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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4EB4F it is the complementary color #3B14B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4EB4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4EB4F shade: #C9EB4A, #DAFD5D, #EBFF70, #FCFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4EB4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4EB4F shade: #C4EB4F, #B3D93C, #A2C729, #91B516 and #80A303

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4EB4F shade: #C5EC51, #ECE951, #ECBF51, #EC9551 and #EC6B51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4EB4F shade: #C5EC51, #9BEC51, #71EC51, #51EC5A and #51EC84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4EB4F shade matches the following richer shades: #C5EC51 and #CDFB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4EB4F shade: #C5EC51, #BDDC60, #B5CC70, #ADBD80 and #A6AD8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4EB4F shade: #ECC051, #ECE951, #C5EC51, #9CEC51 and #72EC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4EB4F shade: #A4D217, #B8E72B, #C5EC51, #D1F076 and #DEF49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4EB4F shade: #C4EB4F, #51EC96 and #D451EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4EB4F shade: #C4EB4F, #51C5EC and #EC51C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4EB4F shade: #C4EB4F, #51EC96, #7751EC and #EC51A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4EB4F shade: #C4EB4F, #51ECC5, #7751EC and #EC5177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 66 / 8

HEX #C4EB4F

RGB 196 235 79

HSL 75, 0.8%, 0.62%

LAB 87.83, -33.73, 68.45

 

Complementary color

CMYK 66 / 89 / 0 / 31

HEX #3B14B0

RGB 59 20 176

HSL 255, 0.8%, 0.38%

LAB 25.46, 56.48, -73.45

 

CMYK 14 / 0 / 69 / 8

HEX #C9EB4A

RGB 201 235 74

HSL 72.67, 0.8%, 0.61%

LAB 88.13, -32.08, 70.71

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 8 / 0 / 56 / 0

HEX #EBFF70

RGB 235 255 112

HSL 68.39, 1%, 0.72%

LAB 96.14, -25.59, 64.78

 

CMYK 1 / 0 / 49 / 0

HEX #FCFF83

RGB 252 255 131

HSL 61.45, 1%, 0.76%

LAB 97.57, -17.45, 58.33

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 17 / 0 / 66 / 8

HEX #C4EB4F

RGB 196 235 79

HSL 75, 0.8%, 0.62%

LAB 87.83, -33.73, 68.45

 

CMYK 18 / 0 / 72 / 15

HEX #B3D93C

RGB 179 217 60

HSL 74.52, 0.67%, 0.54%

LAB 81.59, -33.2, 68.68

 

CMYK 19 / 0 / 79 / 22

HEX #A2C729

RGB 162 199 41

HSL 74.05, 0.66%, 0.47%

LAB 75.26, -32.51, 68.28

 

CMYK 20 / 0 / 88 / 29

HEX #91B516

RGB 145 181 22

HSL 73.58, 0.78%, 0.4%

LAB 68.84, -31.64, 66.86

 

CMYK 21 / 0 / 98 / 36

HEX #80A303

RGB 128 163 3

HSL 73.13, 0.96%, 0.33%

LAB 62.33, -30.56, 64.06

 

CMYK 17 / 0 / 66 / 7

HEX #C5EC51

RGB 197 236 81

HSL 75.1, 0.8%, 0.62%

LAB 88.19, -33.68, 68.07

 

CMYK 0 / 1 / 66 / 7

HEX #ECE951

RGB 236 233 81

HSL 58.84, 0.8%, 0.62%

LAB 90.19, -16.69, 71.02

 

CMYK 0 / 19 / 66 / 7

HEX #ECBF51

RGB 236 191 81

HSL 42.58, 0.8%, 0.62%

LAB 79.44, 4.55, 59.78

 

CMYK 0 / 37 / 66 / 7

HEX #EC9551

RGB 236 149 81

HSL 26.32, 0.8%, 0.62%

LAB 69.41, 26.73, 48.73

 

CMYK 0 / 55 / 66 / 7

HEX #EC6B51

RGB 236 107 81

HSL 10.06, 0.8%, 0.62%

LAB 60.73, 48.08, 38.61

 

CMYK 17 / 0 / 66 / 7

HEX #C5EC51

RGB 197 236 81

HSL 75.1, 0.8%, 0.62%

LAB 88.19, -33.68, 68.07

 

CMYK 34 / 0 / 66 / 7

HEX #9BEC51

RGB 155 236 81

HSL 91.35, 0.8%, 0.62%

LAB 85.78, -49.03, 64.81

 

CMYK 52 / 0 / 66 / 7

HEX #71EC51

RGB 113 236 81

HSL 107.61, 0.8%, 0.62%

LAB 84.02, -61.82, 62.39

 

CMYK 66 / 0 / 62 / 7

HEX #51EC5A

RGB 81 236 90

HSL 123.48, 0.8%, 0.62%

LAB 83.17, -68.26, 57.53

 

CMYK 66 / 0 / 44 / 7

HEX #51EC84

RGB 81 236 132

HSL 139.74, 0.8%, 0.62%

LAB 83.66, -62.66, 38.72

 

CMYK 17 / 0 / 66 / 7

HEX #C5EC51

RGB 197 236 81

HSL 75.1, 0.8%, 0.62%

LAB 88.19, -33.68, 68.07

 

CMYK 18 / 0 / 74 / 2

HEX #CDFB41

RGB 205 251 65

HSL 74.84, 0.96%, 0.62%

LAB 92.73, -38.26, 78.31

 

CMYK 17 / 0 / 66 / 7

HEX #C5EC51

RGB 197 236 81

HSL 75.1, 0.8%, 0.62%

LAB 88.19, -33.68, 68.07

 

