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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C46CF0CE it is the complementary color #3B930FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C46CF0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C46CF0CE shade: #C96CEBCE, #DA7EFECE, #EB90FFCE, #FCA2FFCE and #FFB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C46CF0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C46CF0CE shade: #C46CF0CE, #B35ADDCE, #A248CACE, #9136B7CE and #8024A4CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C46CF0CE shade: #C36BEF, #E76BEF, #EF6BD4, #EF6BB1 and #EF6B8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C46CF0CE shade: #C36BEF, #A06BEF, #7C6BEF and #6B6BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C46CF0CE shade matches the following richer shades: #C36BEF and #C85EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C46CF0CE shade: #C36BEF, #BF79E2, #BB86D5, #B693C8 and #B2A0BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C46CF0CE shade: #7D6BEF, #A06BEF, #C36BEF, #E76BEF and #EF6BD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C46CF0CE shade: #A521E8, #B446EC, #C36BEF, #D291F3 and #E2B6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C46CF0CE shade: #C46CF0, #EF6B7D and #6BEF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C46CF0CE shade: #C46CF0, #EFC36B and #6BEFC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C46CF0CE shade: #C46CF0, #EF6B7D, #97EF6B and #6BEFDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C46CF0CE shade: #C46CF0, #EF816B, #97EF6B and #6BD9EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 45 / 0 / 5

HEX #C46CF0CE

RGBA 196 108 240 0.81

HSLA 280, 0.81%, 0.68%, 0.81

LABA 60.56, 56.36, -52.64, 0.81

 

Complementary color

CMYK 48 / 0 / 73 / 34

HEX #3B930FCE

RGBA 59 147 15 0.81

HSLA 100, 0.81%, 0.32%, 0.81

LABA 53.85, -48, 53.85, 0.81

 

CMYK 12 / 44 / 0 / 6

HEX #C96CEBCE

RGBA 201 108 235 0.81

HSLA 283.94, 0.76%, 0.67%, 0.81

LABA 60.91, 56.6, -49.28, 0.81

 

CMYK 11 / 41 / 0 / 0

HEX #DA7EFECE

RGBA 218 126 254 0.81

HSLA 283.13, 0.98%, 0.75%, 0.81

LABA 67.26, 55.89, -49.57, 0.81

 

CMYK 6 / 35 / 0 / 0

HEX #EB90FFCE

RGBA 235 144 255 0.81

HSLA 289.19, 1%, 0.78%, 0.81

LABA 72.78, 51.63, -41.32, 0.81

 

CMYK 1 / 30 / 0 / 0

HEX #FCA2FFCE

RGBA 252 162 255 0.81

HSLA 298.06, 1%, 0.82%, 0.81

LABA 78.32, 47.37, -32.58, 0.81

 

CMYK 0 / 24 / 0 / 0

HEX #FFB4FFCE

RGBA 255 180 255 0.81

HSLA 300, 1%, 0.85%, 0.81

LABA 82.44, 38.96, -26.23, 0.81

 

CMYK 15 / 45 / 0 / 5

HEX #C46CF0CE

RGBA 196 108 240 0.81

HSLA 280, 0.81%, 0.68%, 0.81

LABA 60.56, 56.36, -52.64, 0.81

 

CMYK 15 / 48 / 0 / 11

HEX #B35ADDCE

RGBA 179 90 221 0.81

HSLA 280.76, 0.66%, 0.61%, 0.81

LABA 54.15, 57.02, -52.33, 0.81

 

CMYK 16 / 52 / 0 / 17

HEX #A248CACE

RGBA 162 72 202 0.81

HSLA 281.54, 0.55%, 0.54%, 0.81

LABA 47.73, 57.53, -51.89, 0.81

 

CMYK 17 / 57 / 0 / 23

HEX #9136B7CE

RGBA 145 54 183 0.81

HSLA 282.33, 0.54%, 0.46%, 0.81

LABA 41.34, 57.71, -51.21, 0.81

 

