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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAAC9A it is the complementary color #255365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAAC9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAAC9A shade: #DFAC95, #F0BEA8, #FFD0BB, #FFE2CE and #FFF4E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAAC9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAAC9A shade: #DAAC9A, #C99A87, #B88874, #A77661 and #96644E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAAC9A shade: #D9AC9A, #D99B9A and #D99A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAAC9A shade: #D9AC9A, #D9BD9A, #D9CE9A, #D4D99A and #C3D99A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAAC9A shade matches the following richer shades: #D9AC9A, #E4A78F, #F0A284 and #FB9D79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAAC9A shade: #D9AC9A, #CEB1A5, #C3B6B0, #B8BABB and #ADBFC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAAC9A shade: #D99AAB, #D99A9A, #D9AB9A, #D9BC9A and #D9CD9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAAC9A shade: #C37A5E, #CE937C, #D9AC9A, #E4C5B8 and #F0DDD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAAC9A shade: #DAAC9A, #BCD99A and #9AA2D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAAC9A shade: #DAAC9A, #9AD9AB and #AB9AD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAAC9A shade: #DAAC9A, #BCD99A, #9AC8D9 and #B89AD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAAC9A shade: #DAAC9A, #A9D99A, #9AC8D9 and #CB9AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 29 / 15

HEX #DAAC9A

RGB 218 172 154

HSL 16.88, 0.46%, 0.73%

LAB 74.03, 14.23, 15.67

 

Complementary color

CMYK 63 / 18 / 0 / 60

HEX #255365

RGB 37 83 101

HSL 196.88, 0.46%, 0.27%

LAB 32.96, -9.71, -15.16

 

CMYK 0 / 23 / 33 / 13

HEX #DFAC95

RGB 223 172 149

HSL 18.65, 0.54%, 0.73%

LAB 74.42, 15.51, 19.01

 

CMYK 0 / 21 / 30 / 6

HEX #F0BEA8

RGB 240 190 168

HSL 18.33, 0.71%, 0.8%

LAB 80.84, 14.86, 17.94

 

CMYK 0 / 18 / 27 / 0

HEX #FFD0BB

RGB 255 208 187

HSL 18.53, 1%, 0.87%

LAB 86.98, 13.54, 16.66

HEX #FFD0BB

CMYK 0 / 11 / 19 / 0

HEX #FFE2CE

RGB 255 226 206

HSL 24.49, 1%, 0.9%

LAB 91.73, 6.88, 13.41

HEX #FFE2CE

CMYK 0 / 4 / 12 / 0

HEX #FFF4E1

RGB 255 244 225

HSL 38, 1%, 0.94%

LAB 96.57, 0.58, 10.46

HEX #FFF4E1

CMYK 0 / 21 / 29 / 15

HEX #DAAC9A

RGB 218 172 154

HSL 16.88, 0.46%, 0.73%

LAB 74.03, 14.23, 15.67

 

CMYK 0 / 23 / 33 / 21

HEX #C99A87

RGB 201 154 135

HSL 17.27, 0.38%, 0.66%

LAB 67.49, 14.9, 16.74

 

CMYK 0 / 26 / 37 / 28

HEX #B88874

RGB 184 136 116

HSL 17.65, 0.32%, 0.59%

LAB 60.83, 15.65, 17.92

 

CMYK 0 / 29 / 42 / 35

HEX #A77661

RGB 167 118 97

HSL 18, 0.28%, 0.52%

LAB 54.06, 16.52, 19.22

 

CMYK 0 / 33 / 48 / 41

HEX #96644E

RGB 150 100 78

HSL 18.33, 0.32%, 0.45%

LAB 47.17, 17.54, 20.68

 

CMYK 0 / 21 / 29 / 15

HEX #D9AC9A

RGB 217 172 154

HSL 17.14, 0.45%, 0.73%

LAB 73.93, 13.85, 15.52

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9A

RGB 217 155 154

HSL 0.95, 0.45%, 0.73%

LAB 69.84, 23.03, 9.76

 

