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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4BA66 it is the complementary color #3B4599. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4BA66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C4BA66: #C9BA61, #DACC74, #EBDE87, #FCF09A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4BA66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C4BA66: #C4BA66, #B3A853, #A29640, #91842D and #80721A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 48 / 23

HEX #C4BA66

RGB 196 186 102

HSL 53.62, 0.44%, 0.58%

LAB 74.71, -7.97, 43.57

 

Complementary color

CMYK 61 / 55 / 0 / 40

HEX #3B4599

RGB 59 69 153

HSL 233.62, 0.44%, 0.42%

LAB 32.89, 22.78, -47.38

 

CMYK 0 / 7 / 52 / 21

HEX #C9BA61

RGB 201 186 97

HSL 51.35, 0.49%, 0.58%

LAB 75.08, -6.35, 46.57

 

CMYK 0 / 6 / 47 / 15

HEX #DACC74

RGB 218 204 116

HSL 51.76, 0.58%, 0.65%

LAB 81.48, -6.95, 45.36

 

CMYK 0 / 6 / 43 / 8

HEX #EBDE87

RGB 235 222 135

HSL 52.2, 0.71%, 0.73%

LAB 87.8, -7.46, 44.17

 

CMYK 0 / 5 / 39 / 1

HEX #FCF09A

RGB 252 240 154

HSL 52.65, 0.94%, 0.8%

LAB 94.03, -7.89, 43

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 5 / 48 / 23

HEX #C4BA66

RGB 196 186 102

HSL 53.62, 0.44%, 0.58%

LAB 74.71, -7.97, 43.57

 

CMYK 0 / 6 / 54 / 30

HEX #B3A853

RGB 179 168 83

HSL 53.13, 0.39%, 0.51%

LAB 68.18, -7.36, 44.77

 

CMYK 0 / 7 / 60 / 36

HEX #A29640

RGB 162 150 64

HSL 52.65, 0.43%, 0.44%

LAB 61.54, -6.62, 45.9

 

CMYK 0 / 9 / 69 / 43

HEX #91842D

RGB 145 132 45

HSL 52.2, 0.53%, 0.37%

LAB 54.77, -5.69, 46.81

 

CMYK 0 / 11 / 80 / 50

HEX #80721A

RGB 128 114 26

HSL 51.76, 0.66%, 0.3%

LAB 47.88, -4.5, 47.13

 

CMYK 0 / 5 / 48 / 23

HEX #C4BA66

RGB 196 186 102

HSL 53.62, 0.44%, 0.58%

LAB 74.71, -7.97, 43.57

 

CMYK 3 / 0 / 49 / 24

HEX #BEC364

RGB 190 195 100

HSL 63.16, 0.44%, 0.58%

LAB 76.62, -15.22, 46.74

 

CMYK 11 / 0 / 49 / 24

HEX #AEC364

RGB 174 195 100

HSL 73.26, 0.44%, 0.58%

LAB 75.42, -21.65, 45.01

 

CMYK 19 / 0 / 49 / 24

HEX #9EC364

RGB 158 195 100

HSL 83.37, 0.44%, 0.58%

LAB 74.33, -27.87, 43.44

 

CMYK 27 / 0 / 49 / 24

HEX #8FC364

RGB 143 195 100

HSL 92.84, 0.44%, 0.58%

LAB 73.41, -33.46, 42.1

 

CMYK 0 / 5 / 48 / 23

HEX #C4BA66

RGB 196 186 102

HSL 53.62, 0.44%, 0.58%

LAB 74.71, -7.97, 43.57

 

CMYK 0 / 5 / 48 / 3

HEX #F7EA81

RGB 247 234 129

HSL 53.39, 0.88%, 0.74%

LAB 91.78, -9.3, 52.2

 

CMYK 0 / 5 / 49 / 83

HEX #2B2916

RGB 43 41 22

HSL 54.29, 0.32%, 0.13%

LAB 16.29, -2.69, 12.79

 

CMYK 0 / 5 / 48 / 63

HEX #5E5931

RGB 94 89 49

HSL 53.33, 0.31%, 0.28%

LAB 37.38, -4.39, 23.79

 

CMYK 0 / 5 / 48 / 43

HEX #918A4B

RGB 145 138 75

HSL 54, 0.32%, 0.43%

LAB 56.79, -6.57, 34.47

 

CMYK 0 / 5 / 48 / 23

HEX #C4BA66

RGB 196 186 102

HSL 53.62, 0.44%, 0.58%

LAB 74.71, -7.97, 43.57

 

CMYK 49 / 0 / 45 / 24

HEX #64C36C

RGB 100 195 108

HSL 125.05, 0.44%, 0.58%

LAB 71.43, -46.26, 35.19

 

CMYK 25 / 49 / 0 / 24

HEX #9264C3

RGB 146 100 195

HSL 269.05, 0.44%, 0.58%

LAB 50.88, 37.38, -42.95

 

CMYK 0 / 5 / 48 / 23

HEX #C4BA66

RGB 196 186 102

HSL 53.62, 0.44%, 0.58%

LAB 74.71, -7.97, 43.57

 

CMYK 49 / 0 / 6 / 24

HEX #64C3B8

RGB 100 195 184

HSL 173.05, 0.44%, 0.58%

LAB 73.02, -30.81, -3.15

 

CMYK 6 / 49 / 0 / 24

HEX #B864C3

RGB 184 100 195

HSL 293.05, 0.44%, 0.58%

LAB 55.32, 48.11, -35.65

 

CMYK 0 / 5 / 48 / 23

HEX #C4BA66

RGB 196 186 102

HSL 53.62, 0.44%, 0.58%

LAB 74.71, -7.97, 43.57

 

CMYK 49 / 0 / 45 / 24

HEX #64C36C

RGB 100 195 108

HSL 125.05, 0.44%, 0.58%

LAB 71.43, -46.26, 35.19

 

CMYK 49 / 43 / 0 / 24

HEX #646FC3

RGB 100 111 195

HSL 233.05, 0.44%, 0.58%

LAB 49.52, 18.86, -45.36

 

CMYK 0 / 49 / 4 / 24

HEX #C364BB

RGB 195 100 187

HSL 305.05, 0.44%, 0.58%

LAB 56.39, 49.84, -29.29

 

CMYK 0 / 5 / 48 / 23

HEX #C4BA66

RGB 196 186 102

HSL 53.62, 0.44%, 0.58%

LAB 74.71, -7.97, 43.57

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 49 / 43 / 0 / 24

HEX #646FC3

RGB 100 111 195

HSL 233.05, 0.44%, 0.58%

LAB 49.52, 18.86, -45.36

 

CMYK 0 / 49 / 19 / 24

HEX #C3649E

RGB 195 100 158

HSL 323.37, 0.44%, 0.58%

LAB 55.26, 45.09, -14.23

 

Description

Color code: HEX #C4BA66 | qconv.com Color code: HEX #C4BA66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 186 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 186 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 48 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 48% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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