CMYK 18 / 63 / 0 / 29

HEX #8024A4CE

RGBA 128 36 164 0.81

HSLA 283.13, 0.64%, 0.39%, 0.81

LABA 35.07, 57.3, -50.14, 0.81

 

CMYK 18 / 55 / 0 / 6

HEX #C36BEF

RGB 195 107 239

HSL 280, 0.8%, 0.68%

LAB 60.2, 56.39, -52.66

 

CMYK 3 / 55 / 0 / 6

HEX #E76BEF

RGB 231 107 239

HSL 296.36, 0.8%, 0.68%

LAB 64.75, 65.51, -45.17

 

CMYK 0 / 55 / 11 / 6

HEX #EF6BD4

RGB 239 107 212

HSL 312.27, 0.8%, 0.68%

LAB 64.66, 63.19, -30.19

 

CMYK 0 / 55 / 26 / 6

HEX #EF6BB1

RGB 239 107 177

HSL 328.18, 0.8%, 0.68%

LAB 63.38, 58.21, -12.35

 

CMYK 0 / 55 / 41 / 6

HEX #EF6B8D

RGB 239 107 141

HSL 344.55, 0.8%, 0.68%

LAB 62.33, 53.97, 6.76

 

CMYK 18 / 55 / 0 / 6

HEX #C36BEF

RGB 195 107 239

HSL 280, 0.8%, 0.68%

LAB 60.2, 56.39, -52.66

 

CMYK 33 / 55 / 0 / 6

HEX #A06BEF

RGB 160 107 239

HSL 264.09, 0.8%, 0.68%

LAB 56.31, 47.85, -59.1

 

CMYK 48 / 55 / 0 / 6

HEX #7C6BEF

RGB 124 107 239

HSL 247.73, 0.8%, 0.68%

LAB 52.99, 39.84, -64.62

 

CMYK 55 / 55 / 0 / 6

HEX #6B6BEF

RGB 107 107 239

HSL 240, 0.8%, 0.68%

LAB 51.69, 36.5, -66.77

 

CMYK 18 / 55 / 0 / 6

HEX #C36BEF

RGB 195 107 239

HSL 280, 0.8%, 0.68%

LAB 60.2, 56.39, -52.66

 

CMYK 21 / 63 / 0 / 1

HEX #C85EFD

RGB 200 94 253

HSL 280, 0.98%, 0.68%

LAB 59.32, 66.62, -61.79

 

CMYK 18 / 55 / 0 / 6

HEX #C36BEF

RGB 195 107 239

HSL 280, 0.8%, 0.68%

LAB 60.2, 56.39, -52.66

 

CMYK 15 / 46 / 0 / 11

HEX #BF79E2

RGB 191 121 226

HSL 280, 0.64%, 0.68%

LAB 61.86, 45.38, -42.83

 

CMYK 12 / 37 / 0 / 16

HEX #BB86D5

RGB 187 134 213

HSL 280.25, 0.48%, 0.68%

LAB 63.69, 34.4, -32.76

 

CMYK 9 / 27 / 0 / 22

HEX #B693C8

RGB 182 147 200

HSL 279.62, 0.33%, 0.68%

LAB 65.74, 22.86, -22.39

 

CMYK 5 / 14 / 0 / 27

HEX #B2A0BB

RGB 178 160 187

HSL 280, 0.17%, 0.68%

LAB 68.16, 11.61, -11.5

 

CMYK 48 / 55 / 0 / 6

HEX #7D6BEF

RGB 125 107 239

HSL 248.18, 0.8%, 0.68%

LAB 53.07, 40.04, -64.49

 

CMYK 33 / 55 / 0 / 6

HEX #A06BEF

RGB 160 107 239

HSL 264.09, 0.8%, 0.68%

LAB 56.31, 47.85, -59.1

 

CMYK 18 / 55 / 0 / 6

HEX #C36BEF

RGB 195 107 239

HSL 280, 0.8%, 0.68%

LAB 60.2, 56.39, -52.66

 