CMYK 0 / 29 / 29 / 15

HEX #D99A9A

RGB 217 154 154

HSL 0, 0.45%, 0.73%

LAB 69.61, 23.57, 9.43

 

CMYK 0 / 21 / 29 / 15

HEX #D9AC9A

RGB 217 172 154

HSL 17.14, 0.45%, 0.73%

LAB 73.93, 13.85, 15.52

 

CMYK 0 / 13 / 29 / 15

HEX #D9BD9A

RGB 217 189 154

HSL 33.33, 0.45%, 0.73%

LAB 78.16, 4.77, 21.38

 

CMYK 0 / 5 / 29 / 15

HEX #D9CE9A

RGB 217 206 154

HSL 49.52, 0.45%, 0.73%

LAB 82.5, -4.11, 27.3

 

CMYK 2 / 0 / 29 / 15

HEX #D4D99A

RGB 212 217 154

HSL 64.76, 0.45%, 0.73%

LAB 84.97, -11.63, 30.55

 

CMYK 10 / 0 / 29 / 15

HEX #C3D99A

RGB 195 217 154

HSL 80.95, 0.45%, 0.73%

LAB 83.74, -17.96, 28.67

 

CMYK 0 / 21 / 29 / 15

HEX #D9AC9A

RGB 217 172 154

HSL 17.14, 0.45%, 0.73%

LAB 73.93, 13.85, 15.52

 

CMYK 0 / 27 / 37 / 11

HEX #E4A78F

RGB 228 167 143

HSL 16.94, 0.61%, 0.73%

LAB 73.62, 19.4, 21.25

 

CMYK 0 / 33 / 45 / 6

HEX #F0A284

RGB 240 162 132

HSL 16.67, 0.78%, 0.73%

LAB 73.57, 25.54, 27.36

 

CMYK 0 / 37 / 52 / 2

HEX #FB9D79

RGB 251 157 121

HSL 16.62, 0.94%, 0.73%

LAB 73.55, 31.41, 33.49

 

CMYK 0 / 21 / 29 / 15

HEX #D9AC9A

RGB 217 172 154

HSL 17.14, 0.45%, 0.73%

LAB 73.93, 13.85, 15.52

 

CMYK 0 / 14 / 20 / 19

HEX #CEB1A5

RGB 206 177 165

HSL 17.56, 0.29%, 0.73%

LAB 74.37, 8.55, 10

 

CMYK 0 / 7 / 10 / 24

HEX #C3B6B0

RGB 195 182 176

HSL 18.95, 0.14%, 0.73%

LAB 74.95, 3.57, 4.7

 

CMYK 2 / 1 / 0 / 27

HEX #B8BABB

RGB 184 186 187

HSL 200, 0.02%, 0.73%

LAB 75.39, -0.5, -0.76

 

CMYK 13 / 4 / 0 / 22

HEX #ADBFC7

RGB 173 191 199

HSL 198.46, 0.19%, 0.73%

LAB 76.23, -4.51, -6.12

 

CMYK 0 / 29 / 21 / 15

HEX #D99AAB

RGB 217 154 171

HSL 343.81, 0.45%, 0.73%

LAB 70.04, 25.99, 0.59

 

CMYK 0 / 29 / 29 / 15

HEX #D99A9A

RGB 217 154 154

HSL 0, 0.45%, 0.73%

LAB 69.61, 23.57, 9.43

 

CMYK 0 / 21 / 29 / 15

HEX #D9AB9A

RGB 217 171 154

HSL 16.19, 0.45%, 0.73%

LAB 73.68, 14.39, 15.17

 

CMYK 0 / 13 / 29 / 15

HEX #D9BC9A

RGB 217 188 154

HSL 32.38, 0.45%, 0.73%

LAB 77.91, 5.3, 21.03

 

CMYK 0 / 6 / 29 / 15

HEX #D9CD9A

RGB 217 205 154

HSL 48.57, 0.45%, 0.73%

LAB 82.24, -3.6, 26.95

 

