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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4EF2E it is the complementary color #3B10D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4EF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4EF2E shade: #C9EF29, #DAFF3C, #EBFF4F, #FCFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4EF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4EF2E shade: #C4EF2E, #B3DD1B, #A2CB08, #91B900 and #80A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4EF2E shade: #C4EF2E, #EFE62E, #EFB22E, #EF7E2E and #EF4A2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4EF2E shade: #C4EF2E, #90EF2E, #5CEF2E, #2EEF34 and #2EEF68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4EF2E shade matches the following richer shades: #C4EF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4EF2E shade: #C4EF2E, #BADD40, #B0CB53, #A6B965 and #9CA777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4EF2E shade: #EFB22E, #EFE62E, #C5EF2E, #92EF2E and #5FEF2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4EF2E shade: #96BD0E, #B4E311, #C4EF2E, #CFF255 and #DAF57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4EF2E shade: #C4EF2E, #2EEF7F and #CC2EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4EF2E shade: #C4EF2E, #2EC5EF and #EF2EC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4EF2E shade: #C4EF2E, #2EEF7F, #582EEF and #EF2E9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4EF2E shade: #C4EF2E, #2EEFB9, #582EEF and #EF2E65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

Complementary color

CMYK 72 / 92 / 0 / 18

HEX #3B10D1

RGB 59 16 209

HSL 253.37, 0.86%, 0.44%

LAB 29.17, 66.17, -86.77

 

CMYK 16 / 0 / 83 / 6

HEX #C9EF29

RGB 201 239 41

HSL 71.52, 0.86%, 0.55%

LAB 89.07, -35.34, 81.37

 

CMYK 15 / 0 / 76 / 0

HEX #DAFF3C

RGB 218 255 60

HSL 71.38, 1%, 0.62%

LAB 94.63, -35.25, 81.87

 

CMYK 8 / 0 / 69 / 0

HEX #EBFF4F

RGB 235 255 79

HSL 66.82, 1%, 0.65%

LAB 95.89, -27.7, 77.45

 

CMYK 1 / 0 / 62 / 0

HEX #FCFF62

RGB 252 255 98

HSL 61.15, 1%, 0.69%

LAB 97.27, -19.88, 72.16

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 19 / 0 / 88 / 13

HEX #B3DD1B

RGB 179 221 27

HSL 72.99, 0.78%, 0.49%

LAB 82.58, -36.25, 78.16

 

CMYK 20 / 0 / 96 / 20

HEX #A2CB08

RGB 162 203 8

HSL 72.62, 0.92%, 0.41%

LAB 76.32, -35.17, 75.24

 

CMYK 22 / 0 / 100 / 27

HEX #91B900

RGB 145 185 0

HSL 72.97, 1%, 0.36%

LAB 69.98, -33.89, 70.76

 

CMYK 23 / 0 / 100 / 35

HEX #80A700

RGB 128 167 0

HSL 74.01, 1%, 0.33%

LAB 63.53, -32.49, 65.39

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 0 / 4 / 81 / 6

HEX #EFE62E

RGB 239 230 46

HSL 57.2, 0.86%, 0.56%

LAB 89.46, -15.44, 81.62

 

CMYK 0 / 26 / 81 / 6

HEX #EFB22E

RGB 239 178 46

HSL 41.04, 0.86%, 0.56%

LAB 76.31, 11.09, 70.23

 

CMYK 0 / 47 / 81 / 6

HEX #EF7E2E

RGB 239 126 46

HSL 24.87, 0.86%, 0.56%

LAB 64.54, 38.32, 59.71

 

CMYK 0 / 69 / 81 / 6

HEX #EF4A2E

RGB 239 74 46

HSL 8.7, 0.86%, 0.56%

LAB 55.53, 61.76, 51.33

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 40 / 0 / 81 / 6

HEX #90EF2E

RGB 144 239 46

HSL 89.53, 0.86%, 0.56%

LAB 85.94, -55.96, 76.21

 

CMYK 62 / 0 / 81 / 6

HEX #5CEF2E

RGB 92 239 46

HSL 105.7, 0.86%, 0.56%

LAB 84.07, -70.35, 73.82

 

CMYK 81 / 0 / 78 / 6

HEX #2EEF34

RGB 46 239 52

HSL 121.87, 0.86%, 0.56%

LAB 83.21, -77.59, 71.07

 

CMYK 81 / 0 / 56 / 6

HEX #2EEF68

RGB 46 239 104

HSL 138.03, 0.86%, 0.56%

LAB 83.61, -72.7, 51.77

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 16 / 0 / 71 / 13

HEX #BADD40

RGB 186 221 64

HSL 73.38, 0.7%, 0.56%

LAB 83.19, -32.07, 69.03

 

