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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49A8C it is the complementary color #3B6573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49A8C shade: #C99A87, #DAAC9A, #EBBEAD, #FCD0C0 and #FFE2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49A8C shade: #C49A8C, #B38879, #A27666, #916453 and #805240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49A8C shade: #C49A8C and #C48C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49A8C shade: #C49A8C, #C4A98C, #C4B88C, #C0C48C and #B1C48C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49A8C shade matches the following richer shades: #C49A8C, #D2937E, #E08C70, #EE8562 and #FC7E54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49A8C shade: #C49A8C, #B6A19A, #A7A8A8, #99AFB6 and #8BB6C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49A8C shade: #C48C9C, #C48C8D, #C49A8C, #C4A98C and #C4B88C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49A8C shade: #A76A56, #B68271, #C49A8C, #D2B2A7 and #E0CAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49A8C shade: #C49A8C, #ABC48C and #8C94C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49A8C shade: #C49A8C, #8CC49A and #9A8CC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49A8C shade: #C49A8C, #ABC48C, #8CB6C4 and #A58CC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49A8C shade: #C49A8C, #9AC48C, #8CB6C4 and #B68CC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

Complementary color

CMYK 49 / 12 / 0 / 55

HEX #3B6573

RGB 59 101 115

HSL 195, 0.32%, 0.34%

LAB 40.37, -10.51, -12.44

 

CMYK 0 / 23 / 33 / 21

HEX #C99A87

RGB 201 154 135

HSL 17.27, 0.38%, 0.66%

LAB 67.49, 14.9, 16.74

 

CMYK 0 / 21 / 29 / 15

HEX #DAAC9A

RGB 218 172 154

HSL 16.88, 0.46%, 0.73%

LAB 74.03, 14.23, 15.67

 

CMYK 0 / 19 / 26 / 8

HEX #EBBEAD

RGB 235 190 173

HSL 16.45, 0.61%, 0.8%

LAB 80.46, 13.64, 14.67

 

CMYK 0 / 17 / 24 / 1

HEX #FCD0C0

RGB 252 208 192

HSL 16, 0.91%, 0.87%

LAB 86.81, 13.11, 13.74

 

CMYK 0 / 11 / 17 / 0

HEX #FFE2D3

RGB 255 226 211

HSL 20.45, 1%, 0.91%

LAB 91.84, 7.62, 10.96

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 0 / 24 / 32 / 30

HEX #B38879

RGB 179 136 121

HSL 15.52, 0.28%, 0.59%

LAB 60.4, 14.28, 14.41

 

CMYK 0 / 27 / 37 / 36

HEX #A27666

RGB 162 118 102

HSL 16, 0.24%, 0.52%

LAB 53.6, 15.06, 15.6

 

CMYK 0 / 31 / 43 / 43

HEX #916453

RGB 145 100 83

HSL 16.45, 0.27%, 0.45%

LAB 46.66, 15.97, 16.94

 

CMYK 0 / 36 / 50 / 50

HEX #805240

RGB 128 82 64

HSL 16.88, 0.33%, 0.38%

LAB 39.57, 17.06, 18.47

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 0 / 29 / 29 / 23

HEX #C48C8C

RGB 196 140 140

HSL 0, 0.32%, 0.66%

LAB 63.66, 21.31, 8.49

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 0 / 14 / 29 / 23

HEX #C4A98C

RGB 196 169 140

HSL 31.07, 0.32%, 0.66%

LAB 70.87, 5.43, 18.61

 

CMYK 0 / 6 / 29 / 23

HEX #C4B88C

RGB 196 184 140

HSL 47.14, 0.32%, 0.66%

LAB 74.77, -2.59, 23.93

 

CMYK 2 / 0 / 29 / 23

HEX #C0C48C

RGB 192 196 140

HSL 64.29, 0.32%, 0.66%

LAB 77.63, -10.4, 27.73

 

CMYK 10 / 0 / 29 / 23

HEX #B1C48C

RGB 177 196 140

HSL 80.36, 0.32%, 0.66%

LAB 76.51, -16.09, 26.04

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 0 / 30 / 40 / 18

HEX #D2937E

RGB 210 147 126

HSL 15, 0.48%, 0.66%

LAB 66.58, 21.17, 20.64

 

CMYK 0 / 38 / 50 / 12

HEX #E08C70

RGB 224 140 112

HSL 15, 0.64%, 0.66%

LAB 66.35, 29.02, 28.35

 

CMYK 0 / 44 / 59 / 7

HEX #EE8562

RGB 238 133 98

HSL 15, 0.8%, 0.66%

LAB 66.39, 37, 36.4

 