CMYK 0 / 37 / 52 / 24

HEX #C37A5E

RGB 195 122 94

HSL 16.63, 0.46%, 0.57%

LAB 58.35, 25.49, 27.21

 

CMYK 0 / 29 / 40 / 19

HEX #CE937C

RGB 206 147 124

HSL 16.83, 0.46%, 0.65%

LAB 66.09, 19.36, 21.02

 

CMYK 0 / 21 / 29 / 15

HEX #D9AC9A

RGB 217 172 154

HSL 17.14, 0.45%, 0.73%

LAB 73.93, 13.85, 15.52

 

CMYK 0 / 14 / 19 / 11

HEX #E4C5B8

RGB 228 197 184

HSL 17.73, 0.45%, 0.81%

LAB 81.78, 8.92, 10.55

 

CMYK 0 / 8 / 11 / 6

HEX #F0DDD6

RGB 240 221 214

HSL 16.15, 0.46%, 0.89%

LAB 89.44, 5.36, 5.78

 

CMYK 0 / 21 / 29 / 15

HEX #DAAC9A

RGB 218 172 154

HSL 16.88, 0.46%, 0.73%

LAB 74.03, 14.23, 15.67

 

CMYK 13 / 0 / 29 / 15

HEX #BCD99A

RGB 188 217 154

HSL 87.62, 0.45%, 0.73%

LAB 83.26, -20.52, 27.95

 

CMYK 29 / 25 / 0 / 15

HEX #9AA2D9

RGB 154 162 217

HSL 232.38, 0.45%, 0.73%

LAB 67.81, 9.55, -28.83

 

CMYK 0 / 21 / 29 / 15

HEX #DAAC9A

RGB 218 172 154

HSL 16.88, 0.46%, 0.73%

LAB 74.03, 14.23, 15.67

 

CMYK 29 / 0 / 21 / 15

HEX #9AD9AB

RGB 154 217 171

HSL 136.19, 0.45%, 0.73%

LAB 81.53, -29.28, 16.36

 

CMYK 21 / 29 / 0 / 15

HEX #AB9AD9

RGB 171 154 217

HSL 256.19, 0.45%, 0.73%

LAB 67.11, 19.17, -29.8

 

CMYK 0 / 21 / 29 / 15

HEX #DAAC9A

RGB 218 172 154

HSL 16.88, 0.46%, 0.73%

LAB 74.03, 14.23, 15.67

 

CMYK 13 / 0 / 29 / 15

HEX #BCD99A

RGB 188 217 154

HSL 87.62, 0.45%, 0.73%

LAB 83.26, -20.52, 27.95

 

CMYK 29 / 8 / 0 / 15

HEX #9AC8D9

RGB 154 200 217

HSL 196.19, 0.45%, 0.73%

LAB 77.99, -11.12, -13.37

 

CMYK 15 / 29 / 0 / 15

HEX #B89AD9

RGB 184 154 217

HSL 268.57, 0.45%, 0.73%

LAB 68.25, 23.2, -27.95

 

CMYK 0 / 21 / 29 / 15

HEX #DAAC9A

RGB 218 172 154

HSL 16.88, 0.46%, 0.73%

LAB 74.03, 14.23, 15.67

 

CMYK 22 / 0 / 29 / 15

HEX #A9D99A

RGB 169 217 154

HSL 105.71, 0.45%, 0.73%

LAB 82.05, -27.23, 26.11

 

CMYK 29 / 8 / 0 / 15

HEX #9AC8D9

RGB 154 200 217

HSL 196.19, 0.45%, 0.73%

LAB 77.99, -11.12, -13.37

 

CMYK 6 / 29 / 0 / 15

HEX #CB9AD9

RGB 203 154 217

HSL 286.67, 0.45%, 0.73%

LAB 70.05, 29.23, -25.04

 

Description

Color code: HEX #DAAC9A | qconv.com Color code: HEX #DAAC9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 172 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 172 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 29% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - 남양아이 쇼핑몰
Link: http://shopping.namyangi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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