CMYK 14 / 0 / 56 / 14

HEX #BDDC60

RGB 189 220 96

HSL 75, 0.64%, 0.62%

LAB 83.36, -28.22, 56.44

 

CMYK 11 / 0 / 45 / 20

HEX #B5CC70

RGB 181 204 112

HSL 75, 0.47%, 0.62%

LAB 78.57, -22.08, 43.09

 

CMYK 8 / 0 / 32 / 26

HEX #ADBD80

RGB 173 189 128

HSL 75.74, 0.32%, 0.62%

LAB 74.09, -15.72, 29.07

 

CMYK 4 / 0 / 17 / 32

HEX #A6AD8F

RGB 166 173 143

HSL 74, 0.15%, 0.62%

LAB 69.45, -7.82, 14.6

 

CMYK 0 / 19 / 66 / 7

HEX #ECC051

RGB 236 192 81

HSL 42.97, 0.8%, 0.62%

LAB 79.69, 4.03, 60.05

 

CMYK 0 / 1 / 66 / 7

HEX #ECE951

RGB 236 233 81

HSL 58.84, 0.8%, 0.62%

LAB 90.19, -16.69, 71.02

 

CMYK 17 / 0 / 66 / 7

HEX #C5EC51

RGB 197 236 81

HSL 75.1, 0.8%, 0.62%

LAB 88.19, -33.68, 68.07

 

CMYK 34 / 0 / 66 / 7

HEX #9CEC51

RGB 156 236 81

HSL 90.97, 0.8%, 0.62%

LAB 85.83, -48.69, 64.88

 

CMYK 52 / 0 / 66 / 7

HEX #72EC51

RGB 114 236 81

HSL 107.23, 0.8%, 0.62%

LAB 84.05, -61.56, 62.44

 

CMYK 22 / 0 / 89 / 18

HEX #A4D217

RGB 164 210 23

HSL 74.76, 0.8%, 0.46%

LAB 78.49, -37.3, 75.11

 

CMYK 20 / 0 / 81 / 9

HEX #B8E72B

RGB 184 231 43

HSL 75, 0.8%, 0.54%

LAB 85.76, -38.32, 77.62

 

CMYK 17 / 0 / 66 / 7

HEX #C5EC51

RGB 197 236 81

HSL 75.1, 0.8%, 0.62%

LAB 88.19, -33.68, 68.07

 

CMYK 13 / 0 / 51 / 6

HEX #D1F076

RGB 209 240 118

HSL 75.25, 0.8%, 0.7%

LAB 90.41, -28.01, 55.02

 

CMYK 9 / 0 / 36 / 4

HEX #DEF49B

RGB 222 244 155

HSL 74.83, 0.8%, 0.78%

LAB 92.84, -21.08, 40.52

 

CMYK 17 / 0 / 66 / 8

HEX #C4EB4F

RGB 196 235 79

HSL 75, 0.8%, 0.62%

LAB 87.83, -33.73, 68.45

 

CMYK 66 / 0 / 36 / 7

HEX #51EC96

RGB 81 236 150

HSL 146.71, 0.8%, 0.62%

LAB 83.94, -59.55, 30.09

 

CMYK 10 / 66 / 0 / 7

HEX #D451EC

RGB 212 81 236

HSL 290.71, 0.8%, 0.62%

LAB 57.98, 71.5, -54.4

 

CMYK 17 / 0 / 66 / 8

HEX #C4EB4F

RGB 196 235 79

HSL 75, 0.8%, 0.62%

LAB 87.83, -33.73, 68.45

 

CMYK 66 / 17 / 0 / 7

HEX #51C5EC

RGB 81 197 236

HSL 195.1, 0.8%, 0.62%

LAB 74.66, -20.82, -28.95

 

CMYK 0 / 66 / 17 / 7

HEX #EC51C5

RGB 236 81 197

HSL 315.1, 0.8%, 0.62%

LAB 59.66, 70.97, -29.47

 

CMYK 17 / 0 / 66 / 8

HEX #C4EB4F

RGB 196 235 79

HSL 75, 0.8%, 0.62%

LAB 87.83, -33.73, 68.45

 

CMYK 66 / 0 / 36 / 7

HEX #51EC96

RGB 81 236 150

HSL 146.71, 0.8%, 0.62%

LAB 83.94, -59.55, 30.09

 

CMYK 50 / 66 / 0 / 7

HEX #7751EC

RGB 119 81 236

HSL 254.71, 0.8%, 0.62%

LAB 46.79, 52.62, -73

 

CMYK 0 / 66 / 30 / 7

HEX #EC51A6

RGB 236 81 166

HSL 327.1, 0.8%, 0.62%

LAB 58.48, 66.97, -13.43

 

CMYK 17 / 0 / 66 / 8

HEX #C4EB4F

RGB 196 235 79

HSL 75, 0.8%, 0.62%

LAB 87.83, -33.73, 68.45

 

CMYK 66 / 0 / 17 / 7

HEX #51ECC5

RGB 81 236 197

HSL 164.9, 0.8%, 0.62%

LAB 84.88, -49.61, 7.07

 

CMYK 50 / 66 / 0 / 7

HEX #7751EC

RGB 119 81 236

HSL 254.71, 0.8%, 0.62%

LAB 46.79, 52.62, -73

 

CMYK 0 / 66 / 50 / 7

HEX #EC5177

RGB 236 81 119

HSL 345.29, 0.8%, 0.62%

LAB 57.12, 62.19, 12.13

 

Description

Color code: HEX #C4EB4F | qconv.com Color code: HEX #C4EB4F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 235 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 235 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 66 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 66% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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