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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A1EDB it is the complementary color #C5E124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A1EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A1EDB shade: #3F1ED6, #5030E9, #6142FC, #7254FF and #8366FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A1EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A1EDB shade: #3A1EDB, #290CC8, #1800B5, #0700A2 and #00008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A1EDB shade: #3A1DDB, #6D1DDB, #A01DDB, #D31DDB and #DB1DB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A1EDB shade: #3A1DDB and #1D1DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A1EDB shade matches the following richer shades: #3A1DDB and #2B09F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A1EDB shade: #3A1DDB, #4832C7, #5646B3, #645A9F and #736E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A1EDB shade: #1D69DB, #1D37DB, #371DDB, #691DDB and #9C1DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A1EDB shade: #261493, #3019B7, #3A1DDB, #573EE4 and #7662E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A1EDB shade: #3A1EDB, #DB1D9C and #50DB1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A1EDB shade: #3A1EDB, #DB371D and #1DDB37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A1EDB shade: #3A1EDB, #DB1D9C, #C2DB1D and #1DDB5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A1EDB shade: #3A1EDB, #DB1D63, #C2DB1D and #1DDB96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 86 / 0 / 14

HEX #3A1EDB

RGB 58 30 219

HSL 248.89, 0.76%, 0.49%

LAB 31.68, 64.67, -88.39

 

Complementary color

CMYK 12 / 0 / 84 / 12

HEX #C5E124

RGB 197 225 36

HSL 68.89, 0.76%, 0.51%

LAB 84.92, -30.64, 78.83

 

CMYK 71 / 86 / 0 / 16

HEX #3F1ED6

RGB 63 30 214

HSL 250.76, 0.75%, 0.48%

LAB 31.44, 63.61, -85.88

 

CMYK 66 / 79 / 0 / 9

HEX #5030E9

RGB 80 48 233

HSL 250.38, 0.81%, 0.55%

LAB 37.3, 62.97, -87.02

 

CMYK 62 / 74 / 0 / 1

HEX #6142FC

RGB 97 66 252

HSL 250, 0.97%, 0.62%

LAB 43.46, 61.71, -87.52

 

CMYK 55 / 67 / 0 / 0

HEX #7254FF

RGB 114 84 255

HSL 250.53, 1%, 0.66%

LAB 48.43, 55.59, -80.97

 

CMYK 49 / 60 / 0 / 0

HEX #8366FF

RGB 131 102 255

HSL 251.37, 1%, 0.7%

LAB 53.54, 48.66, -72.59

 

CMYK 74 / 86 / 0 / 14

HEX #3A1EDB

RGB 58 30 219

HSL 248.89, 0.76%, 0.49%

LAB 31.68, 64.67, -88.39

 

CMYK 80 / 94 / 0 / 22

HEX #290CC8

RGB 41 12 200

HSL 249.26, 0.89%, 0.42%

LAB 26.46, 64.07, -86.06

 

CMYK 87 / 100 / 0 / 29

HEX #1800B5

RGB 24 0 181

HSL 247.96, 1%, 0.35%

LAB 22.05, 61.46, -82.18

 

CMYK 96 / 100 / 0 / 36

HEX #0700A2

RGB 7 0 162

HSL 242.59, 1%, 0.32%

LAB 18.6, 56.47, -76.49

 

CMYK 100 / 100 / 0 / 44

HEX #00008F

RGB 0 0 143

HSL 240, 1%, 0.28%

LAB 15.4, 51.48, -70.12

 

CMYK 74 / 87 / 0 / 14

HEX #3A1DDB

RGB 58 29 219

HSL 249.16, 0.77%, 0.49%

LAB 31.56, 65.02, -88.58

 

CMYK 50 / 87 / 0 / 14

HEX #6D1DDB

RGB 109 29 219

HSL 265.26, 0.77%, 0.49%

LAB 36.45, 68.98, -80.33

 

CMYK 27 / 87 / 0 / 14

HEX #A01DDB

RGB 160 29 219

HSL 281.37, 0.77%, 0.49%

LAB 43.46, 75.31, -68.57

 

CMYK 4 / 87 / 0 / 14

HEX #D31DDB

RGB 211 29 219

HSL 297.47, 0.77%, 0.49%

LAB 51.66, 83.34, -54.92

 

CMYK 0 / 87 / 20 / 14

HEX #DB1DB0

RGB 219 29 176

HSL 313.58, 0.77%, 0.49%

LAB 50.77, 78.87, -31.36

 

CMYK 74 / 87 / 0 / 14

HEX #3A1DDB

RGB 58 29 219

HSL 249.16, 0.77%, 0.49%

LAB 31.56, 65.02, -88.58

 

CMYK 87 / 87 / 0 / 14

HEX #1D1DDB

RGB 29 29 219

HSL 240, 0.77%, 0.49%

LAB 30.05, 63.89, -91.15

 

CMYK 74 / 87 / 0 / 14

HEX #3A1DDB

RGB 58 29 219

HSL 249.16, 0.77%, 0.49%

LAB 31.56, 65.02, -88.58

 

CMYK 82 / 96 / 0 / 6

HEX #2B09F0

RGB 43 9 240

HSL 248.83, 0.93%, 0.49%

LAB 31.81, 74.66, -100.2

 

CMYK 74 / 87 / 0 / 14

HEX #3A1DDB

RGB 58 29 219

HSL 249.16, 0.77%, 0.49%

LAB 31.56, 65.02, -88.58

 

CMYK 64 / 75 / 0 / 22

HEX #4832C7

RGB 72 50 199

HSL 248.86, 0.6%, 0.49%

LAB 33.53, 51.35, -73.69

 

