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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5A7B2 it is the complementary color #3A584D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5A7B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C5A7B2: #CAA7AD, #DBB9C0, #ECCBD3, #FDDDE6 and #FFEFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5A7B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C5A7B2: #C5A7B2, #B4959F, #A3838C, #927179 and #815F66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 10 / 23

HEX #C5A7B2

RGB 197 167 178

HSL 338, 0.21%, 0.71%

LAB 71.37, 12.78, -1.58

 

Complementary color

CMYK 34 / 0 / 13 / 65

HEX #3A584D

RGB 58 88 77

HSL 158, 0.21%, 0.29%

LAB 34.83, -13.86, 2.84

 

CMYK 0 / 17 / 14 / 21

HEX #CAA7AD

RGB 202 167 173

HSL 349.71, 0.25%, 0.72%

LAB 71.7, 13.75, 1.72

 

CMYK 0 / 16 / 12 / 14

HEX #DBB9C0

RGB 219 185 192

HSL 347.65, 0.32%, 0.79%

LAB 78.21, 13.29, 1

 

CMYK 0 / 14 / 11 / 7

HEX #ECCBD3

RGB 236 203 211

HSL 345.45, 0.46%, 0.86%

LAB 84.61, 12.88, 0.32

 

CMYK 0 / 13 / 9 / 1

HEX #FDDDE6

RGB 253 221 230

HSL 343.13, 0.89%, 0.93%

LAB 90.92, 12.49, -0.33

 

CMYK 0 / 6 / 2 / 0

HEX #FFEFF9

RGB 255 239 249

HSL 322.5, 1%, 0.97%

LAB 95.93, 7.09, -2.88

 

CMYK 0 / 15 / 10 / 23

HEX #C5A7B2

RGB 197 167 178

HSL 338, 0.21%, 0.71%

LAB 71.37, 12.78, -1.58

 

CMYK 0 / 17 / 12 / 29

HEX #B4959F

RGB 180 149 159

HSL 340.65, 0.17%, 0.65%

LAB 64.72, 13.23, -0.91

 

CMYK 0 / 20 / 14 / 36

HEX #A3838C

RGB 163 131 140

HSL 343.13, 0.15%, 0.58%

LAB 57.95, 13.74, -0.19

 

CMYK 0 / 23 / 17 / 43

HEX #927179

RGB 146 113 121

HSL 345.45, 0.13%, 0.51%

LAB 51.04, 14.32, 0.59

 

CMYK 0 / 26 / 21 / 49

HEX #815F66

RGB 129 95 102

HSL 347.65, 0.15%, 0.44%

LAB 43.96, 14.98, 1.44

 

CMYK 0 / 15 / 10 / 23

HEX #C5A7B2

RGB 197 167 178

HSL 338, 0.21%, 0.71%

LAB 71.37, 12.78, -1.58

 

CMYK 0 / 16 / 13 / 23

HEX #C4A5AB

RGB 196 165 171

HSL 348.39, 0.21%, 0.71%

LAB 70.58, 12.32, 1.13

 

CMYK 0 / 16 / 15 / 23

HEX #C4A5A6

RGB 196 165 166

HSL 358.06, 0.21%, 0.71%

LAB 70.45, 11.49, 3.71

 

CMYK 0 / 14 / 16 / 23

HEX #C4A9A5

RGB 196 169 165

HSL 7.74, 0.21%, 0.71%

LAB 71.44, 9.15, 5.68

 

CMYK 0 / 11 / 16 / 23

HEX #C4AEA5

RGB 196 174 165

HSL 17.42, 0.21%, 0.71%

LAB 72.71, 6.44, 7.51

 

CMYK 0 / 15 / 10 / 23

HEX #C5A7B2

RGB 197 167 178

HSL 338, 0.21%, 0.71%

LAB 71.37, 12.78, -1.58

 

CMYK 0 / 15 / 10 / 3

HEX #F8D2E0

RGB 248 210 224

HSL 337.89, 0.73%, 0.9%

LAB 87.69, 15.52, -1.95

 

CMYK 0 / 16 / 9 / 83

HEX #2C2528

RGB 44 37 40

HSL 334.29, 0.09%, 0.16%

LAB 15.55, 3.94, -0.78

 

CMYK 0 / 15 / 9 / 63

HEX #5F5156

RGB 95 81 86

HSL 338.57, 0.08%, 0.35%

LAB 35.96, 6.76, -0.78

 

CMYK 0 / 15 / 10 / 43

HEX #927C84

RGB 146 124 132

HSL 338.18, 0.09%, 0.53%

LAB 54.23, 9.88, -1.2

 

CMYK 0 / 15 / 10 / 23

HEX #C5A7B2

RGB 197 167 178

HSL 338, 0.21%, 0.71%

LAB 71.37, 12.78, -1.58

 

CMYK 0 / 3 / 16 / 23

HEX #C4BFA5

RGB 196 191 165

HSL 50.32, 0.21%, 0.71%

LAB 77.11, -2.64, 13.75

 

CMYK 16 / 4 / 0 / 23

HEX #A5BDC4

RGB 165 189 196

HSL 193.55, 0.21%, 0.71%

LAB 75.06, -6.67, -6.29

 

CMYK 0 / 15 / 10 / 23

HEX #C5A7B2

RGB 197 167 178

HSL 338, 0.21%, 0.71%

LAB 71.37, 12.78, -1.58

 

CMYK 10 / 0 / 16 / 23

HEX #B0C4A5

RGB 176 196 165

HSL 98.71, 0.21%, 0.71%

LAB 76.94, -12.53, 13.29

 

CMYK 16 / 10 / 0 / 23

HEX #A5B0C4

RGB 165 176 196

HSL 218.71, 0.21%, 0.71%

LAB 71.58, 0.31, -11.47

 

CMYK 0 / 15 / 10 / 23

HEX #C5A7B2

RGB 197 167 178

HSL 338, 0.21%, 0.71%

LAB 71.37, 12.78, -1.58

 

CMYK 0 / 3 / 16 / 23

HEX #C4BFA5

RGB 196 191 165

HSL 50.32, 0.21%, 0.71%

LAB 77.11, -2.64, 13.75

 

CMYK 16 / 0 / 6 / 23

HEX #A5C4B9

RGB 165 196 185

HSL 158.71, 0.21%, 0.71%

LAB 76.67, -12.6, 2.03

 

CMYK 16 / 13 / 0 / 23

HEX #A5AAC4

RGB 165 170 196

HSL 230.32, 0.21%, 0.71%

LAB 69.99, 3.6, -13.86

 

CMYK 0 / 15 / 10 / 23

HEX #C5A7B2

RGB 197 167 178

HSL 338, 0.21%, 0.71%

LAB 71.37, 12.78, -1.58

 

CMYK 2 / 0 / 16 / 23

HEX #C0C4A5

RGB 192 196 165

HSL 67.74, 0.21%, 0.71%

LAB 78.11, -6.74, 15.12

 

CMYK 16 / 0 / 6 / 23

HEX #A5C4B9

RGB 165 196 185

HSL 158.71, 0.21%, 0.71%

LAB 76.67, -12.6, 2.03

 

CMYK 14 / 16 / 0 / 23

HEX #A9A5C4

RGB 169 165 196

HSL 247.74, 0.21%, 0.71%

LAB 68.99, 7.67, -15.33

 

Description

Color code: HEX #C5A7B2 | qconv.com Color code: HEX #C5A7B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 167 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 167 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 10 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 10% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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