CMYK 0 / 50 / 67 / 1

HEX #FC7E54

RGB 252 126 84

HSL 15, 0.97%, 0.66%

LAB 66.72, 44.94, 44.66

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 0 / 12 / 15 / 29

HEX #B6A19A

RGB 182 161 154

HSL 15, 0.16%, 0.66%

LAB 67.85, 6.5, 6.44

 

CMYK 1 / 0 / 0 / 34

HEX #A7A8A8

RGB 167 168 168

HSL 180, 0.01%, 0.66%

LAB 68.79, -0.35, -0.13

 

CMYK 16 / 4 / 0 / 29

HEX #99AFB6

RGB 153 175 182

HSL 194.48, 0.17%, 0.66%

LAB 70.04, -6.08, -6.14

 

CMYK 29 / 7 / 0 / 23

HEX #8BB6C4

RGB 139 182 196

HSL 194.74, 0.33%, 0.66%

LAB 71.51, -10.99, -11.75

 

CMYK 0 / 29 / 20 / 23

HEX #C48C9C

RGB 196 140 156

HSL 342.86, 0.32%, 0.66%

LAB 64.07, 23.66, 0.03

 

CMYK 0 / 29 / 28 / 23

HEX #C48C8D

RGB 196 140 141

HSL 358.93, 0.32%, 0.66%

LAB 63.68, 21.45, 7.96

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 0 / 14 / 29 / 23

HEX #C4A98C

RGB 196 169 140

HSL 31.07, 0.32%, 0.66%

LAB 70.87, 5.43, 18.61

 

CMYK 0 / 6 / 29 / 23

HEX #C4B88C

RGB 196 184 140

HSL 47.14, 0.32%, 0.66%

LAB 74.77, -2.59, 23.93

 

CMYK 0 / 37 / 49 / 35

HEX #A76A56

RGB 167 106 86

HSL 14.81, 0.32%, 0.5%

LAB 50.92, 22.11, 21.36

 

CMYK 0 / 29 / 38 / 29

HEX #B68271

RGB 182 130 113

HSL 14.78, 0.32%, 0.58%

LAB 59.07, 17.82, 17.16

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 0 / 15 / 20 / 18

HEX #D2B2A7

RGB 210 178 167

HSL 15.35, 0.32%, 0.74%

LAB 75.03, 9.82, 9.9

 

CMYK 0 / 10 / 13 / 12

HEX #E0CAC3

RGB 224 202 195

HSL 14.48, 0.32%, 0.82%

LAB 82.93, 6.54, 6.28

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 13 / 0 / 29 / 23

HEX #ABC48C

RGB 171 196 140

HSL 86.79, 0.32%, 0.66%

LAB 76.09, -18.32, 25.4

 

CMYK 29 / 24 / 0 / 23

HEX #8C94C4

RGB 140 148 196

HSL 231.43, 0.32%, 0.66%

LAB 62.29, 8.08, -25.74

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 29 / 0 / 21 / 23

HEX #8CC49A

RGB 140 196 154

HSL 135, 0.32%, 0.66%

LAB 74.44, -26.76, 15.36

 

CMYK 21 / 29 / 0 / 23

HEX #9A8CC4

RGB 154 140 196

HSL 255, 0.32%, 0.66%

LAB 61.32, 16.97, -27.14

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 13 / 0 / 29 / 23

HEX #ABC48C

RGB 171 196 140

HSL 86.79, 0.32%, 0.66%

LAB 76.09, -18.32, 25.4

 

CMYK 29 / 7 / 0 / 23

HEX #8CB6C4

RGB 140 182 196

HSL 195, 0.32%, 0.66%

LAB 71.57, -10.7, -11.66

 

CMYK 16 / 29 / 0 / 23

HEX #A58CC4

RGB 165 140 196

HSL 266.79, 0.32%, 0.66%

LAB 62.29, 20.45, -25.57

 

CMYK 0 / 21 / 29 / 23

HEX #C49A8C

RGB 196 154 140

HSL 15, 0.32%, 0.66%

LAB 67.08, 13.61, 13.33

 

CMYK 21 / 0 / 29 / 23

HEX #9AC48C

RGB 154 196 140

HSL 105, 0.32%, 0.66%

LAB 74.98, -24.45, 23.71

 

CMYK 29 / 7 / 0 / 23

HEX #8CB6C4

RGB 140 182 196

HSL 195, 0.32%, 0.66%

LAB 71.57, -10.7, -11.66

 

CMYK 7 / 29 / 0 / 23

HEX #B68CC4

RGB 182 140 196

HSL 285, 0.32%, 0.66%

LAB 63.91, 25.95, -22.94

 

Description

Color code: HEX #C49A8C | qconv.com Color code: HEX #C49A8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 154 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 154 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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