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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C59D7D it is the complementary color #3A6282. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C59D7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C59D7D: #CA9D78, #DBAF8B, #ECC19E, #FDD3B1 and #FFE5C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C59D7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C59D7D: #C59D7D, #B48B6A, #A37957, #926744 and #815531

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 37 / 23

HEX #C59D7D

RGB 197 157 125

HSL 26.67, 0.38%, 0.63%

LAB 67.62, 10.41, 22.39

 

Complementary color

CMYK 55 / 25 / 0 / 49

HEX #3A6282

RGB 58 98 130

HSL 206.67, 0.38%, 0.37%

LAB 39.99, -4.19, -22.15

 

CMYK 0 / 22 / 41 / 21

HEX #CA9D78

RGB 202 157 120

HSL 27.07, 0.44%, 0.63%

LAB 68.04, 11.84, 25.77

 

CMYK 0 / 20 / 37 / 14

HEX #DBAF8B

RGB 219 175 139

HSL 27, 0.53%, 0.7%

LAB 74.56, 11.12, 24.54

 

CMYK 0 / 18 / 33 / 7

HEX #ECC19E

RGB 236 193 158

HSL 26.92, 0.67%, 0.77%

LAB 80.98, 10.49, 23.41

 

CMYK 0 / 17 / 30 / 1

HEX #FDD3B1

RGB 253 211 177

HSL 26.84, 0.95%, 0.84%

LAB 87.31, 9.93, 22.35

 

CMYK 0 / 10 / 23 / 0

HEX #FFE5C4

RGB 255 229 196

HSL 33.56, 1%, 0.88%

LAB 92.26, 3.92, 19.35

 

CMYK 0 / 20 / 37 / 23

HEX #C59D7D

RGB 197 157 125

HSL 26.67, 0.38%, 0.63%

LAB 67.62, 10.41, 22.39

 

CMYK 0 / 23 / 41 / 29

HEX #B48B6A

RGB 180 139 106

HSL 26.76, 0.33%, 0.56%

LAB 60.97, 11.15, 23.63

 

CMYK 0 / 26 / 47 / 36

HEX #A37957

RGB 163 121 87

HSL 26.84, 0.3%, 0.49%

LAB 54.19, 12.02, 25

 

CMYK 0 / 29 / 53 / 43

HEX #926744

RGB 146 103 68

HSL 26.92, 0.36%, 0.42%

LAB 47.27, 13.05, 26.51

 

CMYK 0 / 34 / 62 / 49

HEX #815531

RGB 129 85 49

HSL 27, 0.45%, 0.35%

LAB 40.22, 14.32, 28.17

 

CMYK 0 / 20 / 37 / 23

HEX #C59D7D

RGB 197 157 125

HSL 26.67, 0.38%, 0.63%

LAB 67.62, 10.41, 22.39

 

CMYK 0 / 15 / 37 / 23

HEX #C4A77C

RGB 196 167 124

HSL 35.83, 0.38%, 0.63%

LAB 70.06, 4.46, 26.18

 

CMYK 0 / 9 / 37 / 23

HEX #C4B37C

RGB 196 179 124

HSL 45.83, 0.38%, 0.63%

LAB 73.17, -1.96, 30.32

 

CMYK 0 / 3 / 37 / 23

HEX #C4BF7C

RGB 196 191 124

HSL 55.83, 0.38%, 0.63%

LAB 76.35, -8.25, 34.45

 

CMYK 4 / 0 / 37 / 23

HEX #BDC47C

RGB 189 196 124

HSL 65.83, 0.38%, 0.63%

LAB 77.13, -13.58, 35.36

 

CMYK 0 / 20 / 37 / 23

HEX #C59D7D

RGB 197 157 125

HSL 26.67, 0.38%, 0.63%

LAB 67.62, 10.41, 22.39

 

CMYK 0 / 20 / 37 / 3

HEX #F8C69D

RGB 248 198 157

HSL 27.03, 0.87%, 0.79%

LAB 83.33, 12.37, 27.31

 

CMYK 0 / 20 / 36 / 83

HEX #2C231C

RGB 44 35 28

HSL 26.25, 0.22%, 0.14%

LAB 14.52, 2.93, 6.3

 

CMYK 0 / 20 / 37 / 63

HEX #5F4C3C

RGB 95 76 60

HSL 27.43, 0.23%, 0.3%

LAB 33.83, 5.41, 12.54

 

CMYK 0 / 21 / 36 / 43

HEX #92745D

RGB 146 116 93

HSL 26.04, 0.22%, 0.47%

LAB 51.14, 8.36, 17.18

 

CMYK 0 / 20 / 37 / 23

HEX #C59D7D

RGB 197 157 125

HSL 26.67, 0.38%, 0.63%

LAB 67.62, 10.41, 22.39

 

CMYK 23 / 0 / 37 / 23

HEX #97C47C

RGB 151 196 124

HSL 97.5, 0.38%, 0.63%

LAB 74.52, -27.93, 31.45

 

CMYK 35 / 37 / 0 / 23

HEX #7F7CC4

RGB 127 124 196

HSL 242.5, 0.38%, 0.63%

LAB 54.98, 18.3, -37.17

 

CMYK 0 / 20 / 37 / 23

HEX #C59D7D

RGB 197 157 125

HSL 26.67, 0.38%, 0.63%

LAB 67.62, 10.41, 22.39

 

CMYK 37 / 0 / 21 / 23

HEX #7CC49B

RGB 124 196 155

HSL 145.83, 0.38%, 0.63%

LAB 73.63, -31.51, 13.57

 

CMYK 21 / 37 / 0 / 23

HEX #9B7CC4

RGB 155 124 196

HSL 265.83, 0.38%, 0.63%

LAB 57.43, 26.5, -33.16

 

CMYK 0 / 20 / 37 / 23

HEX #C59D7D

RGB 197 157 125

HSL 26.67, 0.38%, 0.63%

LAB 67.62, 10.41, 22.39

 

CMYK 23 / 0 / 37 / 23

HEX #97C47C

RGB 151 196 124

HSL 97.5, 0.38%, 0.63%

LAB 74.52, -27.93, 31.45

 

CMYK 37 / 16 / 0 / 23

HEX #7CA5C4

RGB 124 165 196

HSL 205.83, 0.38%, 0.63%

LAB 65.89, -6.11, -20.32

 

CMYK 13 / 37 / 0 / 23

HEX #AA7CC4

RGB 170 124 196

HSL 278.33, 0.38%, 0.63%

LAB 58.93, 31.11, -30.72

 

CMYK 0 / 20 / 37 / 23

HEX #C59D7D

RGB 197 157 125

HSL 26.67, 0.38%, 0.63%

LAB 67.62, 10.41, 22.39

 

CMYK 34 / 0 / 37 / 23

HEX #81C47C

RGB 129 196 124

HSL 115.83, 0.38%, 0.63%

LAB 73.29, -35.47, 29.61

 

CMYK 37 / 16 / 0 / 23

HEX #7CA5C4

RGB 124 165 196

HSL 205.83, 0.38%, 0.63%

LAB 65.89, -6.11, -20.32

 

CMYK 3 / 37 / 0 / 23

HEX #BF7CC4

RGB 191 124 196

HSL 295.83, 0.38%, 0.63%

LAB 61.2, 37.69, -27.02

 

Description

Color code: HEX #C59D7D | qconv.com Color code: HEX #C59D7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 157 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 157 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 37 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 37% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - Martin Räthe | MRae....
Link: http://mrae.info

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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