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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAFD5D it is the complementary color #2502A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAFD5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAFD5D shade: #DFFD58, #F0FF6B, #FFFF7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAFD5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAFD5D shade: #DAFD5D, #C9EB4A, #B8D937, #A7C724 and #96B511

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAFD5D shade: #DAFD5D, #FDF55D, #FDCA5D, #FD9E5D and #FD735D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAFD5D shade: #DAFD5D, #AFFD5D, #84FD5D, #5DFD61 and #5DFD8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAFD5D shade matches the following richer shades: #DAFD5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAFD5D shade: #DAFD5D, #D2F06A, #CBE277, #C4D585 and #BCC892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAFD5D shade: #FDCA5D, #FDF55D, #DAFD5D, #B0FD5D and #85FD5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAFD5D shade: #C7FC0B, #D1FC34, #DAFD5D, #E3FD86 and #ECFEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAFD5D shade: #DAFD5D, #5DFDA0 and #E05DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAFD5D shade: #DAFD5D, #5DDAFD and #FD5DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAFD5D shade: #DAFD5D, #5DFDA0, #805DFD and #FD5DBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAFD5D shade: #DAFD5D, #5DFDD0, #805DFD and #FD5D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

Complementary color

CMYK 77 / 99 / 0 / 36

HEX #2502A2

RGB 37 2 162

HSL 253.13, 0.98%, 0.32%

LAB 20.22, 56.46, -73.74

 

CMYK 12 / 0 / 65 / 1

HEX #DFFD58

RGB 223 253 88

HSL 70.91, 0.98%, 0.67%

LAB 94.59, -30.97, 72.59

 

CMYK 6 / 0 / 58 / 0

HEX #F0FF6B

RGB 240 255 107

HSL 66.08, 1%, 0.71%

LAB 96.45, -24.02, 67.35

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 14 / 0 / 69 / 8

HEX #C9EB4A

RGB 201 235 74

HSL 72.67, 0.8%, 0.61%

LAB 88.13, -32.08, 70.71

 

CMYK 15 / 0 / 75 / 15

HEX #B8D937

RGB 184 217 55

HSL 72.22, 0.68%, 0.53%

LAB 81.89, -31.46, 70.73

 

CMYK 16 / 0 / 82 / 22

HEX #A7C724

RGB 167 199 36

HSL 71.78, 0.69%, 0.46%

LAB 75.57, -30.67, 70.02

 

CMYK 17 / 0 / 91 / 29

HEX #96B511

RGB 150 181 17

HSL 71.34, 0.83%, 0.39%

LAB 69.16, -29.7, 68.15

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 0 / 3 / 63 / 1

HEX #FDF55D

RGB 253 245 93

HSL 57, 0.98%, 0.68%

LAB 94.73, -14.96, 71.48

 

CMYK 0 / 20 / 63 / 1

HEX #FDCA5D

RGB 253 202 93

HSL 40.88, 0.98%, 0.68%

LAB 83.92, 6.65, 59.85

 

CMYK 0 / 38 / 63 / 1

HEX #FD9E5D

RGB 253 158 93

HSL 24.38, 0.98%, 0.68%

LAB 73.63, 29.6, 48.17

 

CMYK 0 / 55 / 63 / 1

HEX #FD735D

RGB 253 115 93

HSL 8.25, 0.98%, 0.68%

LAB 64.91, 51.11, 37.74

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 31 / 0 / 63 / 1

HEX #AFFD5D

RGB 175 253 93

HSL 89.25, 0.98%, 0.68%

LAB 91.75, -48.36, 66.78

 

CMYK 48 / 0 / 63 / 1

HEX #84FD5D

RGB 132 253 93

HSL 105.38, 0.98%, 0.68%

LAB 89.83, -61.87, 64.13

 

CMYK 63 / 0 / 62 / 1

HEX #5DFD61

RGB 93 253 97

HSL 121.5, 0.98%, 0.68%

LAB 88.66, -70.89, 60.85

 

CMYK 63 / 0 / 44 / 1

HEX #5DFD8D

RGB 93 253 141

HSL 138, 0.98%, 0.68%

LAB 89.16, -65.17, 41.45

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 13 / 0 / 56 / 6

HEX #D2F06A

RGB 210 240 106

HSL 73.43, 0.82%, 0.68%

LAB 90.35, -28.68, 60.36

 