CMYK 3 / 55 / 0 / 6

HEX #E76BEF

RGB 231 107 239

HSL 296.36, 0.8%, 0.68%

LAB 64.75, 65.51, -45.17

 

CMYK 0 / 55 / 11 / 6

HEX #EF6BD5

RGB 239 107 213

HSL 311.82, 0.8%, 0.68%

LAB 64.7, 63.35, -30.69

 

CMYK 29 / 86 / 0 / 9

HEX #A521E8

RGB 165 33 232

HSL 279.8, 0.81%, 0.52%

LAB 45.52, 77.63, -72.59

 

CMYK 24 / 70 / 0 / 7

HEX #B446EC

RGB 180 70 236

HSL 279.76, 0.81%, 0.6%

LAB 51.99, 69.19, -64.24

 

CMYK 18 / 55 / 0 / 6

HEX #C36BEF

RGB 195 107 239

HSL 280, 0.8%, 0.68%

LAB 60.2, 56.39, -52.66

 

CMYK 14 / 40 / 0 / 5

HEX #D291F3

RGB 210 145 243

HSL 279.8, 0.8%, 0.76%

LAB 69.77, 41.54, -39.68

 

CMYK 9 / 26 / 0 / 3

HEX #E2B6F7

RGB 226 182 247

HSL 280.62, 0.8%, 0.84%

LAB 79.81, 27.28, -26.23

 

CMYK 18 / 55 / 0 / 6

HEX #C46CF0

RGB 196 108 240

HSL 280, 0.81%, 0.68%

LAB 60.56, 56.36, -52.64

 

CMYK 0 / 55 / 48 / 6

HEX #EF6B7D

RGB 239 107 125

HSL 351.82, 0.8%, 0.68%

LAB 61.95, 52.41, 15.44

 

CMYK 55 / 0 / 40 / 6

HEX #6BEF8F

RGB 107 239 143

HSL 136.36, 0.8%, 0.68%

LAB 85.42, -56.67, 35.71

 

CMYK 18 / 55 / 0 / 6

HEX #C46CF0

RGB 196 108 240

HSL 280, 0.81%, 0.68%

LAB 60.56, 56.36, -52.64

 

CMYK 0 / 18 / 55 / 6

HEX #EFC36B

RGB 239 195 107

HSL 40, 0.8%, 0.68%

LAB 80.98, 5.49, 49.6

 

CMYK 55 / 0 / 18 / 6

HEX #6BEFC3

RGB 107 239 195

HSL 160, 0.8%, 0.68%

LAB 86.4, -46.63, 10.39

 

CMYK 18 / 55 / 0 / 6

HEX #C46CF0

RGB 196 108 240

HSL 280, 0.81%, 0.68%

LAB 60.56, 56.36, -52.64

 

CMYK 0 / 55 / 48 / 6

HEX #EF6B7D

RGB 239 107 125

HSL 351.82, 0.8%, 0.68%

LAB 61.95, 52.41, 15.44

 

CMYK 37 / 0 / 55 / 6

HEX #97EF6B

RGB 151 239 107

HSL 100, 0.8%, 0.68%

LAB 86.69, -49.26, 54.81

 

CMYK 55 / 0 / 7 / 6

HEX #6BEFDE

RGB 107 239 222

HSL 172.27, 0.8%, 0.68%

LAB 87.06, -40.3, -2.78

 

CMYK 18 / 55 / 0 / 6

HEX #C46CF0

RGB 196 108 240

HSL 280, 0.81%, 0.68%

LAB 60.56, 56.36, -52.64

 

CMYK 0 / 46 / 55 / 6

HEX #EF816B

RGB 239 129 107

HSL 10, 0.8%, 0.68%

LAB 65.84, 40.11, 30.81

 

CMYK 37 / 0 / 55 / 6

HEX #97EF6B

RGB 151 239 107

HSL 100, 0.8%, 0.68%

LAB 86.69, -49.26, 54.81

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

Description

Color code: HEX #C46CF0CE | qconv.com Color code: HEX #C46CF0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 108 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 108 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 45 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 45% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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