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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C47FE5 it is the complementary color #3B801A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C47FE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C47FE5: #C97FE0, #DA91F3, #EBA3FF, #FCB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C47FE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C47FE5: #C47FE5, #B36DD2, #A25BBF, #9149AC and #803799

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 45 / 0 / 10

HEX #C47FE5

RGB 196 127 229

HSL 280.59, 0.66%, 0.7%

LAB 63.81, 44.22, -41.4

 

Complementary color

CMYK 54 / 0 / 80 / 50

HEX #3B801A

RGB 59 128 26

HSL 100.59, 0.66%, 0.3%

LAB 47.55, -40.19, 45.14

 

CMYK 10 / 43 / 0 / 12

HEX #C97FE0

RGB 201 127 224

HSL 285.77, 0.61%, 0.69%

LAB 64.14, 44.63, -38.06

 

CMYK 10 / 40 / 0 / 5

HEX #DA91F3

RGB 218 145 243

HSL 284.69, 0.8%, 0.76%

LAB 70.61, 43.87, -38.31

 

CMYK 8 / 36 / 0 / 0

HEX #EBA3FF

RGB 235 163 255

HSL 286.96, 1%, 0.82%

LAB 76.73, 41.76, -35.19

 

CMYK 1 / 29 / 0 / 0

HEX #FCB5FF

RGB 252 181 255

HSL 297.57, 1%, 0.85%

LAB 82.36, 37.5, -26.39

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 14 / 45 / 0 / 10

HEX #C47FE5

RGB 196 127 229

HSL 280.59, 0.66%, 0.7%

LAB 63.81, 44.22, -41.4

 

CMYK 15 / 48 / 0 / 18

HEX #B36DD2

RGB 179 109 210

HSL 281.58, 0.53%, 0.63%

LAB 57.24, 45.02, -41.21

 

CMYK 15 / 52 / 0 / 25

HEX #A25BBF

RGB 162 91 191

HSL 282.6, 0.44%, 0.55%

LAB 50.6, 45.81, -40.97

 

CMYK 16 / 58 / 0 / 33

HEX #9149AC

RGB 145 73 172

HSL 283.64, 0.4%, 0.48%

LAB 43.89, 46.53, -40.64

 

CMYK 16 / 64 / 0 / 40

HEX #803799

RGB 128 55 153

HSL 284.69, 0.47%, 0.41%

LAB 37.15, 47.07, -40.14

 

CMYK 14 / 45 / 0 / 10

HEX #C47FE5

RGB 196 127 229

HSL 280.59, 0.66%, 0.7%

LAB 63.81, 44.22, -41.4

 

CMYK 7 / 44 / 0 / 11

HEX #D480E4

RGB 212 128 228

HSL 290.4, 0.65%, 0.7%

LAB 65.78, 48.09, -37.64

 

CMYK 0 / 44 / 0 / 11

HEX #E480E4

RGB 228 128 228

HSL 300, 0.65%, 0.7%

LAB 67.68, 52.72, -34.54

 

CMYK 0 / 44 / 7 / 11

HEX #E480D4

RGB 228 128 212

HSL 309.6, 0.65%, 0.7%

LAB 67.04, 49.95, -26.64

 

CMYK 0 / 44 / 14 / 11

HEX #E480C3

RGB 228 128 195

HSL 319.8, 0.65%, 0.7%

LAB 66.42, 47.18, -18.08

 

CMYK 14 / 45 / 0 / 10

HEX #C47FE5

RGB 196 127 229

HSL 280.59, 0.66%, 0.7%

LAB 63.81, 44.22, -41.4

 

CMYK 16 / 44 / 0 / 90

HEX #150E19

RGB 21 14 25

HSL 278.18, 0.28%, 0.08%

LAB 4.91, 5.12, -5.7

 

CMYK 14 / 45 / 0 / 70

HEX #412A4C

RGB 65 42 76

HSL 280.59, 0.29%, 0.23%

LAB 21.21, 17.93, -16.89

 

CMYK 14 / 45 / 0 / 50

HEX #6D467F

RGB 109 70 127

HSL 281.05, 0.29%, 0.39%

LAB 36.3, 27.67, -25.75

 

CMYK 15 / 44 / 0 / 30

HEX #9863B2

RGB 152 99 178

HSL 280.25, 0.34%, 0.54%

LAB 50.47, 35.75, -33.72

 

CMYK 14 / 45 / 0 / 10

HEX #C47FE5

RGB 196 127 229

HSL 280.59, 0.66%, 0.7%

LAB 63.81, 44.22, -41.4

 

CMYK 0 / 44 / 38 / 11

HEX #E4808D

RGB 228 128 141

HSL 352.2, 0.65%, 0.7%

LAB 64.85, 39.83, 10.14

 

CMYK 44 / 0 / 32 / 11

HEX #80E49A

RGB 128 228 154

HSL 135.6, 0.65%, 0.7%

LAB 83.13, -45.01, 27.22

 

CMYK 14 / 45 / 0 / 10

HEX #C47FE5

RGB 196 127 229

HSL 280.59, 0.66%, 0.7%

LAB 63.81, 44.22, -41.4

 

CMYK 0 / 14 / 44 / 11

HEX #E4C380

RGB 228 195 128

HSL 40.2, 0.65%, 0.7%

LAB 80.23, 2.91, 37.94

 

CMYK 44 / 0 / 14 / 11

HEX #80E4C3

RGB 128 228 195

HSL 160.2, 0.65%, 0.7%

LAB 83.97, -36.95, 7.01

 

CMYK 14 / 45 / 0 / 10

HEX #C47FE5

RGB 196 127 229

HSL 280.59, 0.66%, 0.7%

LAB 63.81, 44.22, -41.4

 

CMYK 0 / 44 / 38 / 11

HEX #E4808D

RGB 228 128 141

HSL 352.2, 0.65%, 0.7%

LAB 64.85, 39.83, 10.14

 

CMYK 29 / 0 / 44 / 11

HEX #A1E480

RGB 161 228 128

HSL 100.2, 0.65%, 0.7%

LAB 84.29, -38.76, 42.12

 

CMYK 44 / 0 / 6 / 11

HEX #80E4D7

RGB 128 228 215

HSL 172.2, 0.65%, 0.7%

LAB 84.47, -32.4, -2.81

 

CMYK 14 / 45 / 0 / 10

HEX #C47FE5

RGB 196 127 229

HSL 280.59, 0.66%, 0.7%

LAB 63.81, 44.22, -41.4

 

CMYK 0 / 37 / 44 / 11

HEX #E49080

RGB 228 144 128

HSL 9.6, 0.65%, 0.7%

LAB 68.02, 30.02, 21.84

 

CMYK 29 / 0 / 44 / 11

HEX #A1E480

RGB 161 228 128

HSL 100.2, 0.65%, 0.7%

LAB 84.29, -38.76, 42.12

 

CMYK 44 / 7 / 0 / 11

HEX #80D4E4

RGB 128 212 228

HSL 189.6, 0.65%, 0.7%

LAB 80.34, -21.4, -15.87

 

Description

Color code: HEX #C47FE5 | qconv.com Color code: HEX #C47FE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 127 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 127 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 45 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 45% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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