CMYK 10 / 0 / 47 / 11

HEX #CBE277

RGB 203 226 119

HSL 72.9, 0.65%, 0.68%

LAB 86.22, -23.54, 49.43

 

CMYK 8 / 0 / 38 / 16

HEX #C4D585

RGB 196 213 133

HSL 72.75, 0.49%, 0.68%

LAB 82.39, -18.34, 37.65

 

CMYK 6 / 0 / 27 / 22

HEX #BCC892

RGB 188 200 146

HSL 73.33, 0.33%, 0.68%

LAB 78.51, -13.14, 25.71

 

CMYK 0 / 20 / 63 / 1

HEX #FDCA5D

RGB 253 202 93

HSL 40.88, 0.98%, 0.68%

LAB 83.92, 6.65, 59.85

 

CMYK 0 / 3 / 63 / 1

HEX #FDF55D

RGB 253 245 93

HSL 57, 0.98%, 0.68%

LAB 94.73, -14.96, 71.48

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 30 / 0 / 63 / 1

HEX #B0FD5D

RGB 176 253 93

HSL 88.88, 0.98%, 0.68%

LAB 91.81, -48.01, 66.85

 

CMYK 47 / 0 / 63 / 1

HEX #85FD5D

RGB 133 253 93

HSL 105, 0.98%, 0.68%

LAB 89.87, -61.59, 64.18

 

CMYK 21 / 0 / 96 / 1

HEX #C7FC0B

RGB 199 252 11

HSL 73.2, 0.98%, 0.52%

LAB 92.48, -42.46, 88.49

 

CMYK 17 / 0 / 79 / 1

HEX #D1FC34

RGB 209 252 52

HSL 72.9, 0.97%, 0.6%

LAB 93.2, -37.7, 82.52

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 10 / 0 / 47 / 1

HEX #E3FD86

RGB 227 253 134

HSL 73.11, 0.97%, 0.76%

LAB 95.29, -25.79, 53.77

 

CMYK 7 / 0 / 31 / 0

HEX #ECFEAF

RGB 236 254 175

HSL 73.67, 0.98%, 0.84%

LAB 96.74, -18.3, 35.9

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 63 / 0 / 37 / 1

HEX #5DFDA0

RGB 93 253 160

HSL 145.13, 0.98%, 0.68%

LAB 89.45, -61.99, 32.46

 

CMYK 11 / 63 / 0 / 1

HEX #E05DFD

RGB 224 93 253

HSL 289.13, 0.98%, 0.68%

LAB 62.31, 72.4, -56.83

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 63 / 14 / 0 / 1

HEX #5DDAFD

RGB 93 218 253

HSL 193.13, 0.98%, 0.68%

LAB 81.6, -24.42, -27.37

 

CMYK 0 / 63 / 14 / 1

HEX #FD5DDA

RGB 253 93 218

HSL 313.13, 0.98%, 0.68%

LAB 64.78, 73.64, -33.2

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 63 / 0 / 37 / 1

HEX #5DFDA0

RGB 93 253 160

HSL 145.13, 0.98%, 0.68%

LAB 89.45, -61.99, 32.46

 

CMYK 49 / 63 / 0 / 1

HEX #805DFD

RGB 128 93 253

HSL 253.13, 0.98%, 0.68%

LAB 51.28, 52.49, -75.17

 

CMYK 0 / 63 / 26 / 1

HEX #FD5DBA

RGB 253 93 186

HSL 325.13, 0.98%, 0.68%

LAB 63.55, 69.37, -17.01

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 63 / 0 / 18 / 1

HEX #5DFDD0

RGB 93 253 208

HSL 163.13, 0.98%, 0.68%

LAB 90.38, -52.18, 9.28

 

CMYK 49 / 63 / 0 / 1

HEX #805DFD

RGB 128 93 253

HSL 253.13, 0.98%, 0.68%

LAB 51.28, 52.49, -75.17

 

CMYK 0 / 63 / 45 / 1

HEX #FD5D8A

RGB 253 93 138

HSL 343.13, 0.98%, 0.68%

LAB 62.12, 64.21, 8.49

 

Description

Color code: HEX #DAFD5D | qconv.com Color code: HEX #DAFD5D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 253 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 253 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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