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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B474 it is the complementary color #3A4B8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C5B474: #CAB46F, #DBC682, #ECD895, #FDEAA8 and #FFFCBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C5B474: #C5B474, #B4A261, #A3904E, #927E3B and #816C28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 41 / 23

HEX #C5B474

RGB 197 180 116

HSL 47.41, 0.41%, 0.61%

LAB 73.4, -3, 34.82

 

Complementary color

CMYK 58 / 46 / 0 / 45

HEX #3A4B8B

RGB 58 75 139

HSL 227.41, 0.41%, 0.39%

LAB 33.55, 13.64, -37.78

 

CMYK 0 / 11 / 45 / 21

HEX #CAB46F

RGB 202 180 111

HSL 45.49, 0.46%, 0.61%

LAB 73.77, -1.48, 37.97

 

CMYK 0 / 10 / 41 / 14

HEX #DBC682

RGB 219 198 130

HSL 45.84, 0.55%, 0.68%

LAB 80.21, -2.04, 36.74

 

CMYK 0 / 8 / 37 / 7

HEX #ECD895

RGB 236 216 149

HSL 46.21, 0.7%, 0.75%

LAB 86.56, -2.52, 35.56

 

CMYK 0 / 8 / 34 / 1

HEX #FDEAA8

RGB 253 234 168

HSL 46.59, 0.96%, 0.83%

LAB 92.82, -2.94, 34.44

 

CMYK 0 / 1 / 27 / 0

HEX #FFFCBB

RGB 255 252 187

HSL 57.35, 1%, 0.87%

LAB 97.82, -8.85, 31.58

 

CMYK 0 / 9 / 41 / 23

HEX #C5B474

RGB 197 180 116

HSL 47.41, 0.41%, 0.61%

LAB 73.4, -3, 34.82

 

CMYK 0 / 10 / 46 / 29

HEX #B4A261

RGB 180 162 97

HSL 46.99, 0.36%, 0.54%

LAB 66.83, -2.44, 36.07

 

CMYK 0 / 12 / 52 / 36

HEX #A3904E

RGB 163 144 78

HSL 46.59, 0.35%, 0.47%

LAB 60.14, -1.76, 37.37

 

CMYK 0 / 14 / 60 / 43

HEX #927E3B

RGB 146 126 59

HSL 46.21, 0.42%, 0.4%

LAB 53.33, -0.92, 38.66

 

CMYK 0 / 16 / 69 / 49

HEX #816C28

RGB 129 108 40

HSL 45.84, 0.53%, 0.33%

LAB 46.37, 0.14, 39.81

 

CMYK 0 / 9 / 41 / 23

HEX #C5B474

RGB 197 180 116

HSL 47.41, 0.41%, 0.61%

LAB 73.4, -3, 34.82

 

CMYK 0 / 2 / 42 / 23

HEX #C4C072

RGB 196 192 114

HSL 57.07, 0.41%, 0.61%

LAB 76.47, -9.87, 39.73

 

CMYK 5 / 0 / 42 / 23

HEX #BAC472

RGB 186 196 114

HSL 67.32, 0.41%, 0.61%

LAB 76.76, -15.91, 39.93

 

CMYK 12 / 0 / 42 / 23

HEX #ADC472

RGB 173 196 114

HSL 76.83, 0.41%, 0.61%

LAB 75.81, -21.01, 38.53

 

CMYK 19 / 0 / 42 / 23

HEX #9FC472

RGB 159 196 114

HSL 87.07, 0.41%, 0.61%

LAB 74.87, -26.34, 37.14

 

CMYK 0 / 9 / 41 / 23

HEX #C5B474

RGB 197 180 116

HSL 47.41, 0.41%, 0.61%

LAB 73.4, -3, 34.82

 

CMYK 0 / 8 / 41 / 3

HEX #F8E392

RGB 248 227 146

HSL 47.65, 0.88%, 0.77%

LAB 90.31, -3.77, 42.12

 

CMYK 0 / 9 / 41 / 83

HEX #2C281A

RGB 44 40 26

HSL 46.67, 0.26%, 0.14%

LAB 16.14, -0.88, 9.9

 

CMYK 0 / 8 / 41 / 63

HEX #5F5738

RGB 95 87 56

HSL 47.69, 0.26%, 0.3%

LAB 36.99, -1.87, 19.2

 

CMYK 0 / 9 / 41 / 43

HEX #928556

RGB 146 133 86

HSL 47, 0.26%, 0.45%

LAB 55.64, -2.18, 27.11

 

CMYK 0 / 9 / 41 / 23

HEX #C5B474

RGB 197 180 116

HSL 47.41, 0.41%, 0.61%

LAB 73.4, -3, 34.82

 

CMYK 41 / 0 / 42 / 23

HEX #74C472

RGB 116 196 114

HSL 118.54, 0.41%, 0.61%

LAB 72.5, -41.11, 33.63

 

CMYK 26 / 42 / 0 / 23

HEX #9272C4

RGB 146 114 196

HSL 263.41, 0.41%, 0.61%

LAB 54.17, 29.6, -38.33

 

CMYK 0 / 9 / 41 / 23

HEX #C5B474

RGB 197 180 116

HSL 47.41, 0.41%, 0.61%

LAB 73.4, -3, 34.82

 

CMYK 42 / 0 / 9 / 23

HEX #72C4B2

RGB 114 196 178

HSL 166.83, 0.41%, 0.61%

LAB 73.72, -29.32, 1.2

 

CMYK 9 / 42 / 0 / 23

HEX #B272C4

RGB 178 114 196

HSL 286.83, 0.41%, 0.61%

LAB 57.55, 39.11, -32.8

 

CMYK 0 / 9 / 41 / 23

HEX #C5B474

RGB 197 180 116

HSL 47.41, 0.41%, 0.61%

LAB 73.4, -3, 34.82

 

CMYK 41 / 0 / 42 / 23

HEX #74C472

RGB 116 196 114

HSL 118.54, 0.41%, 0.61%

LAB 72.5, -41.11, 33.63

 

CMYK 42 / 33 / 0 / 23

HEX #7284C4

RGB 114 132 196

HSL 226.83, 0.41%, 0.61%

LAB 56.15, 10.01, -35.4

 

CMYK 1 / 42 / 0 / 23

HEX #C272C4

RGB 194 114 196

HSL 298.54, 0.41%, 0.61%

LAB 59.42, 43.98, -29.73

 

CMYK 0 / 9 / 41 / 23

HEX #C5B474

RGB 197 180 116

HSL 47.41, 0.41%, 0.61%

LAB 73.4, -3, 34.82

 

CMYK 42 / 0 / 30 / 23

HEX #72C489

RGB 114 196 137

HSL 136.83, 0.41%, 0.61%

LAB 72.8, -37.87, 21.99

 

CMYK 42 / 33 / 0 / 23

HEX #7284C4

RGB 114 132 196

HSL 226.83, 0.41%, 0.61%

LAB 56.15, 10.01, -35.4

 

CMYK 0 / 42 / 12 / 23

HEX #C472AD

RGB 196 114 173

HSL 316.83, 0.41%, 0.61%

LAB 58.78, 40.53, -17.57

 

Description

Color code: HEX #C5B474 | qconv.com Color code: HEX #C5B474 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 180 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 180 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 41 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 41% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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