84 / 12 / 12

HEX #E123C7

RGB 225 35 199

HSL 308.21, 0.76%, 0.51%

LAB 53.31, 81.96, -40.68

 

CMYK 12 / 0 / 84 / 12

HEX #C5E124

RGB 197 225 36

HSL 68.89, 0.76%, 0.51%

LAB 84.92, -30.64, 78.83

 

CMYK 84 / 0 / 56 / 12

HEX #23E162

RGB 35 225 98

HSL 139.89, 0.76%, 0.51%

LAB 79.09, -70.12, 49.11

 

CMYK 73 / 84 / 0 / 12

HEX #3C23E1

RGB 60 35 225

HSL 247.89, 0.76%, 0.51%

LAB 33.13, 64.61, -89.41

 

CMYK 0 / 84 / 28 / 12

HEX #E123A1

RGB 225 35 161

HSL 320.21, 0.76%, 0.51%

LAB 51.59, 77.28, -21.16

 

CMYK 12 / 0 / 84 / 12

HEX #C5E124

RGB 197 225 36

HSL 68.89, 0.76%, 0.51%

LAB 84.92, -30.64, 78.83

 

CMYK 84 / 0 / 31 / 12

HEX #23E19B

RGB 35 225 155

HSL 157.89, 0.76%, 0.51%

LAB 79.94, -60.22, 21.98

 

CMYK 73 / 84 / 0 / 12

HEX #3C23E1

RGB 60 35 225

HSL 247.89, 0.76%, 0.51%

LAB 33.13, 64.61, -89.41

 

CMYK 0 / 84 / 54 / 12

HEX #E12368

RGB 225 35 104

HSL 338.21, 0.76%, 0.51%

LAB 49.75, 72.06, 10.5

 

Description

Color code: HEX #C5E124 | qconv.com Color code: HEX #C5E124 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 225 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 225 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 84 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 84% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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