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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C469D2 it is the complementary color #3B962D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C469D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C469D2: #C969CD, #DA7BE0, #EB8DF3, #FC9FFF and #FFB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C469D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C469D2: #C469D2, #B357BF, #A245AC, #913399 and #802186

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 50 / 0 / 18

HEX #C469D2

RGB 196 105 210

HSL 292, 0.54%, 0.62%

LAB 58.5, 51.84, -39.09

 

Complementary color

CMYK 61 / 0 / 70 / 41

HEX #3B962D

RGB 59 150 45

HSL 112, 0.54%, 0.38%

LAB 55, -47.22, 45.42

 

CMYK 2 / 49 / 0 / 20

HEX #C969CD

RGB 201 105 205

HSL 297.6, 0.5%, 0.61%

LAB 58.91, 52.31, -35.58

 

CMYK 3 / 45 / 0 / 12

HEX #DA7BE0

RGB 218 123 224

HSL 296.44, 0.62%, 0.68%

LAB 65.32, 51.62, -36.08

 

CMYK 3 / 42 / 0 / 5

HEX #EB8DF3

RGB 235 141 243

HSL 295.29, 0.81%, 0.75%

LAB 71.68, 50.9, -36.5

 

CMYK 1 / 38 / 0 / 0

HEX #FC9FFF

RGB 252 159 255

HSL 298.13, 1%, 0.81%

LAB 77.7, 48.91, -33.53

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 7 / 50 / 0 / 18

HEX #C469D2

RGB 196 105 210

HSL 292, 0.54%, 0.62%

LAB 58.5, 51.84, -39.09

 

CMYK 6 / 54 / 0 / 25

HEX #B357BF

RGB 179 87 191

HSL 293.08, 0.45%, 0.55%

LAB 52.02, 52.47, -38.58

 

CMYK 6 / 60 / 0 / 33

HEX #A245AC

RGB 162 69 172

HSL 294.17, 0.43%, 0.47%

LAB 45.52, 52.93, -37.91

 

CMYK 5 / 67 / 0 / 40

HEX #913399

RGB 145 51 153

HSL 295.29, 0.5%, 0.4%

LAB 39.05, 53.06, -36.97

 

CMYK 4 / 75 / 0 / 47

HEX #802186

RGB 128 33 134

HSL 296.44, 0.6%, 0.33%

LAB 32.7, 52.57, -35.59

 

CMYK 7 / 50 / 0 / 18

HEX #C469D2

RGB 196 105 210

HSL 292, 0.54%, 0.62%

LAB 58.5, 51.84, -39.09

 

CMYK 0 / 50 / 2 / 18

HEX #D269CE

RGB 210 105 206

HSL 302.29, 0.54%, 0.62%

LAB 60.12, 55.03, -34.16

 

CMYK 0 / 50 / 10 / 18

HEX #D269BD

RGB 210 105 189

HSL 312, 0.54%, 0.62%

LAB 59.42, 52.16, -25.6

 

CMYK 0 / 50 / 18 / 18

HEX #D269AC

RGB 210 105 172

HSL 321.71, 0.54%, 0.62%

LAB 58.77, 49.49, -16.83

 

CMYK 0 / 50 / 27 / 18

HEX #D2699A

RGB 210 105 154

HSL 332, 0.54%, 0.62%

LAB 58.17, 46.91, -7.33

 

CMYK 7 / 50 / 0 / 18

HEX #C469D2

RGB 196 105 210

HSL 292, 0.54%, 0.62%

LAB 58.5, 51.84, -39.09

 

CMYK 0 / 50 / 0 / 98

HEX #060306

RGB 6 3 6

HSL 300, 0.33%, 0.02%

LAB 1.06, 1.2, -0.86

 

CMYK 7 / 49 / 0 / 78

HEX #351D39

RGB 53 29 57

HSL 291.43, 0.33%, 0.17%

LAB 15.12, 17.4, -13.4

 

CMYK 6 / 50 / 0 / 58

HEX #65366C

RGB 101 54 108

HSL 292.22, 0.33%, 0.32%

LAB 30.61, 30.25, -22.8

 

CMYK 7 / 50 / 0 / 38

HEX #94509F

RGB 148 80 159

HSL 291.65, 0.33%, 0.47%

LAB 44.99, 40.99, -31.16

 

CMYK 7 / 50 / 0 / 18

HEX #C469D2

RGB 196 105 210

HSL 292, 0.54%, 0.62%

LAB 58.5, 51.84, -39.09

 

CMYK 0 / 47 / 50 / 18

HEX #D27069

RGB 210 112 105

HSL 4, 0.54%, 0.62%

LAB 58.33, 37.73, 21.31

 

CMYK 50 / 0 / 27 / 18

HEX #69D29A

RGB 105 210 154

HSL 148, 0.54%, 0.62%

LAB 76.94, -43.22, 18.61

 

CMYK 7 / 50 / 0 / 18

HEX #C469D2

RGB 196 105 210

HSL 292, 0.54%, 0.62%

LAB 58.5, 51.84, -39.09

 

CMYK 0 / 7 / 50 / 18

HEX #D2C469

RGB 210 196 105

HSL 52, 0.54%, 0.62%

LAB 78.58, -7.11, 47.06

 

CMYK 50 / 0 / 7 / 18

HEX #69D2C4

RGB 105 210 196

HSL 172, 0.54%, 0.62%

LAB 77.92, -33.82, -2.42

 

CMYK 7 / 50 / 0 / 18

HEX #C469D2

RGB 196 105 210

HSL 292, 0.54%, 0.62%

LAB 58.5, 51.84, -39.09

 

CMYK 0 / 47 / 50 / 18

HEX #D27069

RGB 210 112 105

HSL 4, 0.54%, 0.62%

LAB 58.33, 37.73, 21.31

 

CMYK 43 / 0 / 50 / 18

HEX #77D269

RGB 119 210 105

HSL 112, 0.54%, 0.62%

LAB 76.7, -47.43, 43.43

 

CMYK 50 / 3 / 0 / 18

HEX #69CBD2

RGB 105 203 210

HSL 184, 0.54%, 0.62%

LAB 76.29, -26.87, -12.37

 

CMYK 7 / 50 / 0 / 18

HEX #C469D2

RGB 196 105 210

HSL 292, 0.54%, 0.62%

LAB 58.5, 51.84, -39.09

 

CMYK 0 / 31 / 50 / 18

HEX #D29069

RGB 210 144 105

HSL 22.29, 0.54%, 0.62%

LAB 65.49, 20.62, 30.74

 

CMYK 43 / 0 / 50 / 18

HEX #77D269

RGB 119 210 105

HSL 112, 0.54%, 0.62%

LAB 76.7, -47.43, 43.43

 

CMYK 50 / 18 / 0 / 18

HEX #69ACD2

RGB 105 172 210

HSL 201.71, 0.54%, 0.62%

LAB 67.4, -10.88, -25.85

 

Description

Color code: HEX #C469D2 | qconv.com Color code: HEX #C469D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 105 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 105 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 50 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 50% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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