CMYK 13 / 0 / 59 / 20

HEX #B0CB53

RGB 176 203 83

HSL 73.5, 0.54%, 0.56%

LAB 77.62, -26.28, 55.48

 

CMYK 10 / 0 / 45 / 27

HEX #A6B965

RGB 166 185 101

HSL 73.57, 0.38%, 0.56%

LAB 72.06, -19.73, 40.28

 

CMYK 7 / 0 / 29 / 35

HEX #9CA777

RGB 156 167 119

HSL 73.75, 0.21%, 0.56%

LAB 66.55, -12.16, 23.59

 

CMYK 0 / 26 / 81 / 6

HEX #EFB22E

RGB 239 178 46

HSL 41.04, 0.86%, 0.56%

LAB 76.31, 11.09, 70.23

 

CMYK 0 / 4 / 81 / 6

HEX #EFE62E

RGB 239 230 46

HSL 57.2, 0.86%, 0.56%

LAB 89.46, -15.44, 81.62

 

CMYK 18 / 0 / 81 / 6

HEX #C5EF2E

RGB 197 239 46

HSL 73.06, 0.86%, 0.56%

LAB 88.83, -36.75, 79.88

 

CMYK 39 / 0 / 81 / 6

HEX #92EF2E

RGB 146 239 46

HSL 88.91, 0.86%, 0.56%

LAB 86.03, -55.3, 76.33

 

CMYK 60 / 0 / 81 / 6

HEX #5FEF2E

RGB 95 239 46

HSL 104.77, 0.86%, 0.56%

LAB 84.15, -69.67, 73.93

 

CMYK 21 / 0 / 93 / 26

HEX #96BD0E

RGB 150 189 14

HSL 73.37, 0.86%, 0.4%

LAB 71.49, -33.5, 70.46

 

CMYK 21 / 0 / 93 / 11

HEX #B4E311

RGB 180 227 17

HSL 73.43, 0.86%, 0.48%

LAB 84.32, -38.73, 81.05

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 14 / 0 / 65 / 5

HEX #CFF255

RGB 207 242 85

HSL 73.38, 0.86%, 0.64%

LAB 90.52, -32.31, 69.17

 

CMYK 11 / 0 / 50 / 4

HEX #DAF57B

RGB 218 245 123

HSL 73.28, 0.86%, 0.72%

LAB 92.42, -26.48, 55.26

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 81 / 0 / 47 / 6

HEX #2EEF7F

RGB 46 239 127

HSL 145.18, 0.86%, 0.56%

LAB 83.89, -69.37, 41.34

 

CMYK 15 / 81 / 0 / 6

HEX #CC2EEF

RGB 204 46 239

HSL 289.12, 0.86%, 0.56%

LAB 52.98, 81.89, -64.17

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 81 / 18 / 0 / 6

HEX #2EC5EF

RGB 46 197 239

HSL 193.06, 0.86%, 0.56%

LAB 74.03, -24.04, -31.61

 

CMYK 0 / 81 / 18 / 6

HEX #EF2EC5

RGB 239 46 197

HSL 313.06, 0.86%, 0.56%

LAB 56.42, 82.24, -34.47

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 81 / 0 / 47 / 6

HEX #2EEF7F

RGB 46 239 127

HSL 145.18, 0.86%, 0.56%

LAB 83.89, -69.37, 41.34

 

CMYK 63 / 81 / 0 / 6

HEX #582EEF

RGB 88 46 239

HSL 253.06, 0.86%, 0.56%

LAB 38.31, 66.17, -88.74

 

CMYK 0 / 81 / 33 / 6

HEX #EF2E9F

RGB 239 46 159

HSL 324.87, 0.86%, 0.56%

LAB 54.87, 77.84, -14.74

 

CMYK 18 / 0 / 81 / 6

HEX #C4EF2E

RGB 196 239 46

HSL 73.37, 0.86%, 0.56%

LAB 88.76, -37.14, 79.8

 

CMYK 81 / 0 / 23 / 6

HEX #2EEFB9

RGB 46 239 185

HSL 163.21, 0.86%, 0.56%

LAB 84.9, -57.9, 13.3

 

CMYK 63 / 81 / 0 / 6

HEX #582EEF

RGB 88 46 239

HSL 253.06, 0.86%, 0.56%

LAB 38.31, 66.17, -88.74

 

CMYK 0 / 81 / 58 / 6

HEX #EF2E65

RGB 239 46 101

HSL 342.9, 0.86%, 0.56%

LAB 53.22, 72.96, 17.53

 

Description

Color code: HEX #C4EF2E | qconv.com Color code: HEX #C4EF2E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 239 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 239 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 81 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 81% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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