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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49985 it is the complementary color #3B667A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49985. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C49985: #C99980, #DAAB93, #EBBDA6, #FCCFB9 and #FFE1CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49985. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C49985: #C49985, #B38772, #A2755F, #91634C and #805139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

Complementary color

CMYK 52 / 16 / 0 / 52

HEX #3B667A

RGB 59 102 122

HSL 199.05, 0.35%, 0.35%

LAB 40.96, -8.93, -15.8

 

CMYK 0 / 24 / 36 / 21

HEX #C99980

RGB 201 153 128

HSL 20.55, 0.4%, 0.65%

LAB 67.1, 14.56, 20.08

 

CMYK 0 / 22 / 33 / 15

HEX #DAAB93

RGB 218 171 147

HSL 20.28, 0.49%, 0.72%

LAB 73.63, 13.86, 18.94

 

CMYK 0 / 20 / 29 / 8

HEX #EBBDA6

RGB 235 189 166

HSL 20, 0.63%, 0.79%

LAB 80.07, 13.24, 17.88

 

CMYK 0 / 18 / 27 / 1

HEX #FCCFB9

RGB 252 207 185

HSL 19.7, 0.92%, 0.86%

LAB 86.42, 12.68, 16.89

 

CMYK 0 / 12 / 20 / 0

HEX #FFE1CC

RGB 255 225 204

HSL 24.71, 1%, 0.9%

LAB 91.45, 7.11, 14.05

 

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

CMYK 0 / 25 / 36 / 30

HEX #B38772

RGB 179 135 114

HSL 19.38, 0.3%, 0.57%

LAB 60, 13.93, 17.82

 

CMYK 0 / 28 / 41 / 36

HEX #A2755F

RGB 162 117 95

HSL 19.7, 0.26%, 0.5%

LAB 53.2, 14.77, 19.1

 

CMYK 0 / 32 / 48 / 43

HEX #91634C

RGB 145 99 76

HSL 20, 0.31%, 0.43%

LAB 46.26, 15.76, 20.55

 

CMYK 0 / 37 / 55 / 50

HEX #805139

RGB 128 81 57

HSL 20.28, 0.38%, 0.36%

LAB 39.19, 16.95, 22.19

 

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

CMYK 0 / 16 / 32 / 23

HEX #C4A486

RGB 196 164 134

HSL 29.03, 0.34%, 0.65%

LAB 69.48, 7.34, 19.96

 

CMYK 0 / 11 / 32 / 23

HEX #C4AF86

RGB 196 175 134

HSL 39.68, 0.34%, 0.65%

LAB 72.31, 1.41, 23.82

 

CMYK 0 / 6 / 32 / 23

HEX #C4B986

RGB 196 185 134

HSL 49.35, 0.34%, 0.65%

LAB 74.92, -3.9, 27.34

 

CMYK 0 / 1 / 32 / 23

HEX #C4C386

RGB 196 195 134

HSL 59.03, 0.34%, 0.65%

LAB 77.57, -9.11, 30.86

 

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

CMYK 0 / 22 / 32 / 3

HEX #F7C1A8

RGB 247 193 168

HSL 18.99, 0.83%, 0.81%

LAB 82.24, 15.93, 20

 

CMYK 0 / 21 / 33 / 83

HEX #2B221D

RGB 43 34 29

HSL 21.43, 0.19%, 0.14%

LAB 14.1, 3.31, 4.98

 

CMYK 0 / 22 / 32 / 63

HEX #5E4940

RGB 94 73 64

HSL 18, 0.19%, 0.31%

LAB 32.95, 7.43, 8.79

 

CMYK 0 / 22 / 32 / 43

HEX #917162

RGB 145 113 98

HSL 19.15, 0.19%, 0.48%

LAB 50.35, 10.35, 13.15

 

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

CMYK 16 / 0 / 32 / 23

HEX #A4C486

RGB 164 196 134

HSL 90.97, 0.34%, 0.65%

LAB 75.51, -21.77, 27.7

 

CMYK 32 / 29 / 0 / 23

HEX #868BC4

RGB 134 139 196

HSL 235.16, 0.34%, 0.65%

LAB 59.45, 11.49, -30.16

 

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

CMYK 32 / 0 / 21 / 23

HEX #86C49A

RGB 134 196 154

HSL 139.35, 0.34%, 0.65%

LAB 74.11, -28.66, 14.86

 

CMYK 21 / 32 / 0 / 23

HEX #9A86C4

RGB 154 134 196

HSL 259.35, 0.34%, 0.65%

LAB 59.8, 20.43, -29.48

 

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

CMYK 16 / 0 / 32 / 23

HEX #A4C486

RGB 164 196 134

HSL 90.97, 0.34%, 0.65%

LAB 75.51, -21.77, 27.7

 

CMYK 32 / 10 / 0 / 23

HEX #86B1C4

RGB 134 177 196

HSL 198.39, 0.34%, 0.65%

LAB 69.82, -9.79, -14.31

 

CMYK 15 / 32 / 0 / 23

HEX #A686C4

RGB 166 134 196

HSL 270.97, 0.34%, 0.65%

LAB 60.91, 24.18, -27.69

 

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

CMYK 26 / 0 / 32 / 23

HEX #91C486

RGB 145 196 134

HSL 109.35, 0.34%, 0.65%

LAB 74.33, -28.53, 25.91

 

CMYK 32 / 10 / 0 / 23

HEX #86B1C4

RGB 134 177 196

HSL 198.39, 0.34%, 0.65%

LAB 69.82, -9.79, -14.31

 

CMYK 6 / 32 / 0 / 23

HEX #B986C4

RGB 185 134 196

HSL 289.35, 0.34%, 0.65%

LAB 62.8, 30.28, -24.61

 

Description

Color code: HEX #C49985 | qconv.com Color code: HEX #C49985 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 153 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 153 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 32 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 32% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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