CMYK 52 / 61 / 0 / 30

HEX #5646B3

RGB 86 70 179

HSL 248.81, 0.44%, 0.49%

LAB 37.14, 36.04, -55.97

 

CMYK 37 / 43 / 0 / 38

HEX #645A9F

RGB 100 90 159

HSL 248.7, 0.28%, 0.49%

LAB 42.04, 21.05, -36.18

 

CMYK 17 / 21 / 0 / 45

HEX #736E8B

RGB 115 110 139

HSL 250.34, 0.12%, 0.49%

LAB 47.83, 8.27, -15.18

 

CMYK 87 / 52 / 0 / 14

HEX #1D69DB

RGB 29 105 219

HSL 216, 0.77%, 0.49%

LAB 46.28, 20.49, -64.44

 

CMYK 87 / 75 / 0 / 14

HEX #1D37DB

RGB 29 55 219

HSL 231.79, 0.77%, 0.49%

LAB 34.21, 51.73, -84.23

 

CMYK 75 / 87 / 0 / 14

HEX #371DDB

RGB 55 29 219

HSL 248.21, 0.77%, 0.49%

LAB 31.36, 64.86, -88.92

 

CMYK 52 / 87 / 0 / 14

HEX #691DDB

RGB 105 29 219

HSL 264, 0.77%, 0.49%

LAB 35.98, 68.58, -81.13

 

CMYK 29 / 87 / 0 / 14

HEX #9C1DDB

RGB 156 29 219

HSL 280.11, 0.77%, 0.49%

LAB 42.86, 74.74, -69.58

 

CMYK 74 / 86 / 0 / 42

HEX #261493

RGB 38 20 147

HSL 248.5, 0.76%, 0.33%

LAB 20.12, 46.83, -64.69

 

CMYK 74 / 86 / 0 / 28

HEX #3019B7

RGB 48 25 183

HSL 248.73, 0.76%, 0.41%

LAB 25.99, 55.95, -76.78

 

CMYK 74 / 87 / 0 / 14

HEX #3A1DDB

RGB 58 29 219

HSL 249.16, 0.77%, 0.49%

LAB 31.56, 65.02, -88.58

 

CMYK 62 / 73 / 0 / 11

HEX #573EE4

RGB 87 62 228

HSL 249.04, 0.75%, 0.57%

LAB 39.7, 55.58, -80.2

 

CMYK 49 / 58 / 0 / 9

HEX #7662E9

RGB 118 98 233

HSL 248.89, 0.75%, 0.65%

LAB 50.06, 42.09, -66.01

 

CMYK 74 / 86 / 0 / 14

HEX #3A1EDB

RGB 58 30 219

HSL 248.89, 0.76%, 0.49%

LAB 31.68, 64.67, -88.39

 

CMYK 0 / 87 / 29 / 14

HEX #DB1D9C

RGB 219 29 156

HSL 319.89, 0.77%, 0.49%

LAB 49.9, 76.53, -20.87

 

CMYK 63 / 0 / 87 / 14

HEX #50DB1D

RGB 80 219 29

HSL 103.89, 0.77%, 0.49%

LAB 77.55, -67.18, 71.77

 

CMYK 74 / 86 / 0 / 14

HEX #3A1EDB

RGB 58 30 219

HSL 248.89, 0.76%, 0.49%

LAB 31.68, 64.67, -88.39

 

CMYK 0 / 75 / 87 / 14

HEX #DB371D

RGB 219 55 29

HSL 8.21, 0.77%, 0.49%

LAB 49.35, 61.75, 52.33

 

CMYK 87 / 0 / 75 / 14

HEX #1DDB37

RGB 29 219 55

HSL 128.21, 0.77%, 0.49%

LAB 76.8, -73.24, 63.85

 

CMYK 74 / 86 / 0 / 14

HEX #3A1EDB

RGB 58 30 219

HSL 248.89, 0.76%, 0.49%

LAB 31.68, 64.67, -88.39

 

CMYK 0 / 87 / 29 / 14

HEX #DB1D9C

RGB 219 29 156

HSL 319.89, 0.77%, 0.49%

LAB 49.9, 76.53, -20.87

 

CMYK 11 / 0 / 87 / 14

HEX #C2DB1D

RGB 194 219 29

HSL 67.89, 0.77%, 0.49%

LAB 83.03, -29.23, 78.59

 

CMYK 87 / 0 / 58 / 14

HEX #1DDB5D

RGB 29 219 93

HSL 140.21, 0.77%, 0.49%

LAB 77.11, -69.38, 49.02

 

CMYK 74 / 86 / 0 / 14

HEX #3A1EDB

RGB 58 30 219

HSL 248.89, 0.76%, 0.49%

LAB 31.68, 64.67, -88.39

 

CMYK 0 / 87 / 55 / 14

HEX #DB1D63

RGB 219 29 99

HSL 337.89, 0.77%, 0.49%

LAB 48.06, 71.38, 11.03

 

CMYK 11 / 0 / 87 / 14

HEX #C2DB1D

RGB 194 219 29

HSL 67.89, 0.77%, 0.49%

LAB 83.03, -29.23, 78.59

 

CMYK 87 / 0 / 32 / 14

HEX #1DDB96

RGB 29 219 150

HSL 158.21, 0.77%, 0.49%

LAB 77.95, -59.52, 21.84

 

Description

Color code: HEX #3A1EDB | qconv.com Color code: HEX #3A1EDB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 30 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 30 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 86 